Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This research is based on a plastic practice, with the objective of construct a pictorial field through the operative concepts of accumulations and contrapositions. In its development, articulated plastic practice, based on notes made in diary of notes, with the theory, history and art criticism, and written in visual poetics. This research is established to investigate the principles that condition the instauration of my works. Thus, I begin to reflect the working documents, analyze the origin and formation of accumulations of pictorial material and its relationship with the experimental deviations, what and how the simulations and the real three-dimensional elements are opposed to the picture, coming to strategies, in which I investigate how the procedures of appropriation, collage, fusion of elements are used for work s construction. Still, do an analysis on my works, making comparisons with my previous productions, and the work of Iberê Camargo, Nuno Ramos, Leda Catunda, plus other artists with whom my work dialogues, in order to understand the developments of some procedures and my expressive intention. I conclude this study by answering the questions about the relationship and influences between painting and three-dimensional elements, and pointing possible ways to continuation of this work. / A presente pesquisa baseia-se na minha produção plástica, com o objetivo de construir um campo pictórico por meio dos conceitos operatórios de acúmulos e contraposições. No seu desenvolvimento, articulei a prática plástica, baseada em apontamentos realizados em um diário de anotações, com a teoria, a história e a crítica de arte, além de escritos em poéticas visuais. O estabelecimento dessa pesquisa se dá por meio da investigação aos princípios que condicionam à instauração das minhas obras. Assim, inicio a reflexão pelos documentos de trabalho, analiso a origem e a constituição dos acúmulos de matéria pictórica e suas relações com os desvios experimentais, quais são e como as simulações do real e os elementos tridimensionais se contrapõem ao pictórico, até chegar às estratégias, em que investigo como os procedimentos de apropriação, colagem, hibridizações e mestiçagens são utilizados na construção dos trabalhos. Empreendo ainda, uma análise sobre as minhas obras, estabelecendo comparações com minhas produções anteriores, e com o fazer de Iberê Camargo, Nuno Ramos, Leda Catunda, além de outros artistas com os quais o meu trabalho dialoga, a fim de se compreender os desdobramentos de alguns procedimentos e a minha intenção expressiva. Encerro essa pesquisa respondendo às questões em torno das relações e influências entre a pintura e os elementos tridimensionais, e apontando possíveis caminhos para a sequência desse trabalho.

Polystylism and Collage in Czech Music in the Second Half of the 20th Century by Robert Škarda Key words: czech music, collage, polystylism, postmodernism, quotation, style contraposition, team composition The topic of my thesis Polystylism and Collage in Czech Music in the Second Half of the 20th Century is the area of Czech composers' works based mainly on style contraposition, stylization of historical or jazz music and usage of quotations. My work is based on assumption of historicity of musical terminology. I consider the notions polystylism and collage as period musical terms and I attempt to reconstruct their meaning. Time definition of the thesis is delimited by the years 1960 and 2000. Lower time limit is selected regarding to nature of the topic - the 60s are the period when works and reflections belonging to the context of the notions polystylism and collage first appeared. The first part of my thesis focuses on the general mapping of the topic polystylism and collage. I summarized relevant musicology literature and I dealed with historical and teoretical relations of polystylism and collage to related terms (first of all postmodernism, montage and style), I was concerned with the context of European and American music and with question of polystylism and collage in Czech popular music....