Thesis (M.V.A.)--University of Sydney, 2006. / Title from title screen (viewed 27 March 2008). Submitted in fulfilment of the requirements for the degree of Master of Visual Arts to the Sydney College of the Arts. Degree awarded 2006; thesis submitted 2005. Includes bibliographical references. Also available in print form.

Master of Visual Arts / This paper grows out of my ongoing practice of photographing the Darling River in western NSW. My interest in imaging the landscape and representing the contemporary divisions within it led me to investigate previous colonial conflicts, which occurred as white explorers in the 1830’s and squatters in the 1850’s took over the Aboriginal tribal lands on the Darling. In this paper I investigate the images created by explorers, artists and photographers, which were the beginnings of a Eurocentric vision for this land. These images were created in the context of a colonial history which forms the ideological backdrop to historical events and representations of this land. This research has involved me in an investigation across three different disciplines; Australian history, Australian visual art, and environmental aspects of human interactions with the land. The postcolonial histories which inform my work are themselves re-evaluations of earlier histories. This recent history has revealed, amid the images of European ‘settlement’ and ‘progress’, views of frontier violence and Aboriginal resistance to colonisation that were excluded from earlier histories. The fan-like shape of the Darling River, which for millennia has bought water to this dry land, is the motif that focuses my investigation. I discuss the relatively recent degradation of the river, which is the focus of contemporary conflicts between graziers, Aboriginal people, environmentalists and irrigators. Because large-scale irrigation now has the capacity to divert the flows of entire rivers for the irrigation of cash crops, the insecurities of earlier generations over the ‘unpredictable’ floods and their perception of lack of control over water - has been entirely reversed. ‘Control’ of water is now held by irrigators and the river down stream from the pumps is kept at a constant low, becoming a chain of stagnant waterholes during summer. Like many rivers in industrialised countries, the Darling no longer flows to its ocean. The physical characteristics of rangeland grazing are an important background to my paper. Although the introduction of sheep and cattle has altered and degraded this landscape, unlike ploughed country to the east this land retains much of its native vegetation and an Aboriginal history embedded across its surface. This paper is an investigation of the changing representations of the Australian landscape, and central to my paper (and a result of growing up in this area) is my recognition, at an early age, of cultural difference in the context of this landscape. I became aware of contradictions in how Aboriginal people were treated by the ‘white’ community and I glimpsed the distinct cultural viewpoints held by Aboriginal people. A connection to country continues to be expressed in art produced by Aboriginal people in the Wilcannia area, including work by Badger Bates and Waddy Harris. The Wilcannia Mob, a schoolboy rap-group received national press coverage, winning a Deadly Award in 2002 for their acclaimed song ‘Down River’. While a discussion of these artworks is not part of the discussion of my paper, it is a context for my research. In broad terms this paper is an investigation of different worldviews, different views of land and landscape by graziers, Aboriginal people, environmentalists and irrigators. These views carry with them different cultural understandings and different representations of the land - different and sometimes opposing views of its past and its future. It seems in 2005 that, just as artists, historians, filmmakers, etc. are beginning to come to terms with Australian colonial history, as the El Nino seasons and the importance of ‘environmental flows’ in the Murray Darling Basin are increasingly understood, that technological changes and the global effects of population densities are creating other changes (greenhouse gasses, ozone depletion, climate changes) that once again appear to be unpredictable and beyond our control. While this environmental discussion is outside the scope of the current paper it is a context for my investigation of this landscape.

