蔡懿嫻. / 論文 (哲學碩士)--香港中文大學, 1999. / 參考文獻 (leaves 246-256). / 附中英文摘要. / Cai Yixian. / Lun wen (zhe xue shuo shi) -- Xianggang zhong wen da xue, 1999. / Can kao wen xian (leaves 246-256). / Fu Zhong Ying wen zhai yao. / 緒論 --- p.1 / Chapter (一) --- 硏究源起 --- p.1 / Chapter (二) --- 中國佛教音樂的硏究現況 --- p.1 / Chapter (三) --- 本選題的意義及硏究目的 --- p.5 / Chapter (四) --- 本論文採用之硏究方法 --- p.6 / Chapter 第一章 --- 佛教及其音樂在中國之發展槪況 --- p.8 / Chapter 第一節 --- 佛教之傳入 --- p.8 / Chapter 第二節 --- 佛教音樂在中國的發展槪況 --- p.10 / Chapter (一) --- 漢代至東晉的初弘階段 --- p.10 / Chapter (二) --- 南北朝的建立階段 --- p.12 / Chapter (三) --- 唐代的繁盛及定型化階段 --- p.13 / Chapter (四) --- 宋元至近代的衰微階段 --- p.15 / Chapter 第二章 --- 佛教在香港的發展槪況 --- p.18 / Chapter 第一節 --- 香港的三大古刹與佛教在香港的歷史槪況 --- p.18 / Chapter 第二節 --- 1900年至1940年佛教在香港的發展槪況 --- p.20 / Chapter 第三節 --- 戰後佛教在香港的發展 --- p.22 / Chapter 第三章 --- 香港的佛教儀式及法事音樂 --- p.24 / Chapter 第一節 --- 香港的佛教儀式 --- p.24 / Chapter (一) --- 《朝暮課誦》及《二時臨齋儀》 --- p.24 / Chapter (二) --- 佛教定期舉行的法事 --- p.25 / Chapter (三) --- 佛教不定期舉行的重要法事 --- p.26 / Chapter 第二節 --- 香港佛教法事音樂 --- p.28 / Chapter 第三節 --- 香港佛教法事音樂的傳授 --- p.29 / Chapter 第四章 --- 《焰口》佛事及其音樂 --- p.34 / Chapter 第一節 --- 《焰口》佛事簡介 --- p.34 / Chapter (一) --- 《焰口》佛事之起源 --- p.34 / Chapter (二) --- 《焰口》佛事之經文版本 --- p.34 / Chapter (三) --- 《焰口》佛事之舉行時間及地點 --- p.36 / Chapter (四) --- 《焰口》佛事之目的 --- p.36 / Chapter 第二節 --- 佛教天童精舍之法會 --- p.37 / Chapter (一) --- 佛教天童精舍之簡介 --- p.37 / Chapter (二) --- 天童精舍之《焰口》佛事 --- p.39 / Chapter (三) --- 《焰口》佛事之參與人員 --- p.41 / Chapter (四) --- 實地考查佛教天童精舍之《焰口》佛事 --- p.41 / Chapter (五) --- 《焰口》佛事之程序 --- p.42 / Chapter (六) --- 《焰口》佛事之音樂記譜 --- p.73 / Chapter 第五章 --- 《焰口》佛事音樂之形態分析 --- p.185 / Chapter 第一節 --- 《焰口》佛事的唱誦形式及經文分類 --- p.185 / Chapter (一) --- 《焰口》佛事的唱誦形式 --- p.185 / Chapter (二) --- 《焰口》佛事的經文分類 --- p.187 / Chapter 第二節 --- 《焰口》佛事梵唄的調式與音階 --- p.193 / Chapter (一) --- 調式 --- p.193 / Chapter (二) --- 調性的轉移 --- p.193 / Chapter (三) --- 音階與音域 --- p.194 / Chapter 第三節 --- 梵唄速度特點 --- p.198 / Chapter (一) --- 散一緊一快一慢 --- p.198 / Chapter (二) --- 散板 --- p.199 / Chapter (三) --- 固定節拍 --- p.199 / Chapter 第四節 --- 旋律的發展手法 --- p.199 / Chapter (一) --- 典型旋律型的運用 --- p.199 / Chapter (二) --- 典型旋律型的變化 --- p.203 / Chapter 第五節 --- 梵唄的結構型態 --- p.205 / Chapter (一) --- 單句反覆變奏體 --- p.205 / Chapter (二) --- 上下句反覆變奏體 --- p.205 / Chapter 第六節 --- 曲調運用手法 --- p.211 / Chapter (一) --- 一曲一詞 --- p.211 / Chapter (二) --- 一曲多用 --- p.211 / Chapter (三) --- 一詞多調 --- p.216 / Chapter (四) --- 套曲 --- p.227 / Chapter 第七節 --- 《焰口》佛事打擊法器的運用 --- p.229 / Chapter (一) --- 《焰口》佛事的打擊法器 --- p.229 / Chapter (二) --- 《焰口》佛事打擊法器的伴奏方式 --- p.232 / Chapter 第八節 --- 儀式音樂在佛教儀式中的意義 --- p.234 / Chapter 第九節 --- 《焰口》佛事與外圍文化的關係 --- p.235 / 總結 --- p.243 / 參考書目 --- p.246

葉天賜. / "2003年8月". / 論文(哲學碩士)--香港中文大學, 2003. / 參考文獻 (leaves 177-189). / 附中英文摘要. / "2003 nian 8 yue". / Ye Tianci. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2003. / Can kao wen xian (leaves 177-189). / Fu Zhong Ying wen zhai yao. / 論文提要 / Chapter 第一章 --- 導論 --- p.´þ / Chapter 第二章 --- 元代徽州理學的發展 --- p.（8) / Chapter 第一節 --- 南宋末的徽州儒學 --- p.（8) / Chapter 第二節 --- 元代的徽州儒學 --- p.（13) / Chapter 第三章 --- 鄭玉的生平與學術思想 --- p.（51) / Chapter 第一節 --- 鄭玉的生平及其出處問題之討論 --- p.（55) / Chapter 第二節 --- 鄭玉的“春秋學´ح和《春秋闕疑》 --- p.（66) / Chapter 第三節 --- 鄭玉的儒學思想 --- p.（83) / Chapter 第四章 --- 趙汸的生平與學術思想 --- p.（100) / Chapter 第一節 --- 趙汸的生平與著述 --- p.（100) / Chapter 第二節 --- 趙汸的“春秋學´ح --- p.（111) / Chapter 第三節 --- 趙汸的儒學思想 --- p.（144) / Chapter 第五章 --- 結語 --- p.（173) / 參考書目 --- p.（178)

