陳強立. / 稿本(電腦打印本) / Thesis (Ph.d.)--香港中文大學哲學學部. / Gao ben (dian nao da yin ben) / Includes bibliographical references (leaves [134]-142). / Chen Qiangli. / Thesis (Ph.D.)--Xianggang Zhong wen da xue zhe xue xue bu. / 論文提纲 / 導言 --- p.1 / Chapter （上篇） --- 論晚清及當代儒家學者的文化反思方向 ´ؤ´ؤ「體用」論及「内聖外王」的思想格局 / Chapter 第一章 --- 從「體用」範疇的理論涵蘊看晚清「中體西用」思想的困局 / Chapter §1.1 --- 引言 --- p.5 / Chapter §1.2 --- 「體用」範疇的理論義蘊 --- p.6 / Chapter §1.3 --- 結語 --- p.12 / Chapter 第二章 --- 當代新儒家之（一）´ؤ´ؤ梁漱溟與熊十力的文化哲學 / Chapter §2.1 --- 引言 --- p.14 / Chapter §2.2 --- 梁漱溟的文化觀 --- p.15 / Chapter §2.3 --- 中國文化與儒家的獨特的理性主義 --- p.16 / Chapter §2.4 --- 熊十力的文化哲學 --- p.25 / Chapter 第三章 --- 當代新儒家之（二）一牟宗三之理性轉化理論 與「内聖外王」的再詮釋 / Chapter §3.1 --- 引言 --- p.31 / Chapter §3.2 --- 「内聖外王」的文化理想之再詮釋 --- p.32 / Chapter §3.3 --- 牟氏的理性轉化理論 --- p.36 / 總結 --- p.40 / Chapter 【下篇】 --- 論儒家政治理論傳统一一從政治之側面 檢討近百年儒家的文化發展構想 / Chapter 第四章 --- 重構儒家政治傳统的新進路 / Chapter §4.1 --- 引言 --- p.44 / Chapter §4.2 --- 史學與政治傳统 --- p.45 / Chapter §4.3 --- 倫理的政治觀 --- p.48 / Chapter §4.4 --- 政道與政治傳统 --- p.55 / Chapter §4.5 --- 政治典範與政治傳统 --- p.60 / Chapter 第五章 --- 兩種政治觀 / Chapter §5.1 --- 政治與道德 --- p.69 / Chapter §5.2 --- 利益平衡與人格提昇衡的政治觀 --- p.78 / Chapter §5.3 --- 儒家政治與人格提昇的政治觀 --- p.88 / Chapter 第六章 --- 先秦孺家政治思想之若干問題 / Chapter §6.1 --- 孔子政治思想 --- p.93 / Chapter §6.2 --- 孟子政治思想 --- p.94 / Chapter §6.3 --- 先秦儒家的合法性理論 --- p.97 / Chapter §6.4 --- 结語 --- p.102 / 總结 --- p.104 / 註釋 --- p.121 / 參考書目

江影紅. / 論文(碩士) -- 香港中文大學硏究院中國語言及文學學部, 1995. / 參考文獻: leaves 140-149. / Jiang Yinghong. / Chapter 第一章 --- 緖論 --- p.1 -1 9 / Chapter 第一節 --- 商代晚期金文中所見用以 紀日的祭名 / Chapter 第二節 --- 商代的「五種祭祀」概¨®Ơ / Chapter 第三節 --- 小 結 / Chapter 第二章 --- 商代晚期金文中所見的「翌」 --- p.20-50 / Chapter 第一節 --- 「翌」和「翌日」 / Chapter 第二節 --- 「翌」字的意義 / Chapter 第三節 --- 商代的翌祭 / Chapter 第四節 --- 小 結 / Chapter 第三章 --- 商代晚期金文中所見的「劦」 --- p.51-91 / Chapter 第一節 --- 「劦」和「劦日」 / Chapter 第二節 --- 「劦」的字義 / Chapter 第三節 --- 商代的劦祭 / Chapter 第四節 --- 小 結 / Chapter 第四章 --- 商代晚期金文中所見的「彡」 --- p.92-118 / Chapter 第一節 --- 「彡」和「彡日」 / Chapter 第二節 --- 「彡」的意義 / Chapter 第三節 --- 彡祭在不同時代的名稱 / Chapter 第四節 --- 商代的彡祭 / Chapter 第五節 --- 小 結 / Chapter 餘論 --- 商代晚期金文中的「彡」與 現代方言裏的時間詞的關係 --- p.119-130 / Chapter 第一節 --- 現代粤方言中使用「尋日」 的情況 / Chapter 第二節 --- 「尋日」與「彡」的關係 / Chapter 第三節 --- 小 結 / Chapter 第五章 --- 總結 --- p.131-139 / 參考資料 --- p.140-148

Thesis (M.Phil.)--Chinese University of Hong Kong. / Bibliography: leaves 165-183.

