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Heritage politics in Adelaide during the Bannon decade.Mosler, Sharon Ann January 2007 (has links)
Title page, table of contents and abstract only. The complete thesis in print form is available from the University of Adelaide Library. / "This thesis argues that during the decade 1983-93 South Australia’s heritage legislation was not effective in protecting Adelaide’s traditional built character. The Bannon government was committed to growth through major developments during an economic recession, and many of those developments entailed at least the partial demolition of heritage-listed buildings." --p. iv. / http://proxy.library.adelaide.edu.au/login?url= http://library.adelaide.edu.au/cgi-bin/Pwebrecon.cgi?BBID=1277500 / Thesis (Ph.D.) -- University of Adelaide, School of History and Politics, 2007
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Tombamento e a justa composição para o patrimônio culturalSpaolonzi, Maria Gabriella Pavlopoulos 27 September 2018 (has links)
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Previous issue date: 2018-09-27 / The aim of this study is the balanced protection of the rights reached by
state intervention in the ownership of urban real estate in the form of tipping.
To achieve this aim, in the first part, we discuss the concepts elevated
to the constitutional guarantee. More precisely, on the elements that make up
the concept of cultural heritage as well as the right to property. From the
valorization of the right to culture, which is also constitutionalised, a new
meaning of the social function of property is focused in order to conclude that
property has lost its absolute character over the years.
This research then visited the various forms of state intervention in
private property to devote greater attention to tipping - the most important
instrument of our legal system for the protection of cultural heritage.
A special chapter was dedicated to the indemnification aspect of tipping
to conclude that the aforementioned form of state intervention, often
responsible for serious damage to the holder of the domain, accommodates
itself in social resilience. From this conclusion, the study dealt with the right of
indemnification of the individual and some forms of its concretization.
The second part of the study devoted attention to the Vila Operária
Maria Zéliae, located in the neighborhood of Belém, in São Paulo. This village
was established more than one hundred years ago. This Villa suffers from the
effects of the tipping since the 1980s. This state intervention has in many
cases configured the total misconfiguration of the property with total damage
to the cultural patrimony. For what possible solutions can concrete case
await?
The conclusion of the study highlights the need to apply instruments
aimed at provoking the responsibility of the parties affected by the tipping. As
for the particular, the need for it to be called to respond for the effective
maintenance of the good even in the form of its provocation in the hypotheses
in which it does not have the financial resources for such purpose. In relation
to the Public Power, to respond for the damages caused not only to the
particular but to the cultural patrimony in the situations in which it remains inert
even when the hype and lack of knowledge of the owner of the domain was a
known fact even before the concretization of his intervention in his property . / O objeto de estudo deste é trabalho é a proteção equilibrada dos
direitos atingidos pela intervenção estatal na propriedade de bens imóveis
urbanos, na forma de tombamento.
Com esse propósito, discorre-se, numa primeira parte, sobre conceitos
elevados à garantia constitucional. Mais precisamente, sobre os elementos
que compõem o conceito de patrimônio cultural bem como o direito de
propriedade. A partir da valorização do direito à cultura, igualmente
constitucionalizado, foca-se um novo significado da função social da
propriedade para se concluir que a propriedade perdeu, ao longo dos anos,
seu caráter absoluto.
Em seguida, esta pesquisa visitou as diversas formas de intervenção
do Estado na propriedade privada para dedicar maior atenção ao tombamento
– instrumento mais importante do nosso ordenamento jurídico para proteção
do patrimônio cultural.
Dedicou-se um capítulo especial ao aspecto indenizatório do
tombamento para se concluir que mencionada forma de intervenção estatal,
muitas vezes responsável por prejuízos graves ao titular do domínio,
acomoda-se na resiliência social. A partir desta conclusão, o estudo versou
sobre o direito indenizatório do particular e algumas formas de sua
concretização.
A segunda parte do trabalho dedicou atenção ao caso Vila Operária
Maria Zélia, situada no Bairro do Belém, no Município de São Paulo.
Constituída há mais de um século, esta Vila padece com os efeitos do
tombamento desde a década de 1980. Referida intervenção estatal
configurou, em muitos casos, a total desconfiguração do bem com total
prejuízo ao patrimônio cultural. Por quais soluções possíveis caso concreto
por aguardar?
A conclusão dos estudos coloca em evidência a necessidade de
aplicação de instrumentos voltados à provocação da responsabilidade das
partes atingidas pelo tombamento. Quanto ao particular, a necessidade de o
mesmo ser chamado a responder pela efetiva manutenção do bem inclusive
na forma de sua provocação nas hipóteses em que não dispõe de recursos
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financeiros para tal finalidade. Em relação ao Poder Público, para responder
pelos prejuízos causados não apenas ao particular, mas ao patrimônio
cultural nas situações em que se mantém inerte mesmo quando a
hipossuficiência e o desconhecimento do titular do domínio era fato sabido
antes mesmo da concretização de sua intervenção em sua propriedade.
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Examination of the systems of authority of three Canadian museums and the challenges of aboriginal peoplesMattson, Linda Karen 11 1900 (has links)
In order to illustrate why museums are frequently sites of conflict and
mediation, this dissertation examines the complex conditions under which
knowledge is produced and disseminated at three Canadian museums.