吳偉強. / 論文(哲學碩士)--香港中文大學, 1998. / 參考文獻: leaves 151-156. / 中英文摘要. / Wu Weiqiang. / Chapter 第一章 --- 問題闡述 --- p.1 / Chapter 第一節 --- 前言 --- p.1 / Chapter 第二節 --- 硏究背景 --- p.3 / Chapter 第二章 --- 文獻综述 --- p.10 / Chapter 第一節 --- 民族國家理論 --- p.10 / Chapter 第二節 --- 敎育對民族國家的貢獻 --- p.15 / Chapter 第三節 --- 中國近代知識份子的民族國家觀念述評 --- p.19 / Chapter 一. --- 建構内的主張一魏源「師夷之長技以制夷」和 早期議院論 --- p.20 / Chapter 二. --- 建構外的迥響一由王韜至譚嗣同 --- p.21 / Chapter 第三章 --- 研究設計 --- p.28 / Chapter 第一節 --- 研究問題 --- p.28 / Chapter 第二節 --- 研究對象 --- p.28 / Chapter 第三節 --- 研究方法 --- p.31 / Chapter 一. --- 定性研究 --- p.31 / Chapter 二. --- 内容分析法 --- p.32 / Chapter 三. --- 研究限制 --- p.35 / Chapter 第四章 --- 梁啓超、張之洞「民族國家觀念」的比較 --- p.37 / Chapter 第一節 --- 新觀念的發韌 --- p.38 / Chapter 第二節 --- 《新民¨®Ơ》中的「自甴主義」民族國家思想 --- p.45 / Chapter 第三節 --- 《開明專制論》透示的集體主義 --- p.51 / Chapter 第四節 --- 張之洞「中體西用論」文化觀 --- p.59 / Chapter 第五章 --- 民族國家底下的「民」 --- p.67 / Chapter 第一節 --- 張之洞的「子民」觀念 --- p.68 / Chapter 一. --- 「民」惟邦本，本固邦寧 --- p.68 / Chapter 二. --- 「保」民而王，天下莫之能禦也 --- p.70 / Chapter 三. --- 精忠「報」國 --- p.74 / Chapter 第二節 --- 梁啓超的「公民」性格 --- p.76 / Chapter 一. --- 主權在民 --- p.77 / Chapter 二. --- 「動」與公民性格 --- p.78 / Chapter 三. --- 「群性」與公民 --- p.82 / Chapter 第三節 --- 「子民」和「公民」的社會功能 --- p.84 / Chapter 第六章 --- 變法與敎育 --- p.91 / Chapter 第一節 --- 張之洞高度結構分殊取向與君權神授的協奏曲 --- p.92 / Chapter 一. --- 《勸學篇》中高度結構分殊取向 --- p.92 / Chapter 二. --- 「癸卯學制」的中體西用精神 --- p.97 / Chapter 第二節 --- 梁啓超普遍參與的取向 --- p.105 / Chapter 一. --- 「群性j與普遍參與取向 --- p.109 / Chapter 二. --- 《敎育政策私議》下「動」的敎學法 --- p.111 / Chapter 三. --- 從湖南時務學堂回顧「動」和「群性」 --- p.116 / Chapter 第三節 --- 報刊和學會的社會敎育 --- p.119 / Chapter 一. --- 官報宣國是，民報達民内情 --- p.121 / Chapter 二. --- 學會報刊的公共空間與普遍參與取向 --- p.123 / Chapter 第七章 --- 總結 --- p.128 / Chapter 第一節 --- 民族國家觀念再詮釋 --- p.128 / Chapter 第二節 --- 民族國家在當代的困境與契機 --- p.131 / Chapter 第三節 --- 結語 --- p.136 / 附錄 --- p.138 / 參考書目 --- p.151

by Sze Ho-Yee. / Thesis (M.B.A.)--Chinese University of Hong Kong, 1999. / Includes bibliographical references (leaves 48-49). / ABSTRACT --- p.ii / TABLE OF CONTENTS --- p.iii / Chapter / Chapter I. --- INTRODUCTION --- p.1 / General Background --- p.1 / Research Objectives --- p.3 / Framework of the Study --- p.3 / Chapter II. --- LITERATURE REVIEW --- p.4 / Chapter III. --- TYPICAL CENTRAL BANK FUNCTIONS --- p.8 / Policy Function --- p.8 / Banking Function --- p.9 / Prudential Function --- p.10 / Developmental and Research Function --- p.10 / Chapter IV. --- A REVIEW OF THE BANKING INDUSTRY IN CHINA --- p.12 / The Central Bank --- p.12 / State Specialized Banks --- p.13 / Policy Banks --- p.14 / Other Commercial banks and Foreign Banks --- p.15 / Chapter V. --- ROLE OF THE PEOPLE'S BANK OF CHINA AND THE UNDERLYING LEGAL FRAMEWORK --- p.16 / Formation of PBOC --- p.16 / Establishment of a legal framework for the Central Bank - PBOC --- p.17 / Autonomy of the Central Bank - PBOC --- p.17 / Primary Objective of the Central Bank - PBOC --- p.18 / Functions of the Central Bank - PBOC --- p.19 / Monetary Control --- p.19 / Prudential Regulatory Control --- p.21 / Currency Issuance and Payment Transfer Systems Control --- p.21 / Legal Entity --- p.22 / Chapter VI. --- EVOLUTION OF THE ROLE OF THE PBOC --- p.23 / "PBOC as a ""Monobank""" --- p.24 / PBOC as an Independent Ministry --- p.25 / PBOC as the Central bank --- p.26 / Independence of the PBOC --- p.27 / Degree of autonomy for the PBOC --- p.28 / Chapter VII. --- FACTORS CONTRIBUTING TO THE CHANGES OF PBOC'S ROLE --- p.30 / Institutional Change --- p.30 / Economic Reforms --- p.32 / Market Competition --- p.33 / Chapter VIII. --- CONCLUSION --- p.35 / APPENDIX --- p.37 / BIBLIOGRAPHY --- p.48

