Spelling suggestions: "subject:"contemporary music"" "subject:"eontemporary music""
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SWATMaze, Rex Allan, II 18 March 2011 (has links)
No description available.
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Examining François Rossé's Japanese-Influenced Chamber Music with Saxophone: Hybridity, Orality, and Primitivism as a Conceptual FrameworkEven, Noa 18 November 2014 (has links)
No description available.
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The Liminal VoicesMacNeil, Mavis O. 26 April 2017 (has links)
No description available.
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Short Opera for Five VoicesSauer, Vincent Philip 12 April 2017 (has links)
No description available.
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THE CHORAL MUSIC OF NORMAN DELLO JOIOMedley, Susan Annette January 2000 (has links)
No description available.
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STRUCTURAL ISSUES IN LUTOSLAWSKI'S <i>SYMPHONY NO. 4</i>Nies, Carol 11 October 2001 (has links)
No description available.
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Pedagogical Approaches to Conducting Gesture in Contemporary MusicKilburn, Katherine Margaret, Kilburn 29 July 2016 (has links)
No description available.
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Through nature to eternity: a work for wind ensemble and a quantitative study of chromaticism: changes observed in historical eras and individual composersPerttu, Daniel Erkki Hiram 17 May 2007 (has links)
No description available.
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Three-dimensionality in Musical Form : Parameters for Musical Form Based on the Ancient Structures of MythAhovaara, Arttu January 2024 (has links)
This thesis explores musical form and examines the possible relationship between structures of mythology and musical form, especially with modern musical parameters in mind, all based on the ancient structures of myth. One method for working with musical form is also presented, which attempts to show how musical material can be transformed in the confines of this form template. The approach taken to study musical form and to understand and manipulate it in composition work in this thesis attempts to find patterns for musical form outside of established musical concepts. This thesis explores the structure of ancient mythology collected by the American writer Joseph Campbell and draws conclusions between that and musical form, which attempts to showcase the relations between traditional musical forms and ancient structures of myth, and also presents methods of working with these premises in contemporary music.
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A Performer's Guide to Two New Electroacoustic Euphonium SolosWeis, Justin Kimball 07 1900 (has links)
In the modern euphonium repertoire, a rapidly expanding medium of accompaniment is the use of electronics, and especially live electronics. While the use of electronics can be daunting to new performers, this document aims to build on the established research surrounding electroacoustic solo euphonium works. The first part of the document will familiarize readers with some history and terminology surrounding electroacoustic music and the foundational research for this project. The second part is a performance guide to two commissioned live electroacoustic works: Bitruncation by Lucy Pankhurst, and Shape Shifter by Andrew May. The performance guides include theoretical analyses, an ideal hardware/software set up, and performative suggestions. An updated repertoire list is included in an appendix for performers who wish to discover more electroacoustic music. This list contains publishing or contact information in hopes that performers can more easily access these works.
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