這份作品集包括三首我在修讀碩士課程時的作品。這三首作品代表了我思索及尋找如何表達中國元素的過程。創作過程中，我特意集中於三方面：中國樂器的獨特音色、小型樂隊中樂手之間的親暱、及樂手自發的創造力。而在探索這三方面的同時，我嘗試保留在中國文學常見的表現力，從而創作出一個充分表達中國元素的作品。 / 在第一首樂曲《亂了殘紅》中，我嘗試探索胡琴的獨特音色，在單一的音色組合當中（四部胡琴）尋找音色上的細微變化。另外，我亦嘗試運用有較大自由的記譜法，在給予樂手空間的同時，令他們有緊密的合作，令團隊中有一種緊密而又自然的合作。 / 在《風刀霜劍》中，我將這記譜法更廣泛地運用，而透過這記譜法，我希望可以解放樂手的創造力，同時有效地運用在中國傳統音樂中常見的即興元素。另外，中國樂器有不少先天的限制，我在尊重這些限制的前提下，嘗試在正常以外的演奏技巧，以加強表現力。 / 此後，我將《風刀霜劍》的成果運用於《殘月葬花》，希望從而可以在西方樂器的組合上體現中國文化的影響。在前作的基礎上，顧及到西方音樂訓練中沒有即興演奏的習慣，在記譜上作出了調整，但仍然保留對音色轉變的敏感以及演奏者的自由與緊密合作。而在這些的技巧上，我希望仍然能夠表達一個屬於中國文化的境象，以此作為我對中國文化的回應。 / The works included in this portfolio represent my continual effort to develop a solution for my search for an expression of my Chinese influences. I focus mainly on three aspects: the unique timbre of Chinese instruments, the intimacy of a small traditional Chinese music ensemble, and the spontaneity of individual performers. I attempt to include these three elements into my work while retaining an expressive quality that I find to be common in Chinese literature. The three works presented in this portfolio are my continual attempts to develop these ideas into a way of expression. / The first work in the portfolio, "Rummage through the Crimson", explores the unique timbre of huqin. The instrumentation (three erhus and one zhonghu) allows me to search for difference within a homogenous texture and thus to discover the timbral nuance available. I also experiment with a notation that at the same time allows freedom and requires cooperation among performers to create a cohesive and natural ensembleship. / The second work, "Slashes of Frost and Wind", extends the experimentation of notation to a greater scale. While using an ensemble of Chinese instruments, I try to utilize the freedom allowed by the notation to unleash the innate creativity of the performers and to evoke the improvisatory nature of their traditional playing. On the other hand, I explore the use of extended techniques while respecting the instrument's natural capabilities. / In "Flower Burial under a Pallid Moon", I attempt to transfer the findings from "Slashes of Frost and Wind" to a purely Western context, in the hopes of creating a piece of music that express Chinese elements while using Western instruments, so as to expand the expressive possibilities of such an ensemble. Many technical elements have been brought over, namely sensitivity to timbral nuance, improvisatory nature of the notation, and close cooperation while in a state of performance freedom. More suggestive descriptions are added to guide the performers in improvisatory passages. Most importantly, I retain a Chinese imagery that runs through the veins of all these three works. In essence, the technical attempts here merely try to approach a succinct expression of my Chinese influence. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Ting, Chung Wai. / Thesis (M.Mus.)--Chinese University of Hong Kong, 2012. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts also in Chinese; includes Chinese. / Abstract --- p.i / Acknowledgement --- p.iii / Rummage through the Crimson --- p.1 / Slashes of Frost and Wind --- p.16 / Flower Burial under a Pallid Moon --- p.27

