The overall aim of  this thesis is create awareness about the importance of linking projects to their historical, organizational and environmental context. This dissertation concerns the analysis of a project contract developed by a new urban transport company in Bogotá, Colombia, with large and complex settings. The project was studied during 4 months, using and ethnographic research approach and different qualitative data collection methods, such as formal interviews, archival research and informal meetings. The study involves an inductive process from which discussion is developed from the observation of empirical reality of this particular case study. The main outcome of the study was to illustrate that tough the impact of contextual variables is difficult to foresee and translate into project management concepts, the analysis of sources of complexity, dynamics and uncertainty in different aspects of the context environment, e.g. legal, political, economical, and cultural, gives a good understanding about the influence of the context dimension in projects. Contextual parameters are often outside the scope of project management, and for this reason, high quality of project planning cannot always compensate for the possible negative effects of these external variables. In addition, the boundaries inside and outside the project’s organization increase the complexity inside the project, and tensions between these boundaries can be of great impact during the project--‐planning phase. This dissertation shows through empirical reality that “o project is an island, they are open systems, with permeable boundaries”(Engwall, 2003).

Submitted by admin tede (tede@pucgoias.edu.br) on 2016-09-12T19:22:46Z No. of bitstreams: 1 AIDENOR AIRES PEREIRA.pdf: 802412 bytes, checksum: 37af8d62f3d2390a39c737439c7f5bd6 (MD5) / Made available in DSpace on 2016-09-12T19:22:46Z (GMT). No. of bitstreams: 1 AIDENOR AIRES PEREIRA.pdf: 802412 bytes, checksum: 37af8d62f3d2390a39c737439c7f5bd6 (MD5) Previous issue date: 2015-09-02 / This dissertation has as its object the study of the life and work of César Vallejo and objective tries to understand the transitional moments in the history and culture of Latin America, from the look on the Peruvian reality granted in lyric discourse of César Vallejo. It discusses the shock/coexistence: pre-columbian past in the face of settler phenomenon and the contemporary questions. Seeks to understand the permanence of these historicidades in the construction of a post-colonial discourse, released from memory restore nostalgic, utopian Eden Tauantinsuyo, and the assenhoramento of the Western Christians and the trajectory of the existential poet Cesar Vallejo to unveil his speech to border beckons to different worlds, different banks and open horizons, where the power of his innovative literary diction contemplates the emerging identities on the Mainland, the hybridism of their ethno-cultural convergences. His life and the strength of his work through the Latin American soul, estuam in Peru, costa, chainsaw will resonate in generous corner in the old world, in fighting against oppression, taking the message of a happy future humanity, by the advent of the socialist utopia. / Esta dissertação tem como objeto o estudo da vida e obra de César Vallejo e como objetivo busca compreender os momentos transicionais da historia e da cultura da América Latina, a partir do olhar sobre a realidade peruana presentificada no discurso lírico de César Vallejo. Discute-se o choque/convivência: passado pré-colombiano em face do fenômeno colonizador e as indagações contemporâneas. Procura-se compreender as permanências dessas historicidades na construção de um discurso pós-colonial, liberado da utópica restauração da memória nostálgica, o éden do Tauantinsuyo, do assenhoramento dos marcos cristãos ocidentais e a trajetória existencial do poeta Cesar Vallejo. Desvelar seu discurso fronteiriço que acena pra diferentes mundos, diversas margens e abre horizontes, onde o poder de sua dicção literária inovadora contempla as identidades emergentes no continente, o hibridismo das suas convergências etno-culturais. Sua vida e a pujança de sua obra atravessam a alma latino-americana, estuam no Peru, de serra a costa, vão repercutir em canto generoso no velho mundo, em combate contra a opressão, levando a mensagem de uma feliz humanidade futura, pelo advento da utopia socialista.