This thesis should solve the mystery of the synesthesia (especially on field of the theory of literature). The explanation of selected art schools of the second half of nineteenth century should anchor this phenomenon in the history of literature. The thesis analysis the concrete cases selected from the primary texts (collection of poems Zazděná okna, prose Román o Manfredu Macmillenovi and drama Sen o říši krásy). This analysis is based on the various types od synesthesia. The analysis prooved that this phenomenon does not only exist in the world literature, but it also exists in the Czech literature of that age. The comparison of the results extracted by Sean A. Day, Ph.D. was very interesting. This thesis examines also the colours and seing of the colours in the dreams. The work of Svetozar Nevole showed up useful. Although the work is almost 50 years younger than the primary literature, there were no big problems with adaptation of this theory for the primary texts.

Dolores Dyer played from 1952-1953 for the Texas Cowgirls, a barnstorming women's basketball team that provided a form of entertainment popular throughout the United States in that era. The story of Dyer's life demonstrates how a woman could attempt to achieve the American dream—a major theme in American history—through success in athletic competition. Dyer's participation with the Texas Cowgirls also provides a look into the circumstances that limited women's participation in professional sport during the mid-twentieth century. Women's sports studies, although some are very thorough, have gaps in the research, and women's barnstorming basketball is one of the areas often overlooked. In light of this gap, this thesis relies on a variety of sources, including primary documents from unpublished collections, archived materials, and original oral histories from several members of the Texas Cowgirls team. This thesis contains analysis of the socioeconomic factors that influenced Dolores Dyer's maturation into a professional basketball player, examines what the American dream meant to her, and evaluates the extent to which she achieved it. Overall, it constructs a social history that can serve as a foundational source for further study of women in sports during the twentieth century.

"Spark and Ruin: a Story of Re-beginning" is a multi-media concert dance work that addresses empathy as a physical and cognitive reactionary state, and utilizes dancing bodies as agents to facilitate this empathic experience. This work developed out of "The Flint Project," which investigates Flint, Michigan, "the most violent city in America," and a community characterized by racial tension and severe distinctions in class and social standing. This post-industrial, urban community serves as a microcosm through which we can examine how racial, social, and cultural politics intersect to establish systematic practices that challenge the possibility of the "American Dream." "The Flint Project" is a vehicle for creative research that investigates these systems and develops the material into a live performed event, "Spark and Ruin: a Story of Re-beginning". This performance includes installations featuring live performers and also various forms of media (including photography, film, and interactive "stations"). All of this material is constructed to contextualize the material for the viewer in a proscenium-style full-length dance performance. The objective of this piece is to establish a space for viewers to empathize with the material--to create an experience that will evolve into inquiry of systematic inequality as well as self-reflection of perception and bias. In facilitating this level of questioning, I aim to move viewers with compassion and heightened awareness of social inequity, as well as opportunities to chge the systems that enforce it.

A compendium of horizontality through the means of theory, facts, fictions, questions and other ruminations on the Caribbean and the diasporic experience.

Este estudo organiza-se como pesquisa bibliográfica no campo da literatura psicanalítica, vetorizada pela experiência clínico-institucional da autora e pela pergunta formulada: o que se pode pensar, a partir da psicanálise, sobre as condições de constituição e preservação do espaço onírico comum e compartilhado da equipe em instituições de cuidado? Parte da hipótese de que a equipe tem entre suas funções a de metabolizar a experiência de seu espaço intersubjetivo para restaurar a capacidade de sonhar daqueles que a compõem e daqueles a quem se endereça sua tarefa, e assim os tratar. Objetiva assim contribuir para identificar e discutir operadores clínico-teóricos da psicanálise pertinentes ao cuidado e trabalho das equipes dessas instituições. Para tanto, passando pela discussão sobre a intersubjetividade na psicanálise e o papel do outro nos processos de constituição do psiquismo e de subjetivação, recorre a conceitos da metapsicologia dos conjuntos intersubjetivos, de René Kaës, a compreensões do sonhar apoiadas nas teorias de Bion e Winnicott e ao pensamento contemporâneo sobre clínica psicanalítica de grupos e instituições (desenvolvido por autores ligados à Université Lyon-2, como Gaillard, Pinel, Vidal). Sugere que as condições para que a equipe opere como um aparelho de sonhar a clínica institucional relacionam-se àquelas que possibilitam a experiência e o espaço transicional (Winnicott) / This study is organized as a bibliographic research of psychoanalytical literature which dialogues with the authors clinical experience on institutions and with the question: based on psychoanalysis, what can be thought about the constitution and preservation of the shared onyric space of professional teams in care institutions? It assumes that, among its functions, the professional team has to metabolize its intersubjective space experience, in order to restore the dreaming capacity of those who compose it and of those to whom its task is addressed and, finally, treat them. It aims to contribute to identify and discuss some psychoanalytic clinical-theoretical operators which are adequate for the care and the work of professional teams in socio-assistance and care institutions. Thus, through some discussion of the intersubjectivity in Psychoanalysis and of the role of the other in the processes of the constitution of the psychic and subjectivation, it uses concepts from the metapsychology of shared psychic spaces (Kaës), from Bions and Winnicotts comprehension of the dream, and from contemporary production about the psychoanalytic clinic of groups and institutions (developed mainly by authors related to Université Lyon- 2, as Gaillard, Pinel and Vidal). It suggests that the conditions for the group to operate as an apparatus for dreaming the institutional clinic relate to those that enable transicional experience and space (Winnicott)