本項研究旨在探討近代中國男性知識分子性別與國族論述之間的互動關係，藉以突顯近年學者利用後殖民性別/國族理論模式解釋上述問題的盲點和不足之處。 / 根據後殖民性別/國族理論的觀點，反殖民男性精英的性別與國族論述之間呈現出對立和矛盾，這成為了學者們以性別角度，批評近代中國國族主義的基調。然而，本研究要論證的正是這種後殖民性別/國族理論難以完全解釋近代中國歷史語境中的相關議題。 / 本文第一章探討康有為的「男女平等」論述如何假借儒家傳統「聖人」的論述模式，開拓現代性別平等的論說空間；第二章分析金天翮在晚清國族主義脈絡下建構的「女權」論述，如何為當時女權主義者打開批判男權統治的論述場域；第三章闡述周作人五四時期的「女性」論述如何通過新性道德討論，以及批判父權意識型態，創建女性主體性的論述模式；第四章解析張競生的「女體」論述如何將女性情慾與國族論述連結起來，開創女性情慾自主論的空間。通過四位知識分子的思想分析，本文勾勒出晚清以迄五四這個歷史階段較突出的性別/國族論述模式，闡釋近代中國性別與國族論述之間的互動關係。 / This research aims to explore the interactive relation between gender and nation in the discourse of the Modern Chinese intellectuals. Through details examination of the interactive discourse of gender and nation, this study seeks to demonstrate the inadequacy of the postcolonial critique of the nationalist bias on gender. / According to the gender analyses of the post-colonialists, gender and nation appear to be placed in opposition and conflict with one another. It is from this perspective of gender that many Chinese study scholars advance their critique on Chinese nationalism. However what I want to argue in this thesis is that such application of the post-colonial critique on gender and nation is over-representation of the gender/nation discourse in the context of Modern China. / In the first chapter of this thesis, I shall demonstrate how the discourse of Kang Youwei on “equality between men and women (「男女平等」)has revised the conception of the “Confucian sagefor the alignment with the modern discourse on equality of gender. In the second chapter, I shall how Chin Sung-ts’en’s(「金天翮」) dissemination of the conception of“ Women’s Right(「女權」) has inspired the female elite to criticize the patriarchy in the context of the national discourse on Late Qing period. In the third chapter, I shall examine how Zhou Zuoren’s(周作人) discourse on women (「女性」)has, through his participation in the construction of the “New Sexual Morality and his critique of the ideology of patriarchy, constructed the discursive foundation of female subjectivity during May Fourth period. And finally, in the fourth chapter, I shall explain how the discourse of the “female body (「女體」) by Zhang Jingsheng (張競生) reinstates female sexuality into the nationalism discourse and how such connection creates the site of liberation for female sexuality. / By analysis these four different intellectuals, this thesis has traced the development of these distinctive models of discourse on gender and nation, and demonstrated a mutually implicated relation between the two from the Late Qing to the May Fourth period in Modern China. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 凌子威. / Thesis (Ph.D.)--Chinese University of Hong Kong, 2012. / Includes bibliographical references (leaves 143-164). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Ling Ziwei. / 前言 --- p.1 / Chapter 第一章： --- 傳統與現代性的角力：晚清「男女平等」論的開展 --- p.21 / 康有為的《大同書》：「男女平等」論的「聖人」模式 --- p.27 / 打破「內外之防」：女子獨立人格的肯定 --- p.34 / 推翻家庭專制：「去家界」的激進主張 --- p.38 / 結論 --- p.45 / Chapter 第二章： --- 女權主義與國族主義之間：晚清「女權」論的催生 --- p.47 / 歐洲「女權」說翻譯與移植 --- p.51 / 金天翮的《女界鐘》：「女權」與「新中國」論的互涉 --- p.62 / 化私為公：塑造「國民之母」形象 --- p.65 / 「女權」與「民權」：建構中國女子革命論 --- p.72 / 結論 --- p.82 / Chapter 第三章： --- 「反傳統」與主體建構：五四「女性」論的確立 --- p.88 / 周作人及其「靈肉一致」女性觀的探索 --- p.91 / 重建新性道德：貞操、自由戀愛與婚姻制度 --- p.96 / 打破性禁忌：「不淨觀」與「假道學」 --- p.105 / 結論 --- p.111 / Chapter 第四章： --- 「性」與國家：五四「女體」論的爭議 --- p.113 / 強種與優生：由晚清「反纏足」到五四「產兒限制」 --- p.116 / 張競生及其「第三種水」論：女體歡愉/強種救國的另類想像 --- p.124 / 反客為主：女性情慾自主權 --- p.131 / 結論 --- p.136 / Chapter 結論： --- 近代中國「性別」與「國族」論述的互動 --- p.139 / 徵引書目 --- p.143