Master of Visual Arts / This paper grows out of my ongoing practice of photographing the Darling River in western NSW. My interest in imaging the landscape and representing the contemporary divisions within it led me to investigate previous colonial conflicts, which occurred as white explorers in the 1830’s and squatters in the 1850’s took over the Aboriginal tribal lands on the Darling. In this paper I investigate the images created by explorers, artists and photographers, which were the beginnings of a Eurocentric vision for this land. These images were created in the context of a colonial history which forms the ideological backdrop to historical events and representations of this land. This research has involved me in an investigation across three different disciplines; Australian history, Australian visual art, and environmental aspects of human interactions with the land. The postcolonial histories which inform my work are themselves re-evaluations of earlier histories. This recent history has revealed, amid the images of European ‘settlement’ and ‘progress’, views of frontier violence and Aboriginal resistance to colonisation that were excluded from earlier histories. The fan-like shape of the Darling River, which for millennia has bought water to this dry land, is the motif that focuses my investigation. I discuss the relatively recent degradation of the river, which is the focus of contemporary conflicts between graziers, Aboriginal people, environmentalists and irrigators. Because large-scale irrigation now has the capacity to divert the flows of entire rivers for the irrigation of cash crops, the insecurities of earlier generations over the ‘unpredictable’ floods and their perception of lack of control over water - has been entirely reversed. ‘Control’ of water is now held by irrigators and the river down stream from the pumps is kept at a constant low, becoming a chain of stagnant waterholes during summer. Like many rivers in industrialised countries, the Darling no longer flows to its ocean. The physical characteristics of rangeland grazing are an important background to my paper. Although the introduction of sheep and cattle has altered and degraded this landscape, unlike ploughed country to the east this land retains much of its native vegetation and an Aboriginal history embedded across its surface. This paper is an investigation of the changing representations of the Australian landscape, and central to my paper (and a result of growing up in this area) is my recognition, at an early age, of cultural difference in the context of this landscape. I became aware of contradictions in how Aboriginal people were treated by the ‘white’ community and I glimpsed the distinct cultural viewpoints held by Aboriginal people. A connection to country continues to be expressed in art produced by Aboriginal people in the Wilcannia area, including work by Badger Bates and Waddy Harris. The Wilcannia Mob, a schoolboy rap-group received national press coverage, winning a Deadly Award in 2002 for their acclaimed song ‘Down River’. While a discussion of these artworks is not part of the discussion of my paper, it is a context for my research. In broad terms this paper is an investigation of different worldviews, different views of land and landscape by graziers, Aboriginal people, environmentalists and irrigators. These views carry with them different cultural understandings and different representations of the land - different and sometimes opposing views of its past and its future. It seems in 2005 that, just as artists, historians, filmmakers, etc. are beginning to come to terms with Australian colonial history, as the El Nino seasons and the importance of ‘environmental flows’ in the Murray Darling Basin are increasingly understood, that technological changes and the global effects of population densities are creating other changes (greenhouse gasses, ozone depletion, climate changes) that once again appear to be unpredictable and beyond our control. While this environmental discussion is outside the scope of the current paper it is a context for my investigation of this landscape.

The aim of this essay is to study constructions of femininity and sexuality in Sara Stridsberg’s novel Darling River (2010). The analysis is based on queer theory and the term ’skev’ – a variation of ’queer’ that allows one to focus on additional forms of normativity apart from sexual desire – and examines how the characters of the novel are challenging the heteronormative framework by performing gender and sexuality in non-normative, subversive ways. In short, I discuss how the relationship between femininity, body and destiny is being portrayed, how the characters question heteronormativity by overdoing femininity, and by being unable (unwilling) to perform adult femininity. I also show how the novel constitutes non-normative sexuality in, for example, incestuous, non-reproductive and non-monogamous ways. Furthermore, I locate queer leakages in the text, and discuss how the characters relate to objectification and agency.

This study investigated the causes of high level of intra-and inter-population variation known to occur in the morphology of fish in the genus Hypseleotris Eleotride in southern Australia, particularly within the Murray-Darling river system. The three major objectives of the study were, identify the number and distribution of species,determine the genetic structure of the populations and analyse relationships between species and consider the process of speciation in this species complex. The investigation of morphological variation in Hypseleotris confirmed the presence of two well known species i.e. H. compressa and H. galli, in the coastal rivers and also of the inland species H. klunzingeri. Populations of Hypseleotris klunzigeri sensu lato in inland river were found to be very highly variable and analysis using discriminant functions and principle component analysis showed the widespread presence of three forms (A, B1 and B2). The analysis was confused by the presence of north/south clines and upstream/downstream variation in characteristic in each form. After these factors were removed, there was still a great deal of variation in each population. The presence of hybrids between each pair of inland species, identified by both morphological and genetic data, further confused the analysis and makes identification of all specimens to species in the field difficult. Examination of type material of H. Klunzingeri showed that this belonged to form B2. The other forms can be related to the undescribed species, Midgley's carp gudgeon and Lake's carp gudgeon. Keys to the species in the complex in southeastern Australia are given. The morphological and genetic data show that H. compressa and H. klunzingeri are sister species, primarily separated by the eastern uplands. Similarly, the coastal species, H. galli is related to form B1 and more distantly, to form A. Possible scenarios for the complex are given. / Doctor of Philosophy (PhD)

