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1	Kühnův dětský sbor / Kühn Children's Choir (Prague philharmonic children's choir) Scheinostová, Zuzana January 2012 (has links) The theoretical part of this MA thesis outlines the history of the Prague Philharmonic Children's Choir, its cooperation with Prague's leading stages, with outstanding Czech and international musical ensembles and conductors, as well as important concerts and appearances at prestigious festivals. It introduces the personalities who have held the position of choirmaster, and it surveys the choir's repertoire and discography. A short chapter is dedicated to the present situation of the choir and its present artistic guidance. The practical part comprises interviews with personalities who are, in various ways, linked with the Prague Philharmonic Children's Choir. A separate chapter is dedicated to a questionnaire which was given to members of the concert section of the choir and which covers the reasons and motivation for entering the choir and remaining there, the musical background in families etc.
2	Pražský Hlahol / Prague Hlahol Choir Dandová, Lenka January 2015 (has links) The introductory chapter of this Thesis describes the development of choir music in Bohemia, starting with unison singing, through polyphonic singing, proceeding to forming of literary societies, and, finally, the form of choir singing as we know it today. In the theoretical part, we use the most important historic and social moments of the Prague Hlahol Choir to illustrate almost 155 years of its existence. The following chapter reflects the most significant concerts, introduces the choir's repertoire and how it changed through times, mentions premieres of choir masterpieces, cooperation with other significant choirs and prominent musicians. In the practical part, we reprint the interviews with long-time choir members and personal experience of some of the artists who have cooperated with the Prague Hlahol Choir. To complete this Thesis, we used anniversary almanacs, annual reports, historic documents and photographs, etc. We also included personal views of the choir members, choir leaders and the prominent musicians who have cooperated with the choir. Based on the assembled data, we can evaluate the progress the choir has made, the changes it has undergone and also the impact it has made from the day it was established. The main contribution of this Thesis is that it brings the overview of the...
3	Le chant dans les monastères cisterciens de l’Europe francophone (1521-1903) : enquête sur les livres de chœur imprimes et manuscrits / Singing in the cistercian monasteries of french-speaking Europe (1521-1903) : investigation into the choir books printed and manuscripted Boschiero-Trottman, Marie-Luce 25 November 2014 (has links) Entre 2008 et 2011, l’inventaire des livres liturgiques de 51 communautés cisterciennes de l’Europe francophone a mis en lumière un fonds unique de Graduels et d’Antiphonaires de choeur, tant manuscrits qu’imprimés, parus entre la Renaissance et le début du XXe siècle. Ces ouvrages constituent le corpus principal de cette thèse dont l’objectif est d’en interroger le contenu au regard de l’histoire de l’Ordre cistercien, mais aussi de l’évolution du chant ecclésiastique. La périodisation est définie en fonction des bornes suivantes : le terminus a quo (1521) correspond à la première impression d’un livre de choeur cistercien et son terminus ad quem (1903) est celui de la publication du dernier ouvrage de ce format au sein de cet Ordre spécifique. L’étude est menée selon trois axes : analyse codicologique ; philologie des traces d’usage introduites au cours des âges ; approche musicologique d’un échantillon d’Offices liturgiques (Office de la Dédicace et Office votif du Sacré-Coeur) / Between 2008 & 2011, a general inventory of the liturgical books of 51 Cistercian communities in Francophone Europe allowed the highlighting of one fund of several 10th of choir graduals and antiphonaries, both manuscripts & printed, from the Renaissance period to the beginning of the XXth century. These works constitute the main body of this thesis aimed to examine the content relating to the history of the Cistercian Order, but also the general evolution of ecclesiastical chant. Periodization of this work is defined according to the following terminals: the terminus a quo (1521) is the first impression of a Cistercian choir book and terminus ad quem (1903) is the publication of the last book of this size in this specific Order. The study is conducted along three axes: codicological analysis; philology traces of use introduced in these books over the ages; musicological approach of a sample of specific liturgical Offices (Office of the Dedication and votive Office of the Sacred-Heart) Ordre de Cîteaux Règle de saint Benoît Liturgie régulière Observances Plain-chant cistercien Chantres Livres de choeur imprimés Manuscrits Notés au pochoir Exode trappiste Office divin de la Dédicace Office votif du Sacré-Coeur Spécificité Identité Tradition Innovation Cistercian Order Rule of St. Benedict Regular liturgy Observances Cistercian plainchant Choirmasters Printed Trappist’s exodus Divine Office of the Dedication Votive Office of the Sacred-Heart Specificity Identity Tradition Innovation
4	Pěvecké sbory města Jihlavy / Choirs in Jihlava city SEDLÁKOVÁ, Jana January 2008 (has links) The thesis deals with problems of choirs in Jihlava city. There are two parts. The first one encompass history of choral singing and music in Jihlava including master singing, Jihlava´s music after 30-year war and the history of the city itself. The second part contains music festivals such as MAHLER JIHLAVA, The Choir Festival and the present-date choirs which organize performances for the public. This part reveals questions given to Jihlava´s choirmasters, concerning their choirs and festivals, particularly The Choir Festival which is the one of the most prestige national festival and which mingles with the present-day choirs in part. The main aim of the thesis is to find out the influence of The Choir Festival on the choral life in Jihlava.

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