Thesis. 1976. M.ArchAS--Massachusetts Institute of Technology. Dept. of Architecture. / Microfiche copy available in Archives and Rotch. / Bibliography: leaves 163-164. / M.ArchAS

如果將崔健的專輯《新長征路上的搖滾》視為中國搖滾樂的正式開端，中國搖滾樂儼然已有近三十年的歷史。作為一種西方另類文化產品的追隨者，中國搖滾樂並沒有簡單複製西方搖滾樂史；作為一種流行次文化現象，中國搖滾樂生動地反映和再現着中國社會的面貌及其歷史變遷，而這一在中國文化語境下的反映和再現則正是中國搖滾樂作為一種風格的原創性所在。本文試圖探討中國搖滾樂中的「中國元素」。為了能夠縱觀這三十年的歷史，筆者特意挑選崔健、唐朝樂隊、二手玫瑰樂隊作為三個「十年」的突出代表來進行考察。 / 作為中國搖滾樂的先驅者，在崔健的音樂作品中保留著一種「紅色情結」，一些革命年代的印記依舊會在他的歌曲中顯現；另外，崔健的一句「一無所有」喊出了那一代青年人的心聲，這種直白地表達在當時不自覺地帶有了一種比較嚴肅的政治含意，也因此使中國搖滾樂的命運同西方搖滾樂一樣，最先以一種反叛的不安分子形象示人；唐朝樂隊是中國搖滾樂「黃金時代」的代表，對中國古代輝煌歷史時期的追憶，加之重金屬音樂風格的衝擊力，使其再造了一個理想的中國陽剛之氣──「文武雙全」；創新性地將搖滾和東北二人轉風格元素相結合使二手玫瑰樂隊成為近期中國搖滾樂的一朵奇葩， 他們既娛樂又嚴肅的反諷風格豐富了中國搖滾樂的語匯。通過對這三例的並置對比，本文意在論證三十年間中國搖滾樂中的「中國性」在體現方式上的微妙變化以及其風格演變的過程。 / Having a history of nearly thirty years, Chinese rock is not only a term that indicates a regional genre, but also a specific music style. Its originality lies in its intimate relation with the particular social and economic conditions of China. This thesis focuses on “Chineseness“ in Chinese rock, which covers musical characteristics, political identity, traditional and ancient culture and regional performing arts. In order to demonstrate its historical development, I choose and discuss three musical acts from each decade in Chinese rock history. They are Cui Jian in the 1980s, Tang Dynasty in the 1990s and Second Hand Rose after 2000. / Widely regarded as the forerunner of Chinese rock, Cui Jian’s music has a “red“ ideology; meanwhile, his brave expression of the inner youth voice of that generation also give Chinese rock a rebellious image from the very beginning. Tang Dynasty represents Chinese rock’s “golden age“. Through invoking a glorious period in China’s ancient history, they build an ideal Chinese masculinity in their style of heavy metal. Second Hand Rose innovatively absorbs elements from secular performing art in their music, criticizing new societal conditions in an ironic way. This thesis concludes with the view that the expression of “Chineseness in Chinese rock has been continually transforming throughout the decades, and those Chinese rock musicians’ attitudes toward an “ideal“ conceptualization of China have likewise also gradually changed. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Ren, Shaoren. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2013. / Includes bibliographical references and discographies. / Abstracts also in Chinese. / Abstract --- p.ii / Table of Contents --- p.iv / List of Figures --- p.v / Chapter Chapter I --- Introduction --- p.1 / Initial Research and Methodology --- p.2 / Chinese Rock in Historical Context --- p.5 / The “Chinese in Chinese Rock --- p.6 / Literature Review --- p.9 / Limits of This Study --- p.16 / Thesis Outline --- p.17 / Chapter Chapter II --- Cui Jian and Chinese Rock’s First On the New Long March --- p.19 / Alternative Military Song on the New Long March --- p.20 / “On a Stretch of Exhausted Earth, We Harvest Meager Hopes“ --- p.28 / Chapter Chapter III --- Tang Dynasty and Chinese Masculinity --- p.39 / China Calling for Heavy Metal --- p.40 / Tang Dynasty and Chinese Masculinity --- p.43 / Patriotism and Idealism --- p.57 / Chapter Chapter IV --- Second Hand Rose and Ironic Aesthetic --- p.62 / Spring Festival Gala and Twirling Duet --- p.64 / Twirling Duet Rock --- p.68 / “Big Bro, You’re Playing Rock, But What the Heck For?“ --- p.72 / Chapter Chapter V --- Conclusion --- p.83 / Maintaining Chineseness --- p.83 / Shifting Styles of Chineseness and Understanding “Ideals“ --- p.86 / Bibliography --- p.89

