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11	The print artifact in the age of the digital : the writings of Mark Z. Danielewski and Steve Tomasula Aardse, Kent Alexander, University of Lethbridge. Faculty of Arts and Science January 2011 (has links) The primacy of the print novel as the main mode for knowledge dissemination and communication is being challenged today by the vast influx and pervasiveness of digital media. Print literature, then, is at potential risk for obsolescence, as digital technology creates new modes of narrative distribution. The novel, therefore, is in the midst of a metamorphosis, having to adapt in order to properly situate itself within the new media ecology. Somewhat paradoxically, the same digital technology that challenges print literature’s primacy is responsible for the novel’s adaption. The changing face of the page creates new novels that reflect the digital in print, through changes in typography, layout, and design. These changes illuminate the need for a material-specific methodology in literary theory, and brings about the death of postmodernism in the new, digital environment. iv / vi, 91 leaves ; 29 cm Books and reading Electronic publishing Electronic books
12	Blend it Like Beckett: Samuel Beckett and Experimental Contemporary Creative Writing Campbell, Sam Nicole 01 May 2020 (has links) Samuel Beckett penned novels, short stories, poetry, stage plays, radio plays, and scripts—and he did each in a way that blended genre, challenged the norms of creative writing, and surprised audiences around the globe. His experimental approach to creative writing included the use of absurdism, genre-hybridization, and ergodicism, which led to Beckett fundamentally changing the approach to creative writing. His aesthetics have trickled down through the years and can be seen in contemporary works, including Aimee Bender’s short story collection The Girl in the Flammable Skirt and Mark Z. Danielewski’s novel House of Leaves[1]. By examining these works in comparison to Beckett, this project hopes to illuminate the effects of Beckett’s experimentation in form and genre on contemporary creative writing. [1] The word ‘house’ appears in blue to honor Danielewski’s decision to have the word printed in that color each time it appears in his novel. Samuel Beckett Aimee Bender Mark Z. Danielewski Creative Writing Absurdism Ergodicism Creative Writing Digital Humanities English Language and Literature Fiction Film and Media Studies Literature in English, North America Nonfiction Poetry
13	The (Literary) Special Effect: (Inter)Mediality in the Contemporary US-American Novel and the Digital Age Kazur, Bogna 04 March 2019 (has links) No description available. 400 800 digital intermediality materiality contemporary literature post-cinema post-photography Mark Z. Danielewski Siri Hustvedt Marisha Pessl cinema digitization House of Leaves experimental literature Philologien (PPN621711713)
14	Interpreting The Multimodal Novel: A New Method for Textual Scholarship Wagoner, Elizabeth A. 20 November 2014 (has links) No description available. American Literature Literature Modern Literature Rhetoric Multimodal novel Intermedial narratology Book design Typography Multimodal Novel American Literature Contemporary Literature New Media Ergodic House of Leaves The Fourth Treasure The Selected Works of TS Spivet Danielewski Larsen Shimoda

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