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81	Inductive elements in pulpit communication of pentecostal churches / Dissertation Booysen, Willem Matheus 11 1900 (has links) Discontent with preaching as mode of communication is the problem statement of this study. The authoritative nature of deductive preaching is mirrored by the exploratory, "discovery nature" of inductive models, emphasizing how dialogical preaching is enhanced by incorporating inductive elements into preaching. Meaning production and levels of meaning were studied, and a hermeneutical model for Pentecostal churches were proposed. Dialogical preaching as attitude and principle as well as method was looked at, and the role of interactive participative communication in the dialogic process was described. Special emphasis was placed on the Parable, the metaphor and narrative preaching as models for inductive preaching, and the development and phases of the "plot" was examined. Bridging models between inductive and deductive styles were explored, while two dialogical tools for preparation of sermons were designed. / Philosophy, Practical and Systematic Theology / Th.M. (Practical theology) Discontent with preaching Authoritative approach Rhetoric Principles of induction Participative interactive communication Inner dialogue Visualising the sermon Dialogical theory of preaching Meaning production Orders and levels of meaning Denotation Connotation Myth Macro and superstructures Meaning formulation strategies Content analysis Telling and listening Metaphor Parable Narrative Plot Inductive preaching 251 Pentecostal churches Pentecostalism
82	两代中国女性导演视角下的女性电影中女性意识之比较研究 : —以《人鬼情》和《送我上青云》为例 / A Comparative Study of Female Consciousness of ChineseFeminist Films Directed by Two generations of ChineseFemale Directors : Taking Woman Demon and Human and Send Me to the Clouds asExamples Su, Donghui January 2021 (has links) As a product of the western feminist movement, feminist films have become an important tool for displaying feminist connotations and reflecting femalec onsciousness. With the advancement of society and the awakening of female consciousness, feminist film theory, criticism and practice have gradually taken a place in the film system dominated by male discourse power, and have constantly tried to speak for women on the big screen. After China's reform and opening up, feminism took root in China. In the 1980s, under the influence of western feminist film theory and practice, Chinese female filmmakers also began to try to express the situation and demands of Chinese women through films. After more than 40 years of drastic changes in reform and opening up, major changes have taken place in alllevels of current Chinese society. Chinese feminism and feminist films have also changed in accordance with the trend of the times. When the next generation of feminist filmmakers stand on the shoulders of their predecessors, they incorporate the spirit of the new era for the expression of feminism. This article selects two representative Chinese feminist films, which are "Woman Demon Human" and "Send Me to the Clouds". Through the comparison and analysis of the thematic contents, narrative styles and lens languages of the two films, the differences between the two are revealed in three aspects of feminist connotation,which include the subjective consciousness, female desires and gender differences. / 作为西方女性主义运动的产物，女性主义电影成为了展现女性主义内涵和反映女性意识的重要工具。随着社会的进步和女性意识的觉醒，女性主义电影理论、批评与实践在以男性话语权为主导电影体系中渐渐占据了一席之地，并不断尝试在大荧幕上为女性发声。中国改革开放后，西方女性主义思潮进一步影响中国。八十年代中国的女性电影人在西方女性主义电影理论与实践的影响下，也开始尝试通过电影来表达中国女性的处境和诉求。在经历改革开放四十多年的剧变后，当下的中国社会各个层面都发生重大变革。中国的女性主义以及女性主义电影也顺应时代的潮流而改变。下一代的女性主义电影人站在前辈们的肩膀上，为女性主义的表达融入了新时代的精神。本文从上世纪八十年代和近十年的中国影坛选取两部具有代表性的女性主义电影——《人鬼情》和《送我上青云》，并通过对两部电影在主题内容、叙事方式和镜头语言上的分析，发现两部电影在呈现女性意识的三个不同方面——主体性意识、女性欲望和性别差异上的表达呈现出不同的侧重点。由此，从而以小见大，从局部来窥见两个时代的女性主义电影所反映的女性主义的时代性内涵。 Feminist feminist film theories connotation of feminist films patriarchy man gaze Specific Languages Studier av enskilda språk
83	Sémiotická a antropologická analýza pražského metra / Semiotic and anthropological analysis of Prague metro Brabcová, Adéla January 2011 (has links) Presented diploma work called "Semiotic and anthropological analysis of Prague metro" shows metro to a reader as a place from a semiotic point of view. A metro "user" plays a key role in the whole diploma work. Apart from dealing with metro as a place, this work also regards a reference of a fixed structure of metro to a city. The work also pays attention to an analysis of signs that can be found there by a metro user and can serve him as a useful tool for better orientation there. In the theoretical part semiotics as a science and its approaches are being presented. The diploma work also deals with a topic of a city from an antropological point of view. It applies, for example, a question of place and nonplace, picture of a city or a map and itineraries. The applied part of the work presents use of the theory in Prague metro. It also deals with orientation, navigational sign systems and comunication systems. Other topic examined in this diploma work is a role of Prague metro and its city surroundings in a mental city mapping done by its user. Besides, the work shows the metro and its surroundings as a place of everyday life. Keywords: Semiotics, sign, communication, binary opposition, connotation, denotation, text, city, image map, places and non-places, place and space, map, itinerary, everyday...
