袁國華. / 論文(博士) -- 香港中文大學硏究院中國語言及文學學部, 1995. / 參考文献 : leaves 536-569. / Yuan Guohua. / 序 / Chapter 第一章 --- 緒論 --- p.1 / Chapter 第一節 --- 包山楚簡的發現 --- p.1 / Chapter 第二節 --- 包山楚簡的內容 --- p.4 / Chapter 一 --- 「文書」的內容 --- p.4 / Chapter (一) --- 「集箸」「集箸言」簡的內容 --- p.4 / Chapter (二) --- 「受□」簡的內容 --- p.6 / Chapter (三) --- 「疋獄」簡的內容 --- p.7 / Chapter (四) --- 欠標題簡的內容 --- p.9 / Chapter 二 --- 「卜筮祭禱紀錄」的內容 --- p.12 / Chapter 三 --- 「遣策」的內容 --- p.15 / Chapter 第三節 --- 包山楚簡的價值 --- p.19 / Chapter 一 --- 補充文獻的不足 --- p.19 / Chapter 二 --- 証明史書的可信 --- p.21 / Chapter 三 --- 印證其他楚簡的內容 --- p.22 / Chapter 四 --- 保存器物的名實 --- p.23 / Chapter 五 --- 有助古文字的考釋 --- p.25 / Chapter 第四節 --- 本文的研究範疇與目的 --- p.27 / Chapter 第二章 --- 包山楚簡所見名籍編制考 --- p.37 / Chapter 第一節 --- 「□典」意義的商榷 --- p.40 / Chapter 一 --- 「□」字的字形、讀音及意義 --- p.40 / Chapter 二 --- 「典」字的意義及其相關問題 --- p.55 / Chapter 三 --- 與「□典」有關簡文的釋讀 --- p.64 / Chapter 四 --- 釋「□典」 --- p.80 / Chapter 第二節 --- 名籍的種類 --- p.95 / Chapter 一 --- 玉□之典 --- p.99 / Chapter 二 --- □典 --- p.103 / Chapter 三 --- 陳豫之典 --- p.106 / Chapter 四 --- 某瘽之典 --- p.109 / Chapter 第三節 --- 名籍的編造與保管 --- p.112 / Chapter 一 --- 《周禮》所載名籍的編造與保管 --- p.112 / Chapter 二 --- 春秋戰國所載名籍的編造與保管 --- p.116 / Chapter 三 --- 包山楚簡所載名籍的編造與保管 --- p.120 / Chapter 第四節 --- 名籍的用途 --- p.123 / Chapter 一 --- 登除生死 --- p.123 / Chapter 二 --- 查證身分 --- p.127 / Chapter 三 --- 明別歸屬 --- p.130 / Chapter 第三章 --- 包山楚簡「受□」意義考 --- p.143 / Chapter 第一節 --- 「受□」意義的商榷 --- p.144 / Chapter 一 --- 「受□」即「受賄」說的商榷 --- p.144 / Chapter 二 --- 「受□」即「受稽」說的商榷 --- p.159 / Chapter 三 --- 「受□」即「接受年度考核」說的商榷 --- p.168 / Chapter 第二節 --- 釋「受□」 --- p.186 / Chapter 第三節 --- 「受□」簡的釋讀 --- p.191 / Chapter 第四節 --- 海外「受□」遺簡述要 --- p.202 / Chapter 一 --- 有一簡記二事者 --- p.202 / Chapter 二 --- 簡文內容有重覆出現者 --- p.206 / Chapter 三 --- 大事紀年所記地名有別者 --- p.208 / Chapter 第四章 --- 包山楚簡遣策所見「□」、「房□」、「鑐」等器物形制考 --- p.220 / Chapter 第一節 --- 「□」器形制考 --- p.220 / Chapter 一 --- 釋「□」 --- p.220 / Chapter 二 --- 釋「□」 --- p.232 / Chapter 三 --- 論「□」器的形制 --- p.248 / Chapter 第二節 --- 「房□」形制考 --- p.264 / Chapter 一 --- 釋「一房□」 --- p.264 / Chapter 二 --- 釋「房□」形制 --- p.274 / Chapter 第三節 --- 「鑐」鼎形制考 --- p.285 / Chapter 一 --- 釋「亥」 --- p.285 / Chapter 二 --- 釋「鑐」鼎的形制 --- p.293 / Chapter 第五章 --- 包山楚簡文字考釋 --- p.322 / Chapter 1 --- □ --- p.324 / Chapter 2 --- 頸 --- p.325 / Chapter 3 --- 戌 --- p.327 / Chapter 4 --- □ --- p.328 / Chapter 5 --- □、□、□ --- p.332 / Chapter 6 --- 主 --- p.336 / Chapter 7 --- □ --- p.340 / Chapter 8 --- 天 --- p.342 / Chapter 9 --- □ --- p.344 / Chapter 10 --- □ --- p.345 / Chapter 11 --- □ --- p.346 / Chapter 12 --- □ --- p.348 / Chapter 13 --- □ --- p.352 / Chapter 14 --- □ --- p.354 / Chapter 15 --- 受 --- p.355 / Chapter 16 --- □ --- p.359 / Chapter 17 --- □ --- p.360 / Chapter 18 --- □、□ --- p.361 / Chapter 19 --- □ --- p.362 / Chapter 20 --- 齊 --- p.362 / Chapter 21 --- 已 --- p.364 / Chapter 22 --- □ --- p.366 / Chapter 23 --- □ --- p.367 / Chapter 24 --- 常 --- p.367 / Chapter 25 --- 衣 --- p.371 / Chapter 26 --- □ --- p.372 / Chapter 27 --- □ --- p.373 / Chapter 28 --- □ --- p.375 / Chapter 29 --- 伬 --- p.376 / Chapter 30 --- □ --- p.379 / Chapter 附錄一： --- 重訂「包山楚簡」釋文 --- p.389 / Chapter 附錄二： --- 包山楚簡文字諸家考釋一覽表(一)(二) --- p.485 / 主要參考書目及其簡稱 --- p.536

