Thesis (M.A.)--West Virginia University, 2007. / Title from document title page. Document formatted into pages; contains vi, 82 p. : ill. Includes abstract. Includes bibliographical references (p. 79-82).

This thesis investigates the potential of narrative as a design generator and illustrates ways of extracting narratives from architecture through themed analyses of the proposed scheme. Discussions of cinematic and literary space — media traditionally dominated by narrative construction — augment discussions of architecture. The site, in both its formal and programmatic history, is discussed as the primary generator of both programme and form for the Narrative Factory. A critical stance is taken in order to respond to the material legacy of apartheid, which, it is argued, is a latent quality of much of Pretoria’s urban fabric. The use of lost space is discussed as points of departure from which to approach this legacy. Video: http://vimeo.com/81337714 / Dissertation (MArch Prof)--University of Pretoria, 2014. / Architecture / MArch(Prof) / Unrestricted

Developed out of a need for a reliable methodology of documenting historic landscapes, the National Park Service uses Cultural Landscape Reports to determine the significance and integrity of historic landscapes. Treatment recommendations developed from an analysis of site history and existing conditions guide the management decisions of cultural landscapes. Russell Cave National Monument, located in Bridgeport, Alabama, contains one of the oldest continuous archeological records in North America. A cultural landscape report for the park had not yet been completed. This research consists of a historical narrative covering the 10,000 years of human occupation in the cave, a documentation of existing conditions, an analysis of historic integrity, and recommendations for management, preservation, and restoration of the landscape.

This dissertation articulates the ways in which black (e)migration to the territorial frontier challenges the master frontier narratives as well as African American migration narratives, and to capture how black frontier settlers and settlements are represented in three contemporary novels. I explore through the lens of cultural geography the racialized landscapes of the real and symbolic American South and the real, symbolic and imaginary black territorial frontier. Borrowing perspectives from cultural and critical race studies, I aim to show the theoretical and practical significance of contemporary literary representations of an almost forgotten historical past. Chapter I traces the sites of history, memory and imagination in migration and frontier narratives of enslaved and newly freed black people in the Oklahoma Territory. Chapter II addresses an oppositional narrative of masculinity in frontier narratives depicted in Standing at the Scratch Line by Guy Johnson. Chapter III examines how the black frontier landscape can be created and recreated across three generations who endure racial threats, violence and the razing of Greenwood during the Tulsa Riot of 1921 in Magic City by Jewell Parker Rhodes. Chapter IV scrutinizes the construction of black frontier subjects and exclusive black communities in Paradise by Toni Morrison. My dissertation seeks to add to and expand the literary studies of migration and frontier narratives, taking into account two popular novels alongside a more academically recognized novel. The selected novels mobilize very different resources, but collectively offer insights into black frontier identities and settlements as sites of a past, present and future African American collective consciousness.

No abstract provided. / Thesis / Bachelor of Arts (BA)

Historic research into the Virginia Springs reveals a collection of vital interconnected seasonal communities centered on retreat from the unhealthy environs of the coast and devoted to resort in the mountains. Prior to the Civil War the Virginia Springs became renowned internationally as the summer home of the region's and the nation's elite. The collapse of the southern economy during and following the war meant the reorganization and often the failure of most of the Springs. A revival of sorts took place among the Virginia Springs during the late 19th century, consciously referencing the earlier "golden age." Many Springs found new life as schools, church camps, retirement homes and smaller hotels. Many simply left the scene altogether. Today little remains in the landscape to suggest the scale and vitality of many of these dynamic seasonal communities. And yet retreat to a wilderness setting remains appealing. Perhaps most compelling are the persistence of landscape qualities that contributed to their reputations as places of healing and retreat, namely the mountain air, the wild scenery and the healing waters. The Virginia Springs are in fact at an ideal location and represent ideal conditions for a new chapter in our own relationship with wild nature. Preservation efforts ought to focus on articulating such a relationship of building to landscape. While the scale of such a retreat might not equal that of its predecessors, a revived Virginia Spring, such as the Healing Springs of Bath County, can say much about how we find retreat in the 21st century. / Master of Landscape Architecture