李卓偉. / "2010年9月". / "2010 nian 9 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2010. / Includes bibliographical references (leaves 162-176). / Abstract in Chinese and English. / Li Zhuowei. / Chapter 第一章 --- 引言 / Chapter 1. --- 研究意義 --- p.1 / Chapter 2. --- 研究方法 --- p.3 / Chapter 第二章 --- 前人研究回顧 / Chapter 1. --- 法制史研究 --- p.7 / Chapter 2. --- 政治史研究 --- p.12 / Chapter 3. --- 二十一世紀新的研究趨向 --- p.18 / Chapter 第三章 --- 釋「盜賊」´ؤ兩漢時期的意義和用法 / Chapter 1. --- 兩漢時期「盜賊」釋義 --- p.23 / Chapter 2. --- 兩漢時期的「盜賊」和「盜」、「賊」釋義 --- p.32 / Chapter 3. --- 兩漢時期的「盜賊」和「群盜」、「大賊」 --- p.36 / Chapter 4. --- 兩漢時期的「盜賊」和「兗州」關連 --- p.41 / Chapter 第四章 --- 兗州吏治與盜賊防治 / Chapter 1. --- 吏治得失與防、治盜賊 --- p.45 / Chapter 2. --- 制度中防、治盜賊的成份 --- p.48 / Chapter 3. --- 官吏施政與盜賊防、治 --- p.56 / Chapter 4. --- 監察制度與盜賊防、治 --- p.60 / Chapter 第五章 --- 減災措施與盜賊防治 / Chapter 1. --- 兗州的災害特點 --- p.67 / Chapter 2. --- 減災建設的管理情況 --- p.72 / Chapter 3. --- 隄、城 --- p.74 / Chapter 4. --- 渠、陂 --- p.79 / Chapter 第六章 --- 盜賊防治與糧食供應 / Chapter 1. --- 糧食供應與盜賊防治 --- p.83 / Chapter 2. --- 地方農業管理 --- p.88 / Chapter 3. --- 農作物類別 --- p.91 / Chapter 4. --- 耕種方法 --- p.97 / Chapter 第七章 --- 總結 --- p.104 / 參考書目 / 附表 / 附表一:盜賊地域分佈表 / 附表二:兩漢時期統治者防治盜賊方法統計表 / 附表三:兩漢時期的文字記載中達致盜賊日少的方法統計表 / 附表四:兩漢時期盜賊成因統計表 / 附表五:《二年律令》中「盜」的行為 / 附表六:《二年律令》中「賊」的行為 / 附表七:兩漢時期兗州郡縣增廢比較 / 附表八:兩漢時期兗州刺史出身 / 附表九:兩漢時期兗州刺史出身統計表 / 附表十:兩漢時期兗州國相出身 / 附表十一:兩漢時期兗州國相出身統計表 / 附表十二:兩漢時期兗州郡守出身 / 附表十三:兩漢時期兗州郡守出身統計表 / 附表十四:兩漢時期兗州縣令、長出身 / 附表十五:兩漢時期兗州縣令、長出身統計表 / 附表十六:兩漢時期兗州尉出身 / 附表十七:西漢末期徐州東海郡尹灣尉出身 / 附表十八:兩漢時期兗州尉、尹灣尉出身對照統計表 / 附表十九:兩漢時期兗州游徼與別州游徼出身對照表 / 附表二十:西漢至東漢時期兗州與別州亭長出身 / 附表二十一:兩漢時期兗州地域的出土文物 / 附表二十二:現今出土的兩漢時期兗州遺址 / 附圖 / 圖例(圖一至圖四) / 圖一:西漢時期兗州疆域和水系 / 圖二:東漢時期兗州疆域和水系 / 圖三:兩漢時期兗州疆域比較 / 圖四:兩漢時期的兗州地域和現今城市對照 / 圖五:山東嘉祥汲水屠宰畫像石 / 圖六:山東嘉祥汲水庖廚畫像石 / 圖七:山東微山輾轤庖廚畫像石 / 圖八:山東微山庖廚畫像石 / 圖九:山東嘉祥庖廚汲水畫像石 / 圖十:山東長清汲水庖廚畫像石 / 圖十一:山東微山騎士圖 / 圖十二:陝西省米脂縣牛耕圖 / 圖十三:山東沂南北寨村豐收宴享圖 / 圖十四:山東省滕縣黃家岭耕耱圖 / 圖十五:山東枣莊捕魚圖 / 圖十六:兩城山漁獵圖 / 圖十七:兩城山漁獵圖 / 圖十八:兩城山漁獵圖 / 圖十九:山東微山捕魚圖 / 圖二十:莒縣石闕畫像捕魚圖 / 圖二十一:兩城山漁獵圖 / 圖二十二:莒縣石闕畫像捕魚圖 / 圖二十三:濟寧、枣莊牛耕圖 / 圖二十四:濟寧、枣莊騎士圖

電視模式（TV formats）在全球的跨文化旅行，及其如何本土化以適應在地社會政經情境，成為值得學界關注和研究的主題。作為對這一主題的回應，本文致力於研究《醜女無敵》電視劇--“醜女貝蒂“模式在中國的本土化。借由對該劇文本、生產和觀眾解讀的綜合分析，本研究從宏觀上探索符號形式與中國社會變遷的關係。具體而言，研究者聚焦於以下研究問題：在當前電視模式貿易、克隆和本土化的背景下，中國電視劇《醜女無敵》與美國電視劇《醜女貝蒂》有何異同？在中華人民共和國這一特定社會情境下，《醜女無敵》受到了怎樣的政治、經濟限制？中國觀眾如何解讀《醜女無敵》電視劇？《醜女無敵》受歡迎的原因所在，及該劇表徵了怎樣的中國現代性？ / 為回答以上問題，研究者採用了多種定質方法，即文本分析、民族志、焦點小組、檔案分析和深度訪談。其研究發現《醜女無敵》作為混雜性文本，兼有西方現代性元素和獨特的中國性。《醜女無敵》的生產受到了中國政經情境的極大限制。經濟力量有中心主導、系統地控制著生產過程。而政治力量的控制卻是散漫於整個生產者社群，并呈現去中心的狀態。中國觀眾在解讀《醜女無敵》時主要有两種模式：霸權式解讀与協商式解讀。而对抗式解读却在该剧的解读模式中呈现缺失状态。持有霸權式解讀的觀眾作為主流在諸多方面與權力中心一致，從而形成霸權效應。 / 《醜女無敵》可歸類為本研究所析霸權文本，并表徵和複製了一種中國現代（Chinese modernity）。轄制於党國，中國現代性在其三大結構性維度上都呈現高度的混雜性。就中國電視業發展趨勢而言，研究者認為全球電視模式在中國將愈加繁榮，因其有極大潛質成為霸權文本，繼而服務于權力中心。 / With the increasing transcultural flow of television formats, the localization of these formats to fit various socio-political contexts is worthy of academic scrutiny. This is a case study on the TV drama Ugly Wudi (Chounv Wudi), the Chinese version of the global Ugly Betty format. Exploring textuality, production, and reception simultaneously, my dissertation sheds light on the relationship between symbolic forms and social transition in China. Specifically speaking, the research questions initiating this study are as follows: Under current TV format cloning, trading, and borrowing, what are the similarities and differences between the Chinese Ugly Wudi and the American Ugly Betty? In the specific context of the People’s Republic of China, what are the political and economic forces that constrain the production of Ugly Wudi? What are the audience interpretations of Ugly Wudi? What accounts for Ugly Wudi’s popularity, and to what extent does it reflect a Chinese version of modernity? / Multiple qualitative methods have been applied by the researcher to explicate the research questions, including textual analysis, ethnography, focus groups, archival analysis, and in-depth interviews. It is found that Ugly Wudi is a hybridized text that combines elements of Western modernity with Chinese particularities. As for Wudi’s production, there are significant constraints arising from China’s political economy. While the economic systematically controls the production with a center, the political is a decentered control pervasively conditioning the production community. Two different readings of the Wudi show are found, namely, the hegemonic reading and the negotiated reading; while the resistant reading is absent in the show’s viewership. The hegemonic audience forms the majority, coinciding with the authorities in many respects, which shows a hegemonic effect. / Ugly Wudi is a hegemonic text that can best represent and reproduce Chinese modernity. Charted by the party-state for legitimization, Chinese modernity shows a high degree of hybridization in its three structural dimensions. The researcher contends that television formatting will be a trend in the Chinese TV industry, as it has great potential to create hegemonic texts that serve the power center. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Zhang, Xiaoxiao / Thesis (Ph.D.)--Chinese University of Hong Kong, 2012. / Includes bibliographical references (leaves 178-203). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstract also in Chinese; some appendixes also in Chinese . / Abstract --- p.i / Acknowledgements --- p.iv / Table of Content --- p.viii / Chapter CHAPTER 1 --- INTRODUCTION --- p.1 / Chapter 1.1 --- TV Format: A New Television Phenomenon / Chapter 1.2 --- The Ugly Betty Format: A Global Culture / Chapter 1.3 --- Significance and Contribution / Chapter 1.4 --- Chapter Outline / Chapter CHAPTER 2 --- LITERATURE REVIEW --- p.18 / Chapter 2.1 --- Localization of Global Television Formats / Chapter 2.2 --- Political Economy in Cultural Hybridization / Chapter 2.3 --- TV Formats and Social Transition / Chapter 2.4 --- Previous Studies on the Ugly Betty Format / Chapter 2.5 --- Research Questions / Chapter CHAPTER 3 --- METHODOLOGY --- p.35 / Chapter 3.1 --- Textual Analysis / Chapter 3.2 --- Ethnographic Observation / Chapter 3.3 --- Focus Groups / Chapter 3.4 --- Archival Analysis / Chapter 3.5 --- In-depth Interviews / Chapter CHAPTER 4 --- THEORETICAL FRAMEWORK AND POLITICAL ECONOMY CONTEXT --- p.51 / Chapter 4.1 --- Media and Hegemony / Chapter 4.2 --- Market versus State / Chapter 4.3 --- Market, Politics, and Media Competition in China / Chapter CHAPTER 5 --- THE CHINESE UGLY BETTY: TV CLONING AND LOCAL MODERNITY --- p.87 / Chapter 5.1 --- Contextualizing the Two Versions / Chapter 5.2 --- The Continuity of Modernity in the Ugly Betty Formula / Chapter 5.3 --- Ethnic Invisibility and Gender Normality / Chapter 5.4 --- When the Political and the Market Align / Chapter 5.5 --- Ugliness Is at Fault, Not the State / Chapter CHAPTER 6 --- PRODUCING THE CHINESE UGLY BETTY: DECENTERED POLITICAL AND CENTERED ECONOMIC CONTROLS --- p.114 / Chapter 6.1 --- TV Production in China: Indicator of Dominance / Chapter 6.2 --- Decentered Political Control / Chapter 6.3 --- Centered Economic Control / Chapter 6.4 --- When the Political and the Economic Contradict / Chapter 6.5 --- Television Formats and Hegemony / Chapter CHAPTER 7 --- READING THE LOCALIZED UGLY BETTY: HEGEMONIC OR NEGOTIATED, BUT NOT RESISTANT --- p.140 / Chapter 7.1 --- A Patterned Spectatorship / Chapter 7.2 --- Values Creolization in Contemporary China / Chapter 7.3 --- The Hegemonic Reading / Chapter 7.4 --- The Negotiated Reading / Chapter 7.5 --- The Absence of the Resistant Reading / Chapter 7.6 --- Structured Polysemy in China / Chapter 7.7 --- Invitation from Television Formats / Chapter CHAPTER 8 --- TOWARD CHINESE MODERNITY? --- p.159 / Chapter 8.1 --- Four Texts in the Chinese Mediascape / Chapter 8.2 --- Ugly Wudi as a Hegemonic Text / Chapter 8.3 --- Structural Dimensions of Chinese Modernity / Chapter 8.4 --- Discursive Construction of Chinese Modernity / Chapter 8.5 --- TV Industries in China: Development and Future / REFERENCES --- p.178 / LISTS OF APPENDICES --- p.204 / Chapter Appendix 1 --- Methods Answering Research Questions / Chapter Appendix 2 --- Ethnographic Observation Schedule / Chapter Appendix 3 --- Focus Groups Schedule / Chapter Appendix 4 --- Focus Groups Participants / Chapter Appendix 5 --- Focus Groups Questionnaire / Chapter Appendix 6 --- Outline of Focus Groups Discussion (18 years old and above) / Chapter Appendix 7 --- Outline of Focus Groups Discussion (under 18 years old) / Chapter Appendix 8 --- Interviewees List

本論文以「黃牧甫生平及篆刻藝術之研究」為題目，旨在對其生平及篆刻藝術作系統整理和討論。黃牧甫（1849-1908/1909），安徽黟縣人，為晚清最重要的篆刻家之一。由於家庭濡染，自幼便對篆學產生興趣，八、九歲始習刻印。後因太平軍與清軍戰，家園被毀，困苦失學，雙親亦相繼離世，為補生計，被迫離鄉到江西南昌謀生，曾於照相館工作，後遷廣州，改以鬻書治印自給。黃牧甫為晚清集大成的印人，尤對廣東印壇產生源遠的影響，故被譽為「嶺南派」之初袓。 / 黃牧甫初宗「鄧派」鄧石如（1743-1805）、吳讓之（1799-1870），後服膺於趙之謙（1829-1884）的印學主張，取徑「印外求印」，故面貌多樣，印文體勢獨特。又取法漢印模式，講究完整光潔，運以衝刀，不作斷續刻劃，點劃乾淨俐落。尤精於章法，平正而不落呆板，自創一格，繼「鄧派」後於晚清印壇上別樹一幟。 / 在黃印的整理方面，本研究主要以「摹擬期」、「蛻變期」、「成熟期」作為分期，以便探討其不同時期的篆刻特質。據本研究所搜集，黃氏存世印蛻約有二千四百方。它們被整合分析，編成年譜，建構一個系統、完備的資料庫。其中印款資料更提供了珍貴的第一手資料，增補了歷史文獻上的不足。 / 黃牧甫一生治印不斷，作品極豐，然卻失散各地，難以匯集。幸而，其印譜的流傳卻相對豐富，最重要的要數黃氏生前自輯《般若波羅蜜心經印譜》、《黃牧甫自存印譜》及《黃穆甫印存續補》，故印貌得以保存，為後世留下重要的研究資料。當中《黃穆甫印存續補》所錄印拓，更對研究黃氏「成熟期」印風非常重要。由於此譜為海外孤本，且尚未見世，所以目前有關黃牧甫的著述，均未能涵蓋這部重要資料。然在此論文發表前，因得機緣而認識收藏家林章松先生，得其不吝嗇借出此譜作研究之用，確為本研究提供有力依據和借鑒。 / 黃牧甫為晚清重要的篆刻家，具相當高的研究價值，更是探究流派篆刻由傳統走向當代的關鍵人物，惜至今其系統研究卻極之匱乏。本論文將綜合歷史、文化、社會及藝術等不同角度，並借鑒相關學術領域的研究方法和成果，透過文獻及視覺分析，對黃牧甫的生平和篆刻藝術作全面考述，從而建立一份可靠的研究資料，令篆刻藝術史有更大的發展空間。 / Entitled “A Study of Huang Mufu’s Life and Seal Engraving Art, this paper aims to investigate his life and art of seal engraving. Huang Mufu (1849-1908/1909), born in Anhui Province, was one of the most important seal engravers in the late Qing dynasty. / Huang Mufu first learned from Deng Shiru (1743-1805) and Wu Rangzhi (1799-1870) of the Deng school, and later followed the thinking of “seeking artistic links for seal making of Zhao Zhiqian (1829-1884). Therefore, his seals took on various forms and his seal inscriptions were unique. He also drew on the pattern of seals of the Han dynasty, which pursued tidiness and smoothness and applied Swift knife to create clean and neat strokes. He created his own style that was peculiar in the late Qing dynasty and had far-reaching influence on the seal engraving community of Guangdong Province, so he was renowned as the originator of the Lingnan school. / Huang made seals throughout his life and left over rich works. According to the information collected from this research, Huang has about 2,400 seals, which have been analyzed, integrated and chronicled into a systematic and complete database. Many of his seal impressions and colophons provide rare firsthand information for this paper, and hoped to serve as important materials for later studies. Based on the collected sources, this study divided Huang’s career into the imitation, transmutation and maturation stages, in order to discuss his seals’ characteristics in different periods. / There has been an extreme scarcity of studies on this topic. Therefore, this paper made a comprehensive study which involved a survey of the primary and secondary literature on Huang Mufu’s life and career. An analysis of the relevant sources enables his career to be reconstructed on a sound chronological basis, and allows his work to be seen in its proper context. / This study also made an important contribution to a relatively little-studied area of the history of Chinese art. It corrected a number of misconceptions in previous studies and make up literature deficiencies. The aim is to provide a set of reliable data that allows further development of the history of seal engraving art. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 劉浩敏. / Thesis (Ph.D.)--Chinese University of Hong Kong, 2012. / Includes bibliographical references (leaves 175-191) / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Liu Haomin. / Chapter 第一章 --- 導言 --- p.1 / Chapter 第二章 --- 晚清文化和黃牧甫的早年生活 / Chapter 第一節 --- 清代美學觀念的轉化 --- p.11 / Chapter 第二節 --- 晚清以前印壇概況 --- p.20 / Chapter 第三節 --- 黃牧甫早年生活考證 --- p.34 / Chapter 第三章 --- 黃牧甫篆刻特質和他僑寓廣州的生活 / Chapter 第一節 --- 黃牧甫篆刻的師承淵源 --- p.51 / Chapter 第二節 --- 名流關係對黃牧甫印風形成的影響 --- p.60 / Chapter 第三節 --- 黃牧甫成熟期印風的主要特色 --- p.90 / Chapter 第四章 --- 黃牧甫晚年生活及其印跡流佈和遺存 / Chapter 第一節 --- 晚年生活和卒年考證 --- p.110 / Chapter 第二節 --- 黃牧甫印壇角色 --- p.118 / Chapter 第三節 --- 存世印跡資料彙整 --- p.130 / Chapter 第五章 --- 黃牧甫存世印譜匯考 --- p.146 / Chapter 第六章 --- 結語 --- p.171 / 參考書目 --- p.175 / Chapter 附錄一 --- 參考圖錄 --- p.192 / Chapter 附錄二 --- 黃牧甫篆刻作品全集 --- p.293

