Submitted by Silvana Teresinha Dornelles Studzinski (sstudzinski) on 2015-03-24T20:00:35Z No. of bitstreams: 1 MariaMouraComunicacao.pdf: 2463422 bytes, checksum: 2229eefc7bfd3a7cd3456f54aa31eec4 (MD5) / Made available in DSpace on 2015-03-24T20:00:35Z (GMT). No. of bitstreams: 1 MariaMouraComunicacao.pdf: 2463422 bytes, checksum: 2229eefc7bfd3a7cd3456f54aa31eec4 (MD5) Previous issue date: 2001 / Nenhuma / A dissertação “Telejornal dos 500 Anos: Frames de Protesto e Violência” consiste em uma leitura de matérias televisivas relativas ao protesto e à violência presentes nas comemorações dos 500 Anos de Descobrimento do Brasil. O objetivo inicial era pesquisar acerca do gênero telejornal, mas, à medida que se aprofundou o tema, observou-se que somente os telejornais das duas datas, 22 e 26 de abril de 2000, relativas respectivamente ao Descobrimento e à Primeira Missa Rezada no Brasil, eram insuficientes para entender o que havia ocorrido naquele momento histórico e naqueles frames. Buscou-se o auxílio da mídia impressa, observando-se a intertextualidade das mídias. A leitura da mídia impressa e dos telejornais possibilitou uma reconstituição do processo histórico do que ocorria no momento de contestação às comemorações pelos 500 anos. Através das matérias dos telejornais, analisaram-se seus roteiros de edição e neles as vozes, os textos e as imagens, procurando mostrar o papel da linguagem cinematográfica no texto da TV. Num segundo momento, extraíram-se as imagens consideradas mais significativas em termos de protesto e violência e fez-se uma leitura a partir de conceitos da linguagem cinematográfica, que se destacavam na estrutura da narrativa. Os conceitos permitiram nortear a análise integradora da informação televisiva, resgatando seu sentido como um todo. / The master’s thesis “Telejornal dos 500 Anos: Frames de Protesto e Violência” (Television News Broadcast of the 500 years of Discovery: frames of protest and violence) consists of an study of frames and instances of protest and violence broadcast on television during the celebration of 500 years of Discovery of Brazil. The initial aim of this study was to work only with the television news broadcast genre, but the television news instances broadcast on April 22 and 26 - the Discovery and the First Mass in Brazil, respectively – were insufficient to understand what happened in those specific events of celebration. Therefore, itwas necessary to also examine the printed media and establish the intertextuality between these two genres. The reading of both the television and the printed media enabled the reconstruction of protest episodes during the celebration events. The television news articles were looked at from the point of view of the script , the editing and voices, the written text and its images with the intent of showing the role the cinematography language plays on the television text. On a second stage, just the most significant images of protest and violence were extracted and an analysis was made by means of the elements from cinematographic language which stood out the most in the narrative structure. The cinematographic language allowed a rather integrative analysis of television information in as much as it helped rescue its meaning as a whole.

La presente investigación tuvo como tema central el estudio del tratamiento del lenguaje cinematográfico de las aclamadas películas The Witch y The Lighthouse del director Robert Eggers. Para ello, en el desarrollo de este trabajo se identificaron los elementos morfológicos y sintácticos de ambos filmes; asimismo, también se describieron sus elementos semánticonarrativos; y finalmente, se precisó y analizó la pu esta en escena de cada una. Además, se utilizó un enfoque cualitativo y un diseño hermeneútico. L a técnica que se utilizó fue el análisis de contenido y su respectivo instrumento, ficha de análisis. Los resultados arrojaron que ambas películas presentan un estilo de dirección en la que se manipularon y ajustaron todos los componentes morfosintácticos según su contenido narrativo. Además, que el montaje utilizado potencia el desarrollo de la tensión y el suspenso. Y, finalmente, que la puesta en escena fue construida en base a las particularidades dramáticas y sobrenaturales de cada narrativa. / The present research has as its central theme the study of the treatment of the cinematographic language of the acclaimed films The Witch and The Lighthouse by director Robert Eggers. For this purpose, the morphological and syntactic elements of both films were identified; likewise, their semantic-narrative elements were described and, finally, the staging of them was specified and analyzed. In addition, a qualitative approach and a hermeneutic design were used. The technique used was content analysis and its respective instrument, the analysis sheet. The results showed that both films present a directing style in which all morphosyntactic components were manipulated and adjusted according to their narrative content. In addition, the editing used enhances the development of tension and suspense. And finally, the staging was constructed according to the dramatic and supernatural particularities of each narrative.