Rivers around the world are under increasing pressure from a variety of human activities. Effective management of riverine landscapes requires an ecosystem approach and one that recognises the complex interactions between their physical, chemical and biological components. Perceptions of pattern and process are central to our understanding of riverine landscapes. Pattern and process operate over multiple scales to produce heterogeneous mosaics of landscape patches that change over time. Hierarchical patch dynamics provides a useful approach to unravel pattern and process at multiple scales in riverine landscapes. This thesis adopts a hierarchical patch dynamics approach to investigate floodplain sediment and nutrient dynamics within the Barwon-Darling River in South Eastern Australia. The flow regime of the Barwon-Darling River is highly variable. As a result, it has a complex channel cross section featuring inset-floodplain surfaces that occur at multiple elevations within the channel trough. These surfaces formed the focus of this study. The texture of inset- floodplain surface sediments displays a patchy spatial distribution and one that did not reflect lateral or longitudinal gradients within this floodplain landscape. Rather a sediment textural patch mosaic was identified. Nutrient concentrations associated with the surface sediments of the inset-floodplains were also shown to vary significantly resulting in a nutrient patch mosaic. This spatial nutrient mosaic was enhanced by factors including the surface elevation of the floodplain surface. Sediment and nutrient exchange between the river channel and inset-floodplain surfaces was measured during several flows in 2001, 2002 and 2005. Pin and sediment trap data showed that significant quantities of sediment were exchanged between the river channel and floodplain surfaces during inundation with both cut and fill processes occurring. Patterns in sediment exchange appear to be related to local sediment supply and seasonal sediment exhaustion, rather than the top down geomorphic constraints considered. These material exchanges resulted in a change to the spatial configuration of the sediment textural patch mosaic. Distinct new sediment textural patches were created following inundation, while other patches were lost post inundation and other patches changed sediment textural character to move into pre-existing patches. Thus a truly dynamic sediment textural mosaic exists within this floodplain landscape. Nutrient concentrations associated with floodplain sediments also changed over time. While nutrient concentrations increased after the December 2001 flow event, they generally decreased after the March 2002 event, highlighting their dynamic nature over time. The spatial distribution of nutrient concentrations also varied over time, with a 40 percent change to the nutrient mosaic as a result of the March 2002 flow event. In addition to the influence of the changing physical template (sediment texture mosaic), nutrient concentrations were shown to be influenced by rainfall processes on non flooded surfaces, and also a number of top-down constraints and bottom-up influences operating over multiple spatial scales. Overall, the inset-floodplains studied in this thesis acted primarily as sediment and nutrient sinks, and were a source for dissolved nutrients. Nutrient exchange was associated with the exchange of sediments in this riverine landscape, over both inter-flow and decadal timescales. It was demonstrated that water resource development within the catchment reduced the number, magnitude and duration of flow events down the Barwon-Darling River and as a result reductions in the exchange of sediment, associated and dissolved nutrients between inset-floodplains and the main river channel were calculated. The greatest reductions were with the release of dissolved nutrients (42-25 percent) and the exchange of sediment and associated nutrients from high level surfaces (43 percent). Effective conservation and management of riverine ecosystems must occur at the correct scale. This study identified potential nutrient hotspots at several scales in the Barwon-Darling floodplain landscape that could be targeted by management. The low predictability of the location of nutrient hotspots at the inset-floodplain scale over time means that environmental flows should be targeted at high level surfaces (<25 000 MLD-1) that provide long term sources of carbon to the river channel. Conserving flows of this magnitude will also reinstate flow variability, an important facet of the Barwon-Darling River?s hydrology that has been changed by water resource development. The research presented in this thesis highlights the importance of not only considering pattern and process at multiple scales, but also the way in which these processes influence landscape patterns over time, leading to the identification of the appropriate scales that can best be targeted for the conservation of these systems.