No description available.

Peng, Handa. / "August 2011." / Thesis (M.Phil.)--Chinese University of Hong Kong, 2011. / Includes bibliographical references (p. 81-83). / Abstracts in English and Chinese. / Abstract --- p.1 / 摘要 --- p.2 / Acknowledgements --- p.3 / Introduction --- p.6 / Chapter Section I --- Literature Review --- p.11 / Theories on Sovereign Default --- p.11 / Historical Case Studies on Sovereign Default --- p.15 / Brief Summary on the Existing Theories and Empirical Cases --- p.16 / Chapter Section II --- Historical Backgrounds --- p.21 / Political Instability and Military Expenditures --- p.21 / Fiscal Status during the rule of the Nanking Government --- p.22 / Silver Standard and Currency Reform in 1935 --- p.26 / Chapter Section III --- Sovereign Default and Restructuring Episodes of the Nanking Government --- p.29 / Data --- p.29 / Sovereign Debt as a Heritage --- p.30 / Background Information of the Debts --- p.34 / The Restructuring Episode --- p.37 / Market Reactions --- p.42 / Chapter Section IV --- Capital Market Access and Reputational Theories in the Restructuring Episode --- p.45 / Access to the International Capital Market --- p.45 / Relevance of the Traditional Reputational Model --- p.48 / Signaling Model and Role of Reputation --- p.51 / Chapter Section V --- Role of Sanctions in the Restructuring Episode --- p.57 / Analytical Framework of the Sanctions Model --- p.57 / Three Possible Channels of Direct Sanctions --- p.60 / Chapter Section VI --- Informational Explanation of the Restructuring Episode --- p.64 / A Practical Analytical Framework for the Informational Model --- p.64 / Issue of Credibility and Currency Reform --- p.66 / The Need for the Settlement of Old Debts --- p.68 / Outcomes --- p.73 / Summary --- p.77 / Conclusion --- p.79 / References --- p.81 / Chapter Appendix I --- Basic information on Chinese sovereign bonds traded in the London Stock Exchange --- p.84 / Chapter Appendix II --- Price of Chinese Sovereign Bonds traded in the London Stock Exchange --- p.86 / Chapter Appendix III --- Price level change around the settlement of two Tienstin-Pukow loans --- p.93 / Chapter Appendix IV --- "Price levels and yield to maturities of the Chinese sovereign bonds on November 1，1935 and June 25, 1937" --- p.94 / Chapter Table I --- Classification of Literatures on Cost of Sovereign Defaults --- p.17 / Chapter Graph I --- Fiscal Status of China in the Nanking Decade --- p.22 / Chapter Graph II --- Breakdown of Revenue --- p.23 / Chapter Graph III --- Breakdown of Expenditures --- p.24 / Chapter Graph IV --- Financing Methods of Government Deficit --- p.25 / Chapter Graph V --- Time Distribution of Borrowing and Defaulting of Old Debts --- p.32 / Chapter Table II --- Purpose of the Old Debts --- p.35 / Chapter Table III --- Lending Countries of the Old Debts --- p.35 / Chapter Table IV --- Collateral of the Old Debts --- p.36 / Chapter Table V --- Currency Denomination of