李傑泉. / 論文(博士)--香港中文大學歷史學部, 1997. / 參考文獻: p. 318-340 / 中英文摘要. / Available also through the Internet via Dissertations & theses @ Chinese University of Hong Kong. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Li Jiequan. / Lun wen (Bo shi)--Xianggang Zhong wen da xue li shi xue bu, 1997. / Can kao wen xian: p. 318-340 / Zhong Ying wen zhai yao.

1Lothar von Falkenhausen, Chinese Society in the Age of Confucius (1000-250 BC): The Archaeological Evidence (Los Angeles: Cotsen Institute of Archaeology, University of California, 2006). / Furthermore, differentiation of jades used among different social classes is also considered throughout these discussions. Finally, this research concludes with the discussion of the discourse of the existence of regional differences of jade from the Eastern Zhou period; the outcome of the "Restructuring" and the characteristics of jade excavated from the Tomb of Marquis Yi of Zeng. This research is the only in-depth study of the Marquis Yi's jades known to date and should fill a major gap thirty years after their excavation. / Lothar von Falkenhausen proposed that a political movement occurred around 600 B.C., which resembled the Late Western Zhou Ritual Reform (circa 850 B.C.). He entitled this movement "the Middle Springs and Autumns Ritual Restructuring." 1 This "Restructuring" was advocated by a group of rulers of local polities who wished to strengthen their newly established kingdoms and reinstate social order through the restoration of religious and ritual ceremonies of the Western Zhou period. The "Restructuring" was characterized by a shift of social hierarchy and a change in religious content which had significant impact on people's lives in Eastern Zhou society. The main intention of this research is to find out the characteristics of jades from the Eastern Zhou Period and their relationship with the "Restructuring". / The focus and starting point of this study is a group of jades excavated from the tomb of the Marquis Yi of Zeng (died 430 BC). This undisturbed tomb yielded nearly three hundreds pieces of jade; they were well preserved and were highly representative for their remarkable quality and workmanship. / The third section will look at the issues surrounding the use and understanding of archaic jades during this period. The "Restructuring" advocated the restoration of religious cult and ritual of Late Western Zhou period, which lead to the employment of archaic jade and motifs borrowed from bronzes as potent political symbol and legitimacy. The fourth section discusses the ways in which the emergence of new religious ideologies affected the manufacturing of jades for burial. The belief of the afterworld and the existence of soul affected the production of burial jades in terms of functions, form and style. These burial jades show that the religious transformation of the Qin and Han Dynasty was, in fact, originated during the Warring States Period. / This investigation proceeds from four major perspectives. The first section studies how the set of sumptuary rules in the ceremonial system established after the "Western Zhou Ritual Reform" have been restored by the ruling class after the "Restructuring". This research has revealed that a new ceremonial system has been established after the "Restructuring" to justify users' political and social status. The second section examines the changing roles of jade in everyday contexts after the "Restructuring", from the perspectives of its value, function, and significance in society. The research has shown that although the feudal system has collapsed gradually with rapid social mobilization, jades were mostly confined to the upper class during the entire Eastern Zhou period. Their marvelous craftsmanship and enormous size were used to display users' political power, extraordinary taste and wealth. / 邱嘉汶. / Adviser: Jenny F. So. / Source: Dissertation Abstracts International, Volume: 72-01, Section: A, page: . / Thesis (doctoral)--Chinese University of Hong Kong, 2010. / Includes bibliographical references (p. 255-315). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Qiu Jiawen.

歐陽敬孝. / 論文(哲學博士)--香港中文大學, 2002. / 參考文獻 (p. 248-270). / 中英文摘要. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Ouyang Jingxiao. / Zhong Ying wen zhai yao. / Lun wen (zhe xue bo shi)--Xianggang Zhong wen da xue, 2002. / Can kao wen xian (p. 248-270).

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published_or_final_version / Chinese / Master / Master of Philosophy

published_or_final_version / Chinese / Master / Master of Philosophy

 The thesis deals with the concept of feminine sublimation among Chinese feminist writings and theory. Previous feminist readings of literary works of Chinese female writers tended to confuse the Freudian concept of sublimation with “aestheticized politics” and utopian desire. These feminist readings have concentrated on articulating an authentic subject beyond power relations. I would however, redefine the concept of feminine sublimation as a theoretical trope to articulate the possible emergence of female subjectivity within specific power relations. Although gender performativity has become a universally circulated concept to theorize the subversive depiction of female bodies in particular cultural contexts, I argue that any performative reiteration would not be adequately contextualized and historicized when its usage ignores issues of female subjectivity in terms of sublimation. Chapter one of the thesis begins with various feminist approaches to the relationship of sublimation and performativity. Chapter two re-reads a novel Song of Youth in the socialist era. The conventional conception of sublimation is re-examined contextually in a way that the consideration of gender performativity alone would not be able to do. Through reading a canonical work of the “nationalist feminist” writer Xiao Hong, chapter three delineates the relation between my redefined concept of feminine sublimation and the possibility of political coalition, and explains how this relation provides a totally different understanding of performative reiteration. I would finally redefines the fundamental relationship between feminist subjectivity and performative politics. / published_or_final_version / Comparative Literature / Master / Master of Philosophy