Approaching museums as social arenas or contact zones, the dissertation exposes
power struggles in museums and dislodges a whole set of assumptions about what
museums are and how they function.
For the study I selected the following museums with anthropological
mandates: MacBride Museum (Whitehorse), Prince of Wales Northern Heritage
Centre (Yellowknife), and Vancouver Museum (Vancouver). The three museums
were chosen because their geographical proximity to large communities of
Aboriginal Peoples enabled an exploration of the changing relationships between
them. Historically, museums have held the power to classify and define Aboriginal
Peoples. Relatively recently, however Aboriginal Peoples have in various ways
(by imposing constraints on how they and their cultures are exhibited, and through
land claims and repatriation requests) been challenging their historic relationships
with museums.
In chapter one I discuss my objectives, methodology, and the work of those
scholars who shaped this dissertation. Chapter two explores the invention of
museums in the western world and begins linking the three Canadian museums
with knowledge and power. In chapters three, four, and five I portray the mobility
and productivity of three museums (MacBride Museum, PWNHC, and Vancouver
Museum) in three distinct regions of Canada. I illustrate their ability to articulate
identity, power, and tradition as well as the role they perform in the social
organization of power relations. Each chapter begins with a description of the
historical roots of power relations at each institution. This leads into a discussion
of each museum's present system of authority: the state, governing bodies, professional staff and, increasingly, Aboriginal representatives. In the process I
reveal some of the political pressures, institutional hierarchies, and personal
conflicts that shape knowledge within these institutions.
Chapter six is a review and critical analysis of systems of authority of the
three museums and the challenges presented by Aboriginal Peoples. I conclude
with the issues raised at the outset, which continue to confront the Canadian
museum community, issues of inclusion and the limitations of cross-cultural
translation, repatriation, and representation. / Arts, Faculty of / Anthropology, Department of / Graduate
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Art and globalisation : the place of intangible heritage in a globalising environmentGrand, Nesbeth 06 1900 (has links)
The thesis has investigated the place of Zimbabwean indigenous intangible heritage in a globalising environment. It used the Shona language and intangible heritage situation as a case study. It argued that Zimbabwean intangible heritage is continually being eroded by the agents of globalisation and that the only way of safeguarding it from extinction is through the preservation of Zimbabwean indigenous languages. The thesis has come to this conclusion after having established that there is an intimate and inseparable bond between language and its intangible values so much that it is not possible to talk of one devoid of the other. The relationship has been seen to be symbiotic. The Shona language has been established to embody, express and to be a carrier of all the intangible heritage of its speakers into the future by re-living them in the people’s daily life while these intangible values have been seen to conserve the language through their continued practice by the people. The research has also established that Zimbabwean intangible heritage marginalisation has roots in colonialism, dating as far back as the early Christian missionary days. The Shona intangible heritage has also been seen to be still of value despite the global threats as evidenced by the people’s continued re-living of it through language. The thesis has also noted that the Zimbabwean Ministry of Education, Sport and Culture is still using out-dated colonial language policies that still further the ascendancy of English and the intangible values it stands for while indigenous languages and values are marginalised in the education system, in government and in industry thereby worsening their predicament in the global environment. The current socio-economic and political developments in the country and some Shona novelists in Shona and in English are also culprits in this whole process as they continue to demonise and infantilise Zimbabwean intangible heritage. The thesis has therefore asserted that Zimbabwean intangible heritage is most likely to be eroded from the face of the earth if no measures are taken to safeguard it from extinction. It has therefore wound up by arguing that the survival of Zimbabwean intangible heritage lies in the survival of Zimbabwean indigenous languages through which it continues to be practised and felt by its people. The thesis has therefore recommended that the Zimbabwean government adopt sound language policies that safeguard the survival of Zimbabwean indigenous languages to enable the indigenous intangible heritage of the people to survive as well as the two are intricately related. / African Languages / D. Litt. et. Phil.(African Languages)
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Contested Cultural Heritage in the Limpopo Province of South Africa: the case study of the Statue of King NghunghunyaniMabale, Dolphin. 18 May 2017 (has links)
MA (Anthropolgy) / Centre for African Studies / Commemorative structures like walls of remembrance, statues and monuments are representatives of social narratives and they usually represent the current political order. They also represent heroes deemed important by the current political regime. These structures, together with the corresponding narrative, can either be of local, regional or national importance. Nghunghunyani was a Gaza Nguni king who reigned in southern Mozambique in 19th century. His statue in the town of Giyani is a case in point. Nghunghunyani fought wars and entered into negotiations with the Portuguese in southern Mozambique in order to keep the land of his forefathers. However, the erection of his statue sparked controversy and has been met with resentment and rejection among the people of the region where it has been placed. This study aimed to elucidate the reasons behind the resentment and the rejection of the statue. This was done by examining the history of the homeland of Gazankulu and of the clans of the region in order to understand the ethnic enclaves of the Tsonga and the Shangaan, and the political undercurrents involved in the erection of a statue which is undeniably of national significance, but problematic locally and regionally. As heroes are imbedded in collective memory and collective narratives, the theory of collective memory following on Maurice Halbwachs was used. The discussion on ethnicity was directed by the ethnicity theories of Webber and Geertz. The interview was employed as the tool for collecting data, which elucidated that Nghunghunyani is not part of their founding heroes and that their praise poems do not include this historical figure. It appears that in as much as Nghunghunyani is a regional hero, his representation in Giyani is clouding the real history of the region and the debates are clouding the hero that King Nghunghunyani was. The study unveiled that Nghunghunyani is a nationally celebrated hero who cannot be contextualised positively in the local context amongst Tsonga speaking tribes and chiefdoms due to the nature of the hostile historical relationship between the ancestors of these groups and the Gaza Nguni.