Many aspects concerning the association of riverine fish with in-channel habitat remain poorly understood, greatly hindering the ability of researchers and managers to address declines in fish assemblages. Recent insights gained from landscape ecology suggest that small, uni-scalar approaches are unlikely to effectively determine those factors that influence riverine structure and function and mediate fish-habitat associations. There appears to be merit in using multiple-scale designs built upon a geomorphologically-derived hierarchy to bridge small, intermediate and large spatial scales in large rivers. This thesis employs a hierarchical design encompassing functional process zones (referred to hereafter as zones), reaches and mesohabitats to investigate fish-habitat associations as well as explore patterns of in-channel habitat structure in one of Australia's largest dryland river systems; the Barwon-Darling River. In this thesis, empirical evidence is presented showing that large dryland rivers are inherently complex in structure and different facets of existing conceptual models of landscape ecology must be refined when applied to these systems. In-channel habitat and fish exist within a hierarchical arrangement of spatial scales in the riverscape, displaying properties of discontinuities, longitudinal patterns and patch mosaics. During low flows that predominate for the majority of time in the Barwon-Darling River there is a significant difference in fish assemblage composition among mesohabitats. There is a strong association between large wood and golden perch, Murray cod and carp, but only a weak association with bony herring. Golden perch and Murray cod are large wood specialists, whereas carp are more general in there use of mesohabitats. Bony herring are strongly associated with smooth and irregular banks but are ubiquitous in most mesohabitats. Open water (mid-channel and deep pool) mesohabitats are characterised by relatively low abundances of all species and a particularly weak association with golden perch, Murray cod and carp. Murray cod are weakly associated with matted bank, whereas carp and bony herring associate with this mesohabitat patch in low abundance. Nocturnal sampling provided useful information on size-related use of habitat that was not evident from day sampling. Both bony herring and carp exhibited a variety of habitat use patterns throughout the die1 period and throughout their lifetime, with temporal partitioning of habitat use by juvenile bony herring and carp evident. Much of the strong association between bony herring and smooth and irregular banks was due to the abundance of juveniles (&lt100mm in length) in these mesohabitats. Adult bony herring (&gt100mm length) occupied large wood more than smooth and irregular banks. At night, juvenile bony herring were not captured, suggesting the use of deeper water habitats. Adult bony herring were captured at night and occupjed large wood, smooth bank and irregular bank. Juvenile carp (&lt200mm length) were more abundant at night and aggregated in smooth and irregular banks more than any other mesohabitat patch. Adult carp (&gt200mm length) occupied large wood during both day and night. There is a downstream pattern of change in the fish assemblage among river zones, with reaches in Zone 2 containing a larger proportion of introduced species (carp and goldfish) because of a significantly lower abundance of native species (bony herring, golden perch and Murray cod) than all other zones. In comparison, the fish assemblage of Zone 3 was characterised by a comparatively higher abundance of the native species bony herring, golden perch and Murray cod. A significant proportion of the amongreach variability in fish assemblage composition was explained at the zone scale, suggesting that geomorphological influences may impose some degree of top-down constraint over fish assemblage distribution. Although mesohabitat composition among reaches in the Barwon-Darling River also changed throughout the study area, this pattern explained very little of the large-scale distribution of the fish assemblage, with most of the variability in assemblage distribution remaining unexplained. Therefore, although mesohabitat patches strongly influence the distribution of species within reaches, they explain very little of assemblage composition at intermediate zone and larger river scales. These findings suggest that small scale mesohabitat rehabilitation projects within reaches are unlikely to produce measurable benefits for the fish assemblage over intermediate and large spatial scales in the Barwon-Darling River. This indicates the importance taking a holistic approach to river rehabilitation that correctly identifies and targets limiting processes at the correct scales. The variable nature of flow-pulse dynamics in the Barwon-Darling River creates a shifting habitat mosaic that serves to maintain an ever-changing arrangement of habitat patches. The inundation dynamics of large wood habitat described in this thesis highlights the fragmented nature of mesohabitat patches, with the largest proportion of total in-channel large wood remaining unavailable to fish for the majority of the time. At low flows there is a mosaic of large wood habitat and with increasing discharge more potential large wood habitat becomes available and does so in a complex spatial manner. What results in this dryland river is a dynamic pattern of spatio-temporal patchiness in large wood habitat availability that is seen both longitudinally among different river zones and vertically among different heights in the river channel. Water resource development impacts on this shifting habitat mosaic. Projects undertaking both fish habitat assessment and rehabilitation need to carefully consider spatial scale since the drivers of fish assemblage structure can occur at scales well beyond that of the reach. Fish-habitat associations occurring at small spatial scales can become decoupled by process occurring across large spatial scales, making responses in the fish assemblage hard to predict. As rivers become increasingly channelised, there is an urgent need to apply research such as that conducted in this thesis to better understand the role that in-channel habitats play in supporting fish and other ecosystem processes. Habitat rehabilitation projects need to be refined to consider the appropriate scales at which fish assemblages associate with habitat. Failure to do so risks wasting resources and forgoes valuable opportunities for addressing declines in native fish populations. Adopting multi-scalar approaches to understanding ecological processes in aquatic ecosystems, as developed in this thesis, should be a priority of research and management. To do so will enable more effective determination of those factors that influence riverine structure and function at the approariate scale.

Ever since the laborious consultation process to set the National Greenhouse Response Strategy (1991-1992), stakeholder 'consultation' has been something Australian governments do. Or attempt to do. A recent trend in NSW in particular has been to expand the concept and practice of consultation to multi-party, collaborative decision-making, also referred to as participatory democracy. One such initiative officially begun in August 1997 is the River Management Committee (RMC) exercise. For this tremendous outlay of financial and human resources, the government is taking a punt that the committee will deliver better decisions, and more timely actions, on river flows and water quality in each of the major regulated river valleys in the state. The set up and first year of operation of the RMC exercise is the subject of this thesis. Specifically it examines the design of the process and its appropriateness to the task at hand; the reality of consensus decision-making amongst people with opposing views; the democratic ideal of participants learning to be 'other directed' in terms of putting aside their own positions to work for the common good; and affordability of such exercises from both the government and non-government participants' points of view. The themes emerging from this thesis have become the focus for further research. / Master of Science (Hons)

Thesis (M.Sc. Hons.) -- University of Western Sydney, Hawkesbury, 1999. / Thesis submitted for the degree of Master of Science (Honours). Includes bibliographical references (leaves 112-117).

Thesis (Ph.D.)--University of Wollongong, 2005. / Typescript. Includes bibliographical references: leaf 245-266.