Global ETD Search

1	Mord i framtidslandet : Samhällskritiken i Per Wahlöös framtidsromaner / Future Land Murders : The Science Fiction of Per Wahlöö Hellgren, Per January 2013 (has links) This paper investigates the science fiction novels of Swedish crime writer Per Wahlöö, most famous for his collaboration with his writing partner Maj Sjöwall on the ten Martin Beck mysteries. During two important years, 1964 and 1968, Wahlöö wrote the novels Murder On the 31st Floor and The Steel Spring, set in a near future land ruled by a social fascist power structure where political opposition is eradicated. The pretexted notion of this paper is that these novels consists of extensive quantities of criticism against the Swedish welfare state and the monopoly-capitalistic Swedish press during the sixties. Through the lens of science fiction theory and the notion of the novels as historical sources this paper concludes that Per Wahlöö´s science fiction becomes a bridge between the classic Swedish detective novel and the new social critic crime fiction in the style of Sjöwall-Wahlöö and others. The novels are also representations of the historical process in the mid-sixties during the radical turn: the sci-fi novels as social criticism of the contemporary society – an utopian flare. Other conclusions of this paper are the connections between Wahlöö´s novels and marxist critical theory as well as their relation to the Swedish labour literature´s view on the individual in the modern society. Especially Murder On the 31st Floor forebodes a lot of the radical marxist criticism so widely spread in the latter part of the sixties. 1968 deckare dystopi Darko Suvin Herbert Marcuse marxism modernitetskritik Per Wahlöö science fiction Sjöwall-Wahlöö situationism social fiction veckopress vänsterpolitik
2	Worlding Communication: The Foregrounding of Novel Communication Barriers in Literature Hughes, Serra January 2022 (has links) Novel communication barriers, innovative obstacles to mutual understanding that deviate from the norms of the actual world, are a recurring yet understudied presence in aesthetic worlds of all kinds. Some examples of this are Dana’s twentieth-century way of speaking that travels back in time with her in Kindred, or Americans under Japanese occupation struggling to speak through cultural and linguistic barriers in an alternate historical timeline in The Man in the High Castle, or the unique obstructions to communication in the alien encounters of Ursula Le Guin’s The Left Hand of Darkness or Ted Chiang’s “The Story of Your Life.” In certain works, communication barriers carry such a novel character and occupy such a prominent place in the narrative that they call out for interpretation at a metadiegetic level. In previous scholarship, linguistic inventiveness has been studied primarily for the ways it speaks to science fiction genre distinctions. This essay aims to reveal how the recurrence of this foregrounded literary mechanism points to a transcultural and transhistorical tendency that goes beyond science fiction. With the aim of proving its usefulness in world literature studies, the goal is to analyze the presence of the novel barrier in seven different texts and how it projects a certain theory of the world. Using Darko Suvin’s concept of the novum and Eric Hayot’s metadiegetic structures I argue that novel communication barriers have in their nature a foregrounding effect that projects a kind of worldedness that accounts for the way communication is conceptualized and experienced. Using Jürgen Habermas’s theory of communication to substantiate this worldedness, I demonstrate how the motivation toward rational consensus on truth claims behind each act of communication has a world-creating effect which is articulated by the novel communication barrier in these texts. General Literature Studies Litteraturvetenskap Specific Languages Studier av enskilda språk
3	Informationist Science Fiction Theory and Informationist Science Fiction Long, Bruce Raymond January 2009 (has links) Master of Philosophy (MPhil) / Informationist Science Fiction theory provides a way of analysing science fiction texts and narratives in order to demonstrate on an informational basis the uniqueness of science fiction proper as a mode of fiction writing. The theoretical framework presented can be applied to all types of written texts, including non-fictional texts. In "Informationist Science Fiction Theory and Informationist Science Fiction" the author applies the theoretical framework and its specific methods and principles to various contemporary science fiction works, including works by William Gibson, Neal Stephenson and Vernor Vinge. The theoretical framework introduces a new informational theoretic re-framing of existing science fiction literary theoretic posits such as Darko Suvin's novum, the mega-text as conceived of by Damien Broderick, and the work of Samuel R Delany in investigating the subjunctive mood in SF. An informational aesthetics of SF proper is established, and the influence of analytic philosophy - especially modal logic - is investigated. The materialist foundations of the metaphysical outlook of SF proper is investigated with a view to elucidating the importance of the relationship between scientific materialism and SF. SF is presented as The Fiction of Veridical, Counterfactual and Heterogeneous Information. Science Fiction Information Theory Informationism Anti-simulacra Simulacra Information Types Veridical information Literary theory Pseudo-information William Gibson Iain M Banks Neal Stephenson Alastair Reynolds Science Fiction Theory Novum Pseudo-novum Character-novum Auto-novum Pseudo novum character novum Darko Suvin N. Katherine Hayles William Paulson High information Claude E Shannon Adrian Moles Hyperreal Hyperreality Hyperreal information Samuel R Delany Damien Broderick David Lewis Transrealism Transrealist Manifesto SF Mega-text SF Codon Thomas Pynchon Information Synthesis Synthesis Multivariate nexus Heterogeneous information profile Cognitive Aesthetic Complexity Aesthetic of Complexity
4	Informationist Science Fiction Theory and Informationist Science Fiction Long, Bruce Raymond January 2009 (has links) Master of Philosophy (MPhil) / Informationist Science Fiction theory provides a way of analysing science fiction texts and narratives in order to demonstrate on an informational basis the uniqueness of science fiction proper as a mode of fiction writing. The theoretical framework presented can be applied to all types of written texts, including non-fictional texts. In "Informationist Science Fiction Theory and Informationist Science Fiction" the author applies the theoretical framework and its specific methods and principles to various contemporary science fiction works, including works by William Gibson, Neal Stephenson and Vernor Vinge. The theoretical framework introduces a new informational theoretic re-framing of existing science fiction literary theoretic posits such as Darko Suvin's novum, the mega-text as conceived of by Damien Broderick, and the work of Samuel R Delany in investigating the subjunctive mood in SF. An informational aesthetics of SF proper is established, and the influence of analytic philosophy - especially modal logic - is investigated. The materialist foundations of the metaphysical outlook of SF proper is investigated with a view to elucidating the importance of the relationship between scientific materialism and SF. SF is presented as The Fiction of Veridical, Counterfactual and Heterogeneous Information. Science Fiction Information Theory Informationism Anti-simulacra Simulacra Information Types Veridical information Literary theory Pseudo-information William Gibson Iain M Banks Neal Stephenson Alastair Reynolds Science Fiction Theory Novum Pseudo-novum Character-novum Auto-novum Pseudo novum character novum Darko Suvin N. Katherine Hayles William Paulson High information Claude E Shannon Adrian Moles Hyperreal Hyperreality Hyperreal information Samuel R Delany Damien Broderick David Lewis Transrealism Transrealist Manifesto SF Mega-text SF Codon Thomas Pynchon Information Synthesis Synthesis Multivariate nexus Heterogeneous information profile Cognitive Aesthetic Complexity Aesthetic of Complexity

1

Page generated in 0.0412 seconds