Didesnių ir konkrečių darbų apie Nagurskių, ypatingai Gorskių heraldiką yra mažai arba visiškai nėra, nors heraldikos šaltinių randama nemažai. Būtina pažymėti, kad šiame darbe siekiama nustatyti herbų, antspaudų priklausymą konkrečiam asmeniui, giminei, bei vedybinius arba giminystės ryšius, užimamas pareigas, gautus apdovanojimus. Šie nauji tyrimai ir jų rezultatai galėtų praplėsti žinias apie bajorų Gorskių ir Nagurskių gimines. Darbe siekiama išanalizuoti ir atskleisti Žemaitijos bajorų Nagurskių ir Gorskių heraldikos raidą nuo XVII a. iki XIX a. Atliekant tyrimą naudojami šių giminių XVIII – XIX a. herbiniai atspaudai ir ikonografinė medžiaga, kurioje pavaizduoti jų herbai. Būtina pažymėti, kad Lenkijos išeiviai bajorai Nagurskiai ir Gorskiai į Žemaitiją atvyko XVI a. Čia pradėjo kurtis, plėsti savo valdas ir giminiuotis su šio krašto giminėmis. Darbe aptartas heraldikos tradicijų susiformavimas LDK ir Žemaitijos kunigaikštystėje. Išanalizuota Nagurskių bei Gorskių Nalenčo (Nalęcz) herbų atsiradimas, raida ir naudojimas. Nagurskių herbas siejamas su lenkiškuoju Pobogo herbu, bei laikomas jo atmaina. Nagurskių herbe vaizduojama pasaga iš vidaus perverta strėle, šalme trys povo plunksnos. Gorskių giminės Nalenčo (Nalęcz) herbe vaizduojama surišta baltos spalvos skara. Herbo šalme tarp ragų pavaizduota moteris, vienoje rankoje laikanti vieną ragą, o kitoje rankoje kitą. Moters galva perrišta skarele. Šių šeimų herbai ir herbiniai antspaudai buvo puošiami įvairiais... [toliau žr. visą tekstą] / There are few or even no greater and particular works about the heraldry of Nagurskiai, especially Gorskiai, although sources of heraldry can be found. The work seeks to determine both the belonging of coats of arms, seals to a particular person, family and marital relations, kinship, occupied positions, received awards. This new research and its results could broaden knowledge about relatives of the noblemen Gorskiai and Nagurskiai. The aim of the work is to analyze and reveal the development of the heraldry of the noblemen Nagurskiai and Gorskiai from the 17th century till the 19th century. Performing the research, their armorial seals and iconographic material of the 18th-19th centuries which show their coats of arms are used. It should be noted that emigrants from Poland, noblemen Nagurskiai and Gorskiai, arrived in Žemaitija in the 16th century. They began to settle, expand their possessions and relate to people of that region. The formation of the heraldry traditions in Grand Duchy of Lithuania and Duchy of Žemaitija has been discussed in the work. The origin, development and use of coats of arms which belonged to Gorskiai and Nagurskiai have been analyzed. The coat of arms of Nagurskiai is related to Polish Pobogo coat of arms and is treated as its equivalent. The coat of arms of Nagurskiai shows a horseshoe which is pierced by an arrow, there are three plumes of the pavonine in the helmet. Nalenčo coat of arms belonging to Gorskiai shows a white shawl. The helmet... [to full text]

Made available in DSpace on 2014-06-11T19:27:51Z (GMT). No. of bitstreams: 0 Previous issue date: 2009-11-12Bitstream added on 2014-06-13T20:17:20Z : No. of bitstreams: 1 berg_tj_me_rcla.pdf: 9754495 bytes, checksum: 2a29ac3a460560573eb2a4a4d17e94a8 (MD5) / Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP) / Bandeiras e estandartes, escudos e brasões, hinos e canções não são simples composições artísticas e musicais idealizadas ao sabor dos caprichos e fantasias de poderosos reis, mandatários, governantes, países e regiões ao longo dos tempos. Ao contrário, esses símbolos refletem uma realidade histórica e, ao mesmo tempo, portam-se como uma crônica viva de um povo e de uma nação, sendo que nela também está embutido o espaço geográfico, suas influências e suas relações. Foi somente com a Constituição Republicana de 1891, que as províncias foram transformadas em Estados Federados e poderiam adotar de forma oficial, hinos, bandeiras e brasões, desde que não omitissem nesta hierarquia os símbolos nacionais; entretanto, o uso destes símbolos no Brasil já se fazia presente desde os primeiros séculos de colonização portuguesa. Ao se analisarem os símbolos estaduais brasileiros, encontram-se em suas estruturas semânticas e sintáticas fortes relações que envolvem representação da natureza, paisagem, lugar, economia, território e região. As conclusões deste trabalho apontam para o fato de que os hinos, as bandeiras e os brasões dos Estados brasileiros demonstram amplas possibilidades de pesquisa dentro da ciência geográfica, pois estes documentos simbólicos portam-se como “testemunhos” no espaçotempo, cujo caráter gráfico e narrativo revelou em suas múltiplas conexões com o geográfico uma nova perspectiva e possibilidade no que se refere à análise e desvendamento das formas culturais de representação espacial. / Flags and banners, shields and coats of arms, anthems and songs are not simply artistic and musical compositions which were created due to the vanity or fantasies of powerful kings, dukes, rulers, governors, countries and regions throughout time. Instead, those symbols reflect a historical reality and not only they stand as an alive chronicle of a people and a nation, but also they represent the geographical space, its influences and its relationships. It was only after the Republican Constitution of 1891 that the provinces were transformed into Federated States and they could officially adopt anthems, flags and coats of arms, as long as they didn't omit, in this hierarchy, the national symbols. However, these symbols had been already used in Brazil since the first centuries of Portuguese colonization. This analysis of the Brazilian States symbols, as well as their semantic and syntactic structures, aimed to demonstrate the strong connections involving the representation of the nature, landscape, places, economy, territory and regions. The conclusion of this dissertation shows that anthems, flags and the coats of arms of Brazilian States demonstrate wide research possibilities in the geographical science because these symbolic documents stand as “testimonies” in space and time, whose graphic and narrative character has revealed in its multiple connections with the geographical; a new perspective and possibility regarding the analysis and unveiling of the cultural forms of spatial representation.

