Le nom d'André Dhôtel fit du bruit pour la première fois lorsque, en 1955, il remporta le Prix Femina pour son roman 'Le pays où l'on n'arrive jamais'. Qaoiqu'il ait déjà publié à cette époque une douzaine de romans, entre autres 'David' qui lui valut le Prix Sainte-Beuve en 1948, sa réputation comme romancier n'était encore guère établie auprès du grand public. [...]

This Master's thesis proposes to examine the place of space in five works by Andre Breton which are: Nadja (1928); Les Vases communicants (1932); L'Amour fou (1937); Arcane 17 (1945); Martinique charmeuse de serpents (1948). The first chapter of this thesis deals with the problem of space and its definitions through a sequence of seven authors who propose different perspectives. The second chapter explores the literary, the imaginary and the textual spaces in the aforementionned works while taking into account numerous surrealist concepts proposed by Breton.

Andre Langevin's novels, Evade de la nuit (1951), Poussiere sur la ville (1953), Le temps des hommes (1956), L'elan d'Amerique (1972) and Une chaine daps le parc (1974) show numerous lonely characters. Abandoned, secluded or uncivilized, they remain unable to communicate with others: "C'est ce rapport difficile et jamais termine de l'individu avec "autrui" qui constitue la trame essentielle et la continuite de l'oeuvre romanesque d'Andre Langevin", wrote Jean-Louis Major in 1977, in an article about the author. / The purpose of this study is to look at the representation of the "Other" when it refers specifically to a woman. The feminine characters in Langevin's novels are shown as strangers: obviously different from men, women are struck by passions that are unknown and incomprehensible to the male heros or to any other man of her environment. In the first part, this study will demonstrate that the majority of heroines lived a painful chidhood with an absent father and an unkind mother. The second part will look at the love relationships of the female protagonists, unions that remain disappointing and are doomed to failure. Finally, the conclusion will examine the tragic death of several heroines (suicide, death in child-birth...). / This study of Andre Langevin's feminine characters relies on the feminist critic, using, among others, the work of Barbara Godard and Lori Saint-Martin. This model will offer an innovative perspective of a literary work that has been greatly studied, but for which one important aspect appears to have been neglected: women who inhabit it.

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Made available in DSpace on 2010-04-20T20:17:08Z (GMT). No. of bitstreams: 0 Previous issue date: 2001-05-03T00:00:00Z / O objetivo da dissertação é avaliar o desempenho do programa de microcrédito O Banco do Povo de Santo André- O Credito Solidário, tendo como variáveis principais o comportamento da carteira ativa e da taxa de inadimplência. Analisa-se, também a metodologia aplicada no programa, as suas diferenças com a do sistema financeiro tradicional, assim como o seu grau de eficiência para garantir o controle da inadimplência.

Made available in DSpace on 2010-04-20T20:17:33Z (GMT). No. of bitstreams: 0 Previous issue date: 2001-04-20T00:00:00Z / Trata da análise da política de transporte coletivo na cidade de Santo André - SP em dois períodos distintos de governo (1989 a 1992 e 1997 a 2000) em que esteve à frente da prefeitura o Partido dos Trabalhadores. Aborda a relação entre o Estado e o mercado e as propostas construídas no âmbito do PT para condução dessa política pública. Faz uma descrição dos principais elementos de inovação no modelo de gestão adotado em cada um dos períodos e estabelece um paralelo entre as duas administrações, relacionando os pontos de contato e as diferenças, procurando inferir sobre a efetividade da política pública implantada à luz dos objetivos dos principais atores envolvidos

Orientador: Ricardo Luiz Coltro Antunes / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-07-25T17:28:15Z (GMT). No. of bitstreams: 1 Queiroz_JoseBenevides_M.pdf: 2409567 bytes, checksum: deb725dfa8256d4346005d6c4ba3826c (MD5) Previous issue date: 1999 / Resumo: Não informado. / Abstract: Not informed. / Mestrado / Mestre em Sociologia

Doctorat en philosophie et lettres / info:eu-repo/semantics/nonPublished

Writing about Eighteenth Century England, and more particularly about the age of Johnson, Trevelyan gives us an admirable definition of a classical age: It is a "classical age, that is an age of unchallenged assumptions, when the philosophers of the streets such as Dr. Johnson, have ample leisure to moralise on the human scene, in the happy belief that the state of society and the modes of thought to which they are accustomed are not mere passing aspects of an ever shifting kaleidoscope, but permanent habitations, the final outcome of reason and experience. Such an age does not aspire to progress, though it may in fact be progressing; it regards itself not as setting out but as having arrived." To apply this definition of a classical age to the protean Nineteenth Century might, at first glance, seem impossible or at least dangerous. Yet it is only when we see this century - and more particularly the period 1871-1914 - as a truly classical age, as the classical age of the Bourgeoisie, that we can understand the direction and meaning of the revolt during the Twenties and Thirties of which Malraux' work is so representative. Intro., p. 1.