the Old Debs --- p.37 / Chapter Graph VI --- Restructuring Time Distributions --- p.39 / Chapter Graph VII --- Time distribution of new debts obtained during the Nanjing government --- p.46 / Chapter Graph VIII --- Exports and Imports of China in 1921-1937 --- p.61 / Chapter Graph IX --- "Wholesale Price Index in Shanghai, 1929-1937" --- p.74 / Chapter Graph X --- Monthly Exchange Rate of Chinese Currency to U.S. Dollar (Indirect Quotation) --- p.74 / Chapter Graph XI --- "Net Domestic Capital Formation in China, 1931-1936" --- p.76 / Chapter Graph XII --- "Industrial Product and Its Growth Rate in China, 1928-1936" --- p.76

At the beginning of the ritual dispute, the position of the Grand Secretarial headed by Grand Secretary Yang Tinghe (1459-1429) was widely supported by the court officials. The reason was that its suggestion of unifying dynastic succession and imperial adoption for Shizong, making him the "son" of the late Emperor Xiaozong (1470-1505). Made perfect reuse to them, that position was strengthened by the reforms introduced by the Enthronement Decree, which was drafted by Yang Tinghe. / However, Shizong increasingly attempted to prevail with his personal will at the expanding of dynastic laws and rituals. His decreased father, the Prince of Xing, was titled "Sovereign Father by Birth" on the recommendations of the Grand Secretariat. In the third year of Jiajing (1524), supported by several junior officials, he wanted to get rid of the term "By birth" in his father's title and address Xiaozong, his adopted father, as "Sovereign Uncle". Two hundred and thirty odd officials gathered and cried at the Zuoshun Gate to protest. Shizong ordered them beaten and imprisoned. / Obviously, the "Great Ritual Controversy" was a great tragedy. It was so not only that protesting officials suffered physically and politically in the aftermath. The more far-reaching historical significance is that it brought about a change of political ethics of great consequences. (Abstract shortened by UMI.) / The "Great Ritual Controversy" (Daliyi) began soon after Emperor Shizong (1507-1566, reigned 1521-1566) succeeded the throne of his cousin, the Wuzong Emperor (1491-1521). The crux of the dispute was Shizong's insistence on paying his deceased father, who never reigned, ever increasing ritual homage. / The replacement of senior court officials caused a change to the political alignment of the court. The status of the grand secretariat and the ministries were badly affected. Court officials in general were no longer cooperating nor unified under the laws or conventional practice. The grand secretaries more and more became the Emperor's personal secretaries, while gaining more power. / This dissertation studies the performance of these officials during and after the dispute to provide better knowledge of this historical episode. It also intends to throw light on the moral spirit of the scholar-officials in the middle Ming. / 胡吉勛. / 論文(哲學博士)--香港中文大學, 2005. / 參考文獻(p. 567-586). / Adviser: Hung-lam Chu. / Source: Dissertation Abstracts International, Volume: 67-01, Section: A, page: 0297. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts also in English. / School code: 1307. / Lun wen (Zhe xue bo shi)--Xianggang Zhong wen da xue, 2005. / Can kao wen xian (p. 567-586). / Hu Jixun.