李潔嫦. / 論文(哲學碩士) -- 香港中文大學硏究院音樂學部, 1998. / 參考文獻: leaves 99-106. / Li Jiechang. / 撮要 --- p.iii / Chapter 第一章 --- 地水南音源流槪說 / Chapter 一´Ø --- 引言 --- p.一 / Chapter 二´Ø --- 南音的起源和發展 --- p.二 / Chapter 三´Ø --- 有關南音的原始資料及研究 --- p.四 / Chapter 第二章 --- 地水南音在香港的發展(二十至九十年代） / Chapter 一´Ø --- 南音在香港早期的槪況 --- p.八 / Chapter 二´Ø --- 地水南音的衰落與戲台、粤曲南音的蓬勃(四十至六十年代） --- p.十九 / Chapter 三´Ø --- 七十年代 --- p.二五 / Chapter 四´Ø --- 八十年代至今 --- p.二八 / Chapter 第三章 --- 地水南音的音樂風格 / Chapter 一´Ø --- 引言 --- p.四三 / Chapter 二´Ø --- 唱詞結構 --- p.四四 / Chapter 三´Ø --- 板面及過序的處理 --- p.四八 / Chapter 四´Ø --- 《霸王別姬》音樂結構分析 --- p.五四 / Chapter 五. --- 《客途秋恨》：語言聲調與旋律的關係 --- p.六八 / Chapter 第四章 --- 近代唱者個案：杜煥及唐健垣 / Chapter 一´Ø --- 杜煥的生平及唱腔風格 --- p.七八 / Chapter 二´Ø --- 唐健垣的生平及唱腔風格 --- p.八三 / Chapter 三´Ø --- 結論 --- p.九十 / Chapter 第五章 --- 結論 --- p.九四 / 參考書目 --- p.九九 / 附錄一《霸王別姬》唱腔旋律記譜 --- p.一零七 / 附錄二 《霸王別姬》的唱腔分析 --- p.一一七 / 附錄三《客途秋恨》的唱腔分析 --- p.一三一 / 表目 / 表2-1 六十至八十年代南音演出及硏討會資料 --- p.三五 / 表2-2 香港灌錄及發行的南音唱片目錄 --- p.三七 / 表2-3 八十至九十年代南音演出和講座資料 --- p.三九 / 表3-1 --- p.五五 / 表3-2 --- p.五七 / 表3-3 --- p.六五 / 表3-4 --- p.六九 / 表3-5 --- p.七二 / 表4-1杜煥生平年表 --- p.八二 / 表4-2唐健垣生平年表 --- p.八八

陳芃欣. / Thesis (Ph.D.)--Chinese University of Hong Kong, 2013. / Includes bibliographical references (leaves 126-133). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstract in Chinese and English. / Chen Pengxin.

陶飛亞 = A Christian Utopia in China : a historical study of the Jesus Family (1921-1952) / Tao Feiya. / 論文(哲學博士)--香港中文大學, 2001. / 參考文獻 (p. 276-290) / 中英文摘要. / Available also through the Internet via Dissertations & theses @ Chinese University of Hong Kong. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Tao Feiya = A Christian Utopia in China : a historical study of the Jesus Family (1921-1952) / Tao Feiya. / Lun wen (Zhe xue bo shi)--Xianggang Zhong wen da xue, 2001. / Can kao wen xian (p. 276-290) / Zhong Ying wen zhai yao.