Traditionally cultural landscape of the past involved a dialogue between natural system, human modifications and the value given by humans to the landscape, ultimately nurturing a healthy interaction between human and natural systems. Development pressures on remnants of these past harmonious cultural landscapes threatens the memory and therewith the future possibility of this healthy interaction. With looming exponential urban growth in African cities in the near future, it is important to learn from and protect the few past remnants that are left. The main question that was explored in the dissertation is how a degraded cultural landscape can be regenerated to establish social and ecological health. The hypothesis proposed that degraded cultural landscapes can be regenerated using principles of past cultural landscapes that can reconnect fragmented human and natural systems. A degraded cultural landscape settled against the backdrop of the Witwatersberg Ridge served as the location for the testing of the hypothesis. This site, situated near Danville and Lotus Gardens in Pretoria West is a former leprosy colony called Fort West. The aim of the dissertation was to find methods for the regeneration of the degraded cultural landscape.It was proposed that an integrated methodology be followed that brings together a site’s cultural, natural and economic ‘capital’ or latent potential. The integration of these three capitals was proposed in two ways: through applying five principles of ecological design as set out by Van der Ryn and Cowan (1996); and by raising awareness and educating society and the community as proposed by Farina (2000). This process delivered a set of design guidelines for degraded cultural landscapes. The approach matches biological diversity with cultural diversity, ensuring that that the ecological relevance of a cultural landscape and its capacity to inform and guide other human activities are met. The design intervention was applied at three different scales: framework, master plan and sketch plan. Interventions are proposed at each scale that can improve the natural and social health of Fort West. The cultural, natural and economic capital of the site is harnessed by reconnecting past and existing potential in these three fields and integrating proposed natural and cultural systems in this way. Education and awareness is at the forefront of all proposed interventions. In this way a public space that facilitates the reintroduction of biodiversity and also assists in the regeneration of the Fort West community can be established. / Dissertation ML(Prof)--University of Pretoria, 2012. / Architecture / ML(Prof) / Unrestricted

Land is a critical element in the formation of, maintenance and continuance of Native identity to tribes in North America. Since time immemorial, Native people have occupied these landscapes in a manner than can perhaps be best described as "persistent." Native views of the land can differ significantly from those of a Western, or Anglo-American tradition. And when managers of these lands come from a Western tradition, dissimilar views on how these lands should be used can become very problematic for Native people. This research examines how five tribes (Pueblo of Acoma, the Hopi Tribe, Pueblo of Laguna, Navajo Nation and Pueblo of Zuni) view their identity and future cultural continuity as their ancestral homelands are inundated by competing uranium mining interests that threaten to destroy the Mount Taylor landscape of northern New Mexico.

This is an American Indian ethnographic study for the Hoover Dam Bypass Project. The study sites included three bypass bridge alternatives, each located within one mile from where United States Highway 93 (U.S. 93), at the time of the study, crossed over the top of Hoover Dam at the Arizona-Nevada state line. Due to growth in population and commerce in the Southwest, the roadway at Hoover Dam has experienced a tremendous increase in traffic over the past 30 years, resulting in increased safety hazards to motorists, pedestrians, and the dam itself. Federal, state, and local governments have worked to find a solution to the impacts of increased traffic across Hoover Dam. This project was a continuation of EIS efforts that began in 1989. The goal of this project was to evaluate alternative crossings of the Colorado River near Hoover Dam. The goal of this study was to evaluate the potential impacts to American Indian cultural resources related to the three proposed crossing alternatives. This report is an expanded version of the draft produced in 1998. In 2000, funding became available to carry out further ethnographic research and involve Mohave, Hualapai, and Southern Paiute people.

As part of the American Indian consultation process for the Hoover Dam Bypass Project the Federal Highway Administration (FHWA) consults regularly with representatives of tribal groups that have an interest in cultural and traditional resources affected by the project plans and activities. The focus of this document is on information particular to understanding cultural landscapes and the long standing connections between the Southern Paiutes, Hualapais, and Mohaves and the revered sites of Sugarloaf Mountain and Goldstrike. In the end, these layered intertribal and geographic connections which link these sites met the criteria for establishing the eligibility of Sugarloaf Mountain and Gold Strike Canyon as Traditional Cultural Properties (TCPs). This report was prepared as part of the nomination process. Maps containing locations have been redacted from the public document. Tribal members who want a copy of the un-redacted report please contact Special Collections. Sugarloaf Mountain and Goldstrike Canyon officially were designated TCPs on September 4, 2004.