Le territoire a-t-il une influence sur le raisonnement politique des individus ? C'est à cette question, en apparence classique, de la science politique que cette thèse entend répondre. A partir d'une enquête menée dans le contexte de l'élection présidentielle française de 2007, nous proposons d'aborder les voies théoriques et méthodologiques d'une étude de l'effet du « territoire » sur les raisonnements et les arguments mobilisés par les individus lorsqu'ils « parlent » de politique. En prenant successivement en compte le territoire comme agrégat de données quantitatives (territoire objectif) puis comme construction sociale opérée par les individus (territoire subjectif), nous proposons de revenir sur les apports d'une approche « écologique » et « processuelle » du raisonnement politique, permettant de comprendre les rouages et l'ampleur de la mobilisation du « territoire vécu » par les individus. La « politique » apparait à la fois comme le résultat d'un repérage des problèmes territoriaux et comme une série de thèmes définis a priori (l'Union Européenne, la mondialisation, le vote lors de l'élection présidentielle), donnant à voir deux aspects distincts de l'influence du territoire sur la politisation des individus. Nos résultats plaident pour le prolongement d'une analyse qualitative et contextualisée des compétences et des raisonnements politiques individuels. / Does the territory influence the way individual reasons about politics? This dissertation aims to answer to this apparently classical question of political science. Based on a survey which was conducted in the context of the French presidential election of 2007, we propose to deal with theoretical and methodological issues about the understanding of the « territory effect » on the way people argue and reason when they « talk about" politics. We successively define the territory as an aggregation of quantitative data (objective territory) and then as a social construction made by individual (subjective territory), in order to argue that an « ecological » analysis of the process that underpin political reasoning is a fruitful way of understanding how and in what extend people use elements from their own territory. Politics appears both as the result of the construction of territorial issues and as a set of public issues (European Union, globalization, presidential election) which gives two different aspects of the way territory can influence the politicization of people. Our results argue that a qualitative and contextualized approach of competences and political reasoning must be deepened.

Submitted by DANIELA ALVARES BESKOW null (dab@inventati.org) on 2017-11-06T18:08:59Z No. of bitstreams: 1 BESKOW_DANIELA_ALVARES_DISSERTACAO_MESTRADO_2017_O_DISCURSO_DAS_MULHERES_NA_CENA_PAULISTANA.pdf: 1700280 bytes, checksum: ae8b8fbf75996cf875812de9306036ad (MD5) / Approved for entry into archive by LUIZA DE MENEZES ROMANETTO (luizamenezes@reitoria.unesp.br) on 2017-11-13T19:23:07Z (GMT) No. of bitstreams: 1 beskow_da_me_ia.pdf: 1700280 bytes, checksum: ae8b8fbf75996cf875812de9306036ad (MD5) / Made available in DSpace on 2017-11-13T19:23:07Z (GMT). No. of bitstreams: 1 beskow_da_me_ia.pdf: 1700280 bytes, checksum: ae8b8fbf75996cf875812de9306036ad (MD5) Previous issue date: 2017-06-30 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Esta pesquisa investiga espetáculos cênicos – das áreas de teatro, dança e arte da performance – apresentados na cidade de São Paulo durante o biênio 2015-2016, que trazem apenas mulheres em cena. A partir de uma perspectiva feminista e materialista, foi desenvolvida a metodologia denominada “análise contextualizada” ou “análise situada”, utilizada para observar e analisar espetáculos teatrais a partir de suas dramaturgias cênicas. Em seguida, são propostas questões sobre mulheres em cena e artes cênicas a partir do debate e realidade de violência contra as mulheres no Brasil, assim como de reflexões e ações derivadas dos movimentos feministas, originando um esboço do conceito: “dramaturgia cênica feminista”. / This work investigates escenic performances – theater, dance and performance art – performed at São Paulo city during the biennium 2015-2016, with just women on scene. From a feminist and materialist perspective, it was developed the metodology named “contextualized analysis” or “situated analysis”, used to observe and analyse theatrical performances from which their escenic dramaturgies. Subsequently, questions about women on scene and escenic arts are suggested from which the debate and reality of violence against women on Brazil, as well from thoughts and actions derived from the feminists movements, originating a sketch of the concept: “feminist escenic dramaturgy”.