戰爭與國家的形成、發展與變化具有密切的關係，只是戰爭對不同國家所產生的影響有著不同的程度而已。學者研究戰爭在國史上的影響時，其視線往往只停留在戰爭與近代中國發展的關係，尤其關注戰爭如何促使近代中國發展成具備現代意義的國家。然而，戰爭對古代中國同樣產生了深遠的影響。 / 國史上有所謂「中興」，就是王朝因外族入侵或內部叛亂而導致覆亡，在文臣武將的支持下，宗室成員或成功撲滅叛亂勢力，或成功抵擋入侵勢力，從而延續了王朝的統治，南宋就屬於這一類中興王朝，宋高宗(1127-1162在位)亦被視為中興之主。宣和七年(1125)，金人撕毀了與北宋簽定的合作協議，揮軍南侵，兵鋒直抵北宋國都開封。雖然宋廷成功通過議和讓金人退兵，但是，金人很快就再次南侵，並攻破開封，徽宗(1101-1125在位)、欽宗(1126-1127位)及大批宗室、士民成為金人俘虜。高宗在臣民支持下繼承皇位於應天府，開創建了南宋王朝。從高宗繼位伊始，直至紹興十二年(1142)宋金締結和約的十多年間，兩國一直處於敵對狀態，戰事不斷。如何建構一套適應戰爭形勢的國家體制，以保障新生政權得以延續，就成為高宗及其委任的宰相所必須要面對的問題。呂頤浩(1071-1139)在這段戰爭時期兩次拜相，是南宋成功擺脫危機、走向穩定的重要人物之一。 / 本論文以戰爭與南宋的關係為框架，以呂頤浩執政期間所從事的戰時建設為研究個案，目的是分析高宗初年的宰相在面對王朝處於戰爭時，是如何從制度變革入手去從事內部建設，以及這些變革所產生的影響。本論文有兩個核心部分：第一部分是分析呂頤浩各方面的資訊，包括家世背景、仕宦經歷、性格特點、人際網絡關係，以及高宗起用他為相的幾個關鍵因素，上述的討論將有助於我們理解及解釋呂頤浩執政期間的作為；第二部分是分析呂頤浩執政期間所建構的戰時政治體制及戰時財政體制，以及這些措施對南宋得以存續所產生的效用，以及對南宋的政治發展、制度變革產生了甚麼樣的影響。 / Wars are said to have a profound influence on a country’s formation, development, and change. Previous studies of Chinese war history focused on its modern period, and, in particular, how China transformed into a modern country. However, wars have also had great impact on traditional China. / In Chinese historiography there is a phenomenon called zhongxing 中興 (restoration). Non-Han Chinese invasions or civil wars resulted in the collapse of some empires. With the support of civil and military officials, imperial clan members suppress rebel forces, or resisted invasions from non- Han Chinese peoples, and thus continued the reign of the dynasty. The Southern Song is recognized as a period of restoration engineered by Emperor Gaozong 高宗. / In 1125, the Jurchen emperor subverted the cooperation agreement signed with the Northern Song, and led his army towards Kaifeng, the Northern Song capital. The Song court made peace with the Jurchen army, who soon invaded Kaifeng again, and eventually destroyed this Chinese empire. Emperor Huizong 徽宗, Emperor Qinzong 欽宗, a large number of imperial clan, as well as people in the city were all captured by the Jurchen. Gaozong inherited the throne at Yingtianfu 應天府, which marked the setting up of the Southern Song dynasty. From then on, the Song and the Jurchen were in a state of hostility for more than 10 years until they signed a peace treaty in 1142. During the wartime, Gaozong and his subordinates were faced with the problem of how to construct a wartime institution to protect the new regime’s continuity. It is in this critical moment of history that Lü Yihao (1071-1139) was appointed twice by Gaozong as chief minister. And Lü became one of the most important figures of the Southern Song who overcame the crisis and led the country into stability. / The relationship between wars and the Southern Song dynasty forms the framework of this dissertation, with the wartime construction pushed forward by Lü as a case study. The main aim of this thesis is to analyze the way how Lü engages the internal construction to start from the institutional change, as well as the impact of these changes. / This dissertation is in two components. The first one is an analysis of basic information pertaining to Lü Yihao’s family and education background, experience in officialdom, personality characteristics, social network, and why Gaozong appointed him as chief minister. This will help us understand Lü’s policy in detail. The second one is to analyze the ways Lü constructs the wartime political institution and wartime financial institution, the effectiveness of these measures, as well as the impacts on political development and institutional change of the Southern Song after Lü stepped down from his office. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 梁偉基. / Thesis (Ph.D.)--Chinese University of Hong Kong, 2012. / Includes bibliographical references (leaves 270-297). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Liang Weiji. / Chapter 第一章 --- 緒論 --- p.1 / Chapter 第一節 --- 問題的提出及其意義 --- p.1 / Chapter 第二節 --- 個案的選取及其原因 --- p.8 / Chapter 第三節 --- 研究的動向及其得失 --- p.14 / Chapter 第四節 --- 史料的選用及其類別 --- p.24 / Chapter 第五節 --- 討論的重點及其架構 --- p.25 / Chapter 第二章 --- 從山東寒士到中興名相 --- p.28 / Chapter 第一節 --- 西北二邊風雲變色 --- p.28 / Chapter 第二節 --- 家世及一舉及第 --- p.44 / Chapter 第三節 --- 出仕及早年仕宦 --- p.46 / Chapter 第四節 --- 充滿爭議的政治人物 --- p.55 / Chapter 第五節 --- 全章總結 --- p.67 / Chapter 第三章 --- 中興名相的政治世界 --- p.69 / Chapter 第一節 --- 日常性人際網絡 --- p.69 / Chapter 第二節 --- 朋黨性人際網絡 --- p.89 / Chapter 第三節 --- 呂頤浩成功登場的原因 --- p.105 / Chapter 第四章 --- 全章總結 --- p.124 / Chapter 第四章 --- 戰時政治體制的確立 --- p.125 / Chapter 第一節 --- 揚州潰退後的政治危機 --- p.126 / Chapter 第二節 --- 政治動員的核心 --- p.145 / Chapter 第三節 --- 國家機構的變革 --- p.152 / Chapter 第四節 --- 皇帝御筆的強化 --- p.169 / Chapter 第五節 --- 中央與地方溝通管道的重開 --- p.176 / Chapter 第六章 --- 全章總結 --- p.188 / Chapter 第五章 --- 戰時財政體制的確立 --- p.191 / Chapter 第一節 --- 揚州潰退後的財政危機 --- p.192 / Chapter 第二節 --- 開源與節流 --- p.201 / Chapter 第三節 --- 戶部─都轉運司體制 --- p.208 / Chapter 第四節 --- 榷貨務─提舉茶鹽司體制 --- p.223 / Chapter 第五節 --- 臨安府─兩浙轉運司體制 --- p.232 / Chapter 第六節 --- 全章總結 --- p.238 / Chapter 第六章 --- 結論 --- p.242 / Chapter 第一節 --- 戰時宰相所具備的特點 --- p.242 / Chapter 第二節 --- 「外元祐，內熙豐」的政治理念 --- p.243 / Chapter 第三節 --- 後呂頤浩執政時代的形勢 --- p.244 / Chapter 附表一： --- 紹聖元年(1094)畢漸榜登科人名錄 --- p.250 / Chapter 附表二： --- 宣諭五使薦舉人材表 --- p.260 / Chapter 附表三： --- 呂頤浩執政時期歷任臨安知府 --- p.264 / Chapter 附表四： --- 紹興三年(1133)至乾道七年(1171)歷任臨安知府 --- p.266 / 徵引及參考書目 --- p.270

張秉權. / 論文(博士)--香港中文大學, 1999. / 參考文獻 (p. i-xvi) / 中英文摘要. / Available also through the Internet via Dissertations & theses @ Chinese University of Hong Kong. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Zhang Bingquan. / Lun wen (bo shi)--Xianggang Zhong wen da xue, 1999. / Can kao wen xian (p. i-xvi) / Zhong Ying wen zhai yao.

Liang, Yue. / "November 2011." / Thesis (M.Phil.)--Chinese University of Hong Kong, 2012. / Includes bibliographical references. / Abstracts in English and Chinese. / ACKNOWLEDGMENTS --- p.i / INTRODUCTION --- p.1 / Chapter Chapter One: --- "The Appearance of the ""Robust Beauty Girl"" in the late 1920s" --- p.9 / "The Infatuation with the ""Western Beauty""" --- p.10 / "The Western ""Robust Beauty Girl:"" Hollywood Film Stars" --- p.13 / "The Chinese ""Robust Beauty Girl:"" Female Students" --- p.19 / Chapter Chapter Two: --- "The Reconstruction of the western ""Robust Beauty"" in the 1930s-40s" --- p.27 / "The Suspicion on the Western ""Robust Beauty""" --- p.29 / "The Reconstruction of the western ""Robust Beauty"": critique on the ""Modern Girl""" --- p.37 / "The Kuomintang's Response to the western ""Robust Beauty""" --- p.52 / Chapter Chapter Three: --- The Construction of the Chinese Womanhood in the War Period --- p.70 / The Communist Womanhood in the Jiangxi Period --- p.72 / The Women's Steering Committee and the Wartime Womanhood --- p.80 / The New Outlook of the Communist Womanhood in the Yan'an Period --- p.91 / Chapter Chapter Four: --- "The National Communist Womanhood: the ""Iron Maiden"" in the 1960s-70s" --- p.107 / "National Model: Two Categories of the ""Iron Maiden""" --- p.109 / From Person to the Nation: Organization Form and Political Consciousness --- p.114 / CONCLUSION --- p.126 / APPENDIX --- p.132 / BIBLIOGRAPHY --- p.139