<p>Syftet med följande studie var att undersöka hur olycksanalysmetoderna CREAM och DREAM kan anpassas till sjöfartsdomänen, samt hur begreppet den mänskliga faktorn kan beskrivas och hur kan den analyseras. Teoristudier samt intervjuer med anställda vid sjöfartsinspektionen och domänexperter har genomförts. Ett förslag på hur en anpassad analysmetod skulle kunna se ut redovisas som BREAM (Bridge Reliability and Error Analysis Method). Den anpassade metoden har utvärderats med hjälp av experter inom domänen. Utvärderingen visar på att metoden fungerar bra men att ytterligare specificering av metoden till domänen är önskvärt.</p>

The study of the social dimensions of Shakespeare's art is represented by the work of Mikhail Bakhtin, C.L. Barber, Robert Weimann, Edward Berry, and Michael Bristol. Their work analyzes the background in Elizabethan social practices and popular dramatic traditions that contribute to the form, structure, and meaning of Shakespeare's comedies. The purpose of this study is to review the work of these authors, apply their insights into three productions of A Midsummer Niqht's Dream, and suggest further implications of their work. A review of these authors' major premises provides the context for analysis of three productions of A Midsummer Niqht's Dream: those of Max Reinhardt, Peter Hall, and, Joseph Papp. This study suggests that the popular festive tradition created a dialogic mode in Shakespeare's art and accounts for important features of our aesthetic experience of the plays. / Graduation date: 1994

This project explores the idea of dream sharing and how language is both a tool and a barrier for sharing dream experiences. I collected video and audio dream diaries from 15 different people and stitched together a "collective" dream that contains elements from each. From this new dream, I pulled words and displayed them as text on-screen. What is the relationship from the listener and the actual dream experience? Can we truly experience the dreams of others?

An ad-hoc network is a packet radio network in which individual mobile nodes perform routing functions. Typically, an ad-hoc networking concept allows users wanting to communicate with each other while forming a temporary network, without any form of centralized administration. Each node participating in the network performs both the host and router function, and willing to forward packets for other nodes. For this purpose a routing protocol is needed. A novel approach utilizes the uniqueness of such a network i. e. distance, location and speed of the nodes, introducing a Distance Routing Effect Algorithm for Mobility (DREAM). The protocol uses the <i>distance effect</i> and the <i>mobility rate</i> as a means to assure routing accuracy. When data needs to be exchanged between two nodes, the directional algorithm sends messages in the recorded direction of the destination node, guaranteeing the delivery by following the direction. The improved algorithm suggested within this thesis project includes an additional parameter, direction of travel, as a means of determining the location of a destination node. When data needs to be exchanged between two nodes, the directional algorithm sends messages in the recorded direction of the destination node, guaranteeing the delivery by following the direction. The end result is an enhancement to the delivery ratio, of the sent to the received packet. This also allows the reduction in the number of control packets that need to be distributed, reducing the overall control overhead of the Improved Dream protocol.

An ad-hoc network is a packet radio network in which individual mobile nodes perform routing functions. Typically, an ad-hoc networking concept allows users wanting to communicate with each other while forming a temporary network, without any form of centralized administration. Each node participating in the network performs both the host and router function, and willing to forward packets for other nodes. For this purpose a routing protocol is needed. A novel approach utilizes the uniqueness of such a network i. e. distance, location and speed of the nodes, introducing a Distance Routing Effect Algorithm for Mobility (DREAM). The protocol uses the <i>distance effect</i> and the <i>mobility rate</i> as a means to assure routing accuracy. When data needs to be exchanged between two nodes, the directional algorithm sends messages in the recorded direction of the destination node, guaranteeing the delivery by following the direction. The improved algorithm suggested within this thesis project includes an additional parameter, direction of travel, as a means of determining the location of a destination node. When data needs to be exchanged between two nodes, the directional algorithm sends messages in the recorded direction of the destination node, guaranteeing the delivery by following the direction. The end result is an enhancement to the delivery ratio, of the sent to the received packet. This also allows the reduction in the number of control packets that need to be distributed, reducing the overall control overhead of the Improved Dream protocol.