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Creating with Ghosts: Identity and Artistic Purpose in Armenian DiasporaKouyoumdjian, Mary January 2021 (has links)
The creative submission for my dissertation includes two of my documentary works: They Will Take My Island, a thirty-minute multimedia collaboration with filmmaker Atom Egoyan for amplified string octet, electronic track, and film, commissioned by the Metropolitan Museum of Art; and Paper Pianos, a ninety-minute staged collaboration with director Nigel Maister and projection artist Kevork Mourad. The written submission for my dissertation is an examination of the ways in which experiences around transgenerational trauma inform and manifest in my creative practice. I offer a summary of my own family history of survivors of the Armenian Genocide and Lebanese Civil War, as well as a survey of displacement amongst the Armenian community in the past century. Furthermore, I discuss identity processing as diaspora and the act of cultural preservation, as inspired by genocide survivor, composer, priest, writer, and musicologist, Komitas Vardapet. I later examine these ideas in the context of creating They Will Take My Island and Paper Pianos, both of which were constructively motivated by transgenerational survivor’s guilt and draw from extra-musical documentary and horror genre practices.
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Finding the Past in the Present: Modeling Prehistoric Occupation and Use of the Powder River Basin, WyomingClark, Catherine Anne 01 January 2012 (has links)
In the Powder River Basin of Wyoming, our nation's interest in protecting its cultural heritage collides with the high demand for carbon fuels. "Clinker" deposits dot the basin. These distinctive buttes, created by the underground combustion of coal, are underlain by coal veins; they also provided the main lithic resources for prehistoric hunter-gatherers. These deposits signify both a likelihood of extractable carbon and high archaeological site density. Federal law requires that energy developers must identify culturally significant sites before mining can begin. The research presented here explains the need for and describes a statistical tool with the potential to predict sites where carbon and cultural resources co-occur, thus streamlining the process of identifying important heritage sites to protect them from adverse impacts by energy development. The methods used for this predictive model include two binary logistic regression models using known archaeological sites in the Powder River Basin. The model as developed requires further refinement; the results are nevertheless applicable to future research in this and similar areas, as I discuss in my conclusion.
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Canting the cradle : the destruction of an ancient Mesopotamian civilizationMarston, Jane Elizabeth 02 1900 (has links)
Iraq is a country of great cultural significance as it is where civilization first began. As a result of its lengthy occupation, it is virtually one large archaeological site. In spite of numerous warnings to the governments of both the United States and the United Kingdom, no efforts were made to protect the Iraqi National Museum in Baghdad when the American-led coalition unlawfully invaded Iraq. Indeed, orders were given not to interfere with the looting. During the occupation that followed, the United States failed to take steps to protect Iraqi cultural property. In terms of international law, it was obliged to protect Iraq’s cultural property. The United States also chose to exacerbate its unlawful conduct by occupying archaeological sites and damaging them further by illegal construction. As a result many significant sites have been irreparably damaged or destroyed. Their conduct was the result of complete indifference to the Iraqi cultural heritage. Although their actions render them iin breach of international law, it is unlikely that the United States will ever be prosecuted for its actions. / Old Testament & Ancient Near Eastern Studies / M.A. (Ancient Near Eastern Studies)
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Rural African perceptions of the contemporary metropolisKayanja, Raymond Louis 02 1900 (has links)
This dissertation focuses on utopian versus dystopian perceptions of rural indigenous African societies with regard to the modern metropolis. Since the evolution of the modern metropolis, rural African societies have undergone significant and complex cultural changes that have dislodged rural cultures from being perceived in terms of the traditional notion of fixity. This has lead to the modern city being seen as either utopian or dystopian by rural African societies. The dissertation questions the “utopianess” of the modern metropolis with a special focus on its central idea of “progress”. Special attention is given to artists who explore this cultural phenomenon in the utopian–dystopian paradigm. The dissertation goes further to address the cultural impact of recent technological developments on rural and urban societies, the researcher’s perceptions of this impact and how this has contributed to the dynamics that characterise the cultures of contemporary rural and urban migrants / Art History, Visual Arts & Musicology / M.A. (Visual Arts)
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澳門歷史建築保存與活化研究 =Study on the preservation and revitalization of historical buildings in Macao / Study on the preservation and revitalization of historical buildings in Macao李靖君 January 2018 (has links)
University of Macau / Faculty of Social Sciences. / Centre for Macau Studies
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