Wong King-chung. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2005. / Includes bibliographical references (leaves 66-78). / Abstracts in English and Chinese. / Abstract --- p.i / Abstract (Chinese) --- p.ii / Acknowledgement --- p.iii / Table of Contents --- p.v / List of Figures and Tables --- p.vii / Chapter Chapter 1´ؤ --- Introduction / A New Age of Sound --- p.1 / Academic Background and Related Studies --- p.2 / Chinese Music and the Media --- p.4 / The Present Study and Methodology --- p.5 / Chapter Chapter 2´ؤ --- SoundScape of China: The Influence of Ethnomusicology in China in the 1980´ةs / Introduction --- p.8 / From Comparative to Cultural: Chinese Music Scholarship in the Twentieth Century Mainland China --- p.10 / Revealing a Soundscape of Chinese Music´ؤDevelopment of Musical Genre Study --- p.13 / Concluding Remarks --- p.18 / Chapter Chapter 3´ؤ --- Mapping a Soundscape: Analyzing the HUGO CD Catalogue(s) / Introduction --- p.20 / "Classification, Category and Catalogue" --- p.20 / Recording Industry in Hong Kong --- p.22 / Aik Yeh-goh and HUGO Production (HK) Ltd --- p.28 / HUGO'S Label Division --- p.29 / Statistical Analysis of HUGO CD Catalogues --- p.31 / An Aural Map´ؤSoundscape of China --- p.38 / Concluding Remarks --- p.42 / Chapter Chapter 4´ؤ --- Whose Music? The Role of the HUGO CD Catalogue in Chinese Cultural Memory / Introduction --- p.44 / Communication Theory in Studying Recording Industry --- p.46 / Lasswell's 5-W Formula as a System --- p.46 / Lewin's Gatekeeping Theory --- p.50 / The Role of HUGO CD: Imagination of Chinese Music outside Mainland China --- p.52 / Concluding Remarks --- p.54 / Appendix A: Name List of Record Companies in Hong Kong before the 1990's --- p.56 / Appendix B: The Catalogue of the HUGO CDs --- p.58 / Selected Bibliography --- p.66

In 1923 Qu Qiu-bai returned from Soviet Russia to China and gradually aligned himself with the power nucleus of Chinese Communist Party as an important political theorist within the Party. Much of the polyphonic elements exemplary in Qu's thoughts, as seen in his earlier writings, had given way noticeably. As purported by mainstream academic queries, Qu's metamorphosis into a Bolshevik had often been accounted for his nevertheless brief stay at the Soviet Russia. The present study, however, confers a dissimilar view in attempting to locate the polyphonic registers in Qu's thoughts. It is found that Qu's thoughts had been characterized by a strong sense of polyphonic nature throughout, whether in his earlier or later works. / In resembling the overlooked complexity of Qu's thoughts, Chapter 3 goes on to inquire how Qu's construction of subjectivity is determined by his specific perspective of history---one which comprised of a synthesis of Creative Evolutionism and Dialectic Materialism. Such construction of subjectivity is important in understanding Qu's contested presence and agency in revolutionary political situations of the early 20th century. Chapter 3.1, thereafter, locates the relevance of Qu's construction of subjectivity to his notion of "orphan pushed away from track" in a re-reading of his widely acknowledged essay "Preface to Lu Xun's Collected Essays." This reading is coupled with a discussion of Qu's "Travel Notes on New Russia" through which Qu's specifications of "suicide" and spatial imagery of the heterotopias will be expounded. Working upon research outcome of this coupled query, a close reading of Qu's confessional note "Superfluous Words" will serves to elucidate Qu's proposition of a negated subjectivity. Chapter 3.4 gives a comparative analysis of the later political lives of Qu and Nikolai Bukharin. It attempts to establish that the outright negation of subjectivity is an implicit tendency in historical materialism. Lastly, Chapter 4 attempts to illustrate Qu's revolutionary subjectivity and his specific notion of pendulum time in recourse to the tropes of pendulum movements: "Revolution/Work," and "Love/Freedom." / The study begins with a topic of research that mainstream academic queries left mostly unanswered: namely, Qu's appropriations of Bergonism, the Yogacara School and Anarchism exemplary in his early writings. This line of query delineates how the 3 major traditions of thoughts compositely engaged Qu in his approach of Bolshevik political practices and Dialectic Materialism. On the basis of this, the study further examines the trajectory how Qu observed in his endorsement of Dialectic Materialism over Bergon's Creative Evolutionism (L'evolution Cretienne). The study also finds that such a pendulum movement from Philosophy of Life towards Dialectic Materialism largely concurred the thoughts and discourses of Italian Marxist Antonio Gramsci, a contemporary of Qu. Following this, the study compares the two men's notions and problematic of "the Intellectuals". A comparative analysis of Qu's theorization of the "Historical Tool" and Gramsci's "The Modern Prince" is offered at this part of study. / 張歷君. / Adviser: Lee Ou-Fan; Wang Wai Ching. / Source: Dissertation Abstracts International, Volume: 69-08, Section: A, page: 3146. / Thesis (doctoral)--Chinese University of Hong Kong, 2007. / Includes bibliographical references (p. 243-256). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / School code: 1307. / Zhang Lijun.

洪若震. / 論文(哲學博士)--香港中文大學, 2006. / 參考文獻(p. 273-285). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Lun wen (zhe xue bo shi)--Xianggang Zhong wen da xue, 2006. / Can kao wen xian (p. 273-285). / Hong Ruozhen.

王蘇琦. / Thesis (Ph.D.)--Chinese University of Hong Kong, 2010. / Includes bibliographical references (p. 357-385). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Wang Suqi.

University of Macau / Faculty of Social Sciences and Humanities / Department of Portuguese

University of Macau / Faculty of Social Sciences and Humanities / Department of Portuguese