“Clothing always shows people’s personality.” said William Shakespeare. “Even we bow our heads with silence, our clothing and bearing will still reveal our past experiences.” As for a Chinese woman, Qipao reminds and even reveals her own background and roots. Qiapo is so widely recognized that people from different countries relate it to China once they see it. Such a Chinese female identity has been built for decades. Qipao has been seen as the National Costume throughout the 20th Century until nowadays. It expressed the patriotic purposes in the sense of Chinese and the rest of the world implicitly and explicitly. More importantly, it is an international symbol of Chinese femininity. The reason why Qipao can be preserved through history and time is that through the vicissitudes of the process of social and historical development, it has steadily given expression to the distinct character and individual style of the nation, making it distinctively different to the rest of the world. Qipao with its bewitching eastern charm, peerless style with its universal appeal established its unique place in the history of clothing in the world. It is an international symbol of Chinese femininity. In short, Qipao is a living heritage that has been evolving to adapt to the socio-historical circumstances of different times. This dissertation seeks to discover the process of this evolution through the tangibility and intangibility of Qipao. / published_or_final_version / Conservation / Master / Master of Science in Conservation

 This narrative study examines the consequence of the Cultural Revolution experience for the 1966-1976 primary school students, who are labeled as Little Red Guards. They retrospectively identify both gains and losses from their schooling experience during the Cultural Revolution, which contrasts with the traditional victim image of the Red Guard generation. This study focuses on the coexistence of their positive and negative voices, specifically asking how are the positive and negative voices formed in the narratives of the former Little Red Guards, and what are the perceived gains and losses over time. The field work was conducted in Beijing in 2009 and 2010. Data was collected through oral histories and analyzed relying on the method of personal narrative analysis. Forty-nine informants participated, and twenty-six cases were selected as major data sources. Given the range in participants’ ages, selected cases are classified into three groups: 1966 senior primary school students (Group-A), 1966 junior primary school students (Group-B), and students who enrolled in primary school in the 1970s (Group-C). Furthermore, due to their subjective voices, the narratives are also divided into four sub-categories: positive, negative, neither (neither-positive-nor-negative) and both (both-positive-and-negative) voices. The oral data is presented with impressive moments, events, and episodes (at the factual level), and their reflections and self-generalizations (at the interpretative level). Data analysis suggests that the positive and/or negative voices are closely linked with students’ past position in school, which involved three roles: activists, students with a bad label, and ordinary participants. The activists basically hold positive points due to their student leader experiences as well as the beneficial social practices they engaged in. The labeled students tend to put forward totally negative accounts because of excluded experiences, characterized by alienation, discriminations, and frustrations. The ordinary participants, on one hand, assign negative comments to the meaningless social practices they participated; on the other hand, also highlight untended positive consequences for their later life. The findings reveal two determining themes within the diverse narratives: involvements in the political activities and participation in social practice. The two themes indicate two significantly hidden tissues: ideological awareness (IA) and practical awareness (PA).Working as the internalized predisposition, IA and PA expose the embodied history of the former Little Red Guards and a historically embedded process of their self-construction. Concerning the revolutionary context of the 1966-1976 education reform, this study combines and integrates IA and PA as constituting a revolutionary habitus (RH).The positive accounts relating to IA and PA display an elaborative meaning of RH; whereas the negative narratives concerning IA and PA demonstrate the restrictive meaning of RH. Therefore, the potential gains lie in the attainment of strong confident leadership and pragmatic social practice; while the losses refer to the formation of a pervasive sensitivity to political issues and a destructive recognition of the practical-oriented education. The finding of RH also stimulates more reflective thinking about the legacy of the 1966-1976 radical education reform, from the perspective of former Little Red Guards. / published_or_final_version / Education / Doctoral / Doctor of Philosophy

Under every regime, marriage is one of the essential factors to affect the development of a country. Before the Tang Dynasty, the divorce system was already practiced in the Chinese society due to the long lasting ancient rites. In ancient China, ‘qichu’ and ‘yijue’ were the typical and traditional divorce ways, but not under the legal system. Under these systems, women got divorce with no consent always happened. The low status of women under the divorce system was obvious. In Tang Dynasty, the ancient feudal law with perfect contents was existed, which was ‘The Tang Law Dredges Opinion’. It innovated the marriage law in the Chinese history. Apart from the ‘qichu’ and ‘yijue’ divorce system, the ‘divorce with consent’ system is an important part of marriage law to show the status of women improved to some extent in Tang Dynasty. Under ‘divorce with consent’ system, women had the right to take the initiative to dissolve the marriage relationship. Based on the historical records and materials, such as ‘releasing wife book’, poems and epitaphs in Tang Dynasty, this paper would analysis the reality of practicing the ‘divorce with consent’ system and the influence of this system about the women’s status in Tang Dynasty. On the other hand, the reasons about the Tang emperors established this system also reflected the rise of women’s status in the certain extent, for instances, economic, political and cultural aspects. The paper contains two parts. The first part focuses on the practice about the traditional divorce systems before the Tang Dynasty. The historical course about the change of names on the divorce systems is briefly recorded. The practice about ‘qichu’, ‘yijue’ and ‘divorce with consent’ system are analyzed by the historical materials before Tang Dynasty in order to show the difference about the women’s status in the second part. The second part mainly focuses on analyzing ‘divorce with consent’ system in Tang Dynasty with the women’s relationship. The ‘releasing wife book’, poems and epitaphs is going to demonstrate the practice of the ‘divorce with consent’ system. This part would analyze the structure and content of the ‘releasing wife book’ in details. The words and procedures reflect the characteristics about women under the law of marriage. Besides, the Tang emperors set up the ‘divorce with consent’ system also had the consideration about their ruling. These specific concerns had close relationship with the legal marriage system. Therefore, women’s status must be affected by their ruling policy undoubtedly. / published_or_final_version / Chinese Historical Studies / Master / Master of Arts