Orientador: Bernadete Aparecida Caprioglio de Castro Oliveira / Banca: Paulo Roberto Teixeira de Godoy / Banca: Zeny Rosendahl / Resumo: Bandeiras e estandartes, escudos e brasões, hinos e canções não são simples composições artísticas e musicais idealizadas ao sabor dos caprichos e fantasias de poderosos reis, mandatários, governantes, países e regiões ao longo dos tempos. Ao contrário, esses símbolos refletem uma realidade histórica e, ao mesmo tempo, portam-se como uma crônica viva de um povo e de uma nação, sendo que nela também está embutido o espaço geográfico, suas influências e suas relações. Foi somente com a Constituição Republicana de 1891, que as províncias foram transformadas em Estados Federados e poderiam adotar de forma oficial, hinos, bandeiras e brasões, desde que não omitissem nesta hierarquia os símbolos nacionais; entretanto, o uso destes símbolos no Brasil já se fazia presente desde os primeiros séculos de colonização portuguesa. Ao se analisarem os símbolos estaduais brasileiros, encontram-se em suas estruturas semânticas e sintáticas fortes relações que envolvem representação da natureza, paisagem, lugar, economia, território e região. As conclusões deste trabalho apontam para o fato de que os hinos, as bandeiras e os brasões dos Estados brasileiros demonstram amplas possibilidades de pesquisa dentro da ciência geográfica, pois estes documentos simbólicos portam-se como "testemunhos" no espaçotempo, cujo caráter gráfico e narrativo revelou em suas múltiplas conexões com o geográfico uma nova perspectiva e possibilidade no que se refere à análise e desvendamento das formas culturais de representação espacial. / Abstract: Flags and banners, shields and coats of arms, anthems and songs are not simply artistic and musical compositions which were created due to the vanity or fantasies of powerful kings, dukes, rulers, governors, countries and regions throughout time. Instead, those symbols reflect a historical reality and not only they stand as an alive chronicle of a people and a nation, but also they represent the geographical space, its influences and its relationships. It was only after the Republican Constitution of 1891 that the provinces were transformed into Federated States and they could officially adopt anthems, flags and coats of arms, as long as they didn't omit, in this hierarchy, the national symbols. However, these symbols had been already used in Brazil since the first centuries of Portuguese colonization. This analysis of the Brazilian States symbols, as well as their semantic and syntactic structures, aimed to demonstrate the strong connections involving the representation of the nature, landscape, places, economy, territory and regions. The conclusion of this dissertation shows that anthems, flags and the coats of arms of Brazilian States demonstrate wide research possibilities in the geographical science because these symbolic documents stand as "testimonies" in space and time, whose graphic and narrative character has revealed in its multiple connections with the geographical; a new perspective and possibility regarding the analysis and unveiling of the cultural forms of spatial representation. / Mestre

This article focuses on Baroque heraldry, specifically the phenomenon of galleries of coats of arms in the Bohemian lands during the post-White Mountain period. Using auxiliary historical sciences methods, three sets of coats of arms from 1660-1690 are analysed: 1. Heraldic coats of arms and insignia of benefactors on sixteen paintings of the Saint Wenceslas series in the Basilica of St. Wenceslaus in the pilgrimage area of Stará Boleslav near Prague; 2. A set of three painted coats of arms in stucco cartouches on the triumphal arch of the Chapel of the Virgin Mary and St. Charles Borromeo in the former Vlašský Hospital in Prague's Lesser Town; 3. Heraldic coats of arms and insignia on ten wooden plinths of statues of Bohemian patrons in the archdeanery church of the Assumption of the Virgin Mary in Tachov. The article yields a series of named sets of coats of arms, and the identification of most persons to whom they belonged to, including a comparison with coats of arms presented in other sources (seals, designs on deeds for coats of arms, old prints). With the placement into a wider historical context and an analysis of the donor structure, the article also points to the composition of the elite at that time, stemming from a range of higher and lower nobility, clergy and burghers, and to the need to make...