84	The relevance of the speech act theory to Buzani Kubawo Scheckle, Linda Ann 10 1900 (has links) Austin's Speech Act Theory is a valuable tool for the analysis of a literary text. In interaction, the intentionand purpose-success of linguistic communication can be gauged by establishing whether participants have met felicity conditions and have respected maxims. When the Co-operative Principle is ignored, special effects are achieved and receivers can only make sense of utterances through implicature and inferences based on background knowledge and mutual contextual beliefs. In the drama, Buzani kubawo, characters interact on four levels of time in space and place. They reveal themselves and convey theme through their speech and actions. Conflict is entrenched by lines of force drawn between opposing characters and between sub-worlds contrasted. Cohesion, determined by plot structure, and form, expressed on the endophoric and exophoric levels, give meaning to the drama. The micro-analysis of the wedding scene illustrates how communication can misfire should the playwright allow it! / African Languages / M.A. (African languages) Communication Intention Purpose Implicature Felicity conditions Maxims Co-operative principle Principle of literalness Inferences Illocutionary (speech) acts Perlocutionary effects Conflict Unity I coherence Drama Decoders Mutual contextual beliefs Function 896.398522 TAMS SCHE 896.398522 Tamsanqa, Witness K. Buzani ku, awo. Reader-response criticism. Speech acts (Linguistics) Communication -- Psychological aspects. Discourse analysis Reader-response criticism Speech acts (Linguistics) Communication -- Psychological aspects Discourse analysis, Literary Connotation (Linguistics) Drama -- History and criticism Social interaction in literature Communication and culture -- Africa Intention (Logic) in literature Tamsanqa, Witness K. -- Buzani ku, awo
85	The relevance of the speech act theory to Buzani Kubawo Scheckle, Linda Ann 10 1900 (has links) Austin's Speech Act Theory is a valuable tool for the analysis of a literary text. In interaction, the intentionand purpose-success of linguistic communication can be gauged by establishing whether participants have met felicity conditions and have respected maxims. When the Co-operative Principle is ignored, special effects are achieved and receivers can only make sense of utterances through implicature and inferences based on background knowledge and mutual contextual beliefs. In the drama, Buzani kubawo, characters interact on four levels of time in space and place. They reveal themselves and convey theme through their speech and actions. Conflict is entrenched by lines of force drawn between opposing characters and between sub-worlds contrasted. Cohesion, determined by plot structure, and form, expressed on the endophoric and exophoric levels, give meaning to the drama. The micro-analysis of the wedding scene illustrates how communication can misfire should the playwright allow it! / African Languages / M.A. (African languages) Communication Intention Purpose Implicature Felicity conditions Maxims Co-operative principle Principle of literalness Inferences Illocutionary (speech) acts Perlocutionary effects Conflict Unity I coherence Drama Decoders Mutual contextual beliefs Function 896.398522 TAMS SCHE 896.398522 Tamsanqa, Witness K. Buzani ku, awo. Reader-response criticism. Speech acts (Linguistics) Communication -- Psychological aspects. Discourse analysis Reader-response criticism Speech acts (Linguistics) Communication -- Psychological aspects Discourse analysis, Literary Connotation (Linguistics) Drama -- History and criticism Social interaction in literature Communication and culture -- Africa Intention (Logic) in literature Tamsanqa, Witness K. -- Buzani ku, awo

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