<p>This essay uses the concept of performativity to illustrate how identity change and the possibility to shape one’s identity, agency, are treated in Michael Ondaatje’s The English Patient. Originally a theory introduced by queer theorist Judith Butler, performativity explains how a sense of identity stems not from innate qualities but from behaviour, or stylized acts, that is regulated by the norms of society. These acts are not the effect but the cause of a sense of identity. Butler argues that since identity is shaped through interplay between the individual and society, it can be actively re-shaped, and that there thus is a possibility for the individual to achieve agency. As other theorists have pointed out, there are great difficulties and dangers in trying to subvert one’s identity in undesired directions. Some writers even question the suggestion that active identity change is at all possible. These theoretical ideas are fruitfully illuminating when reading The English Patient, where identities are shaped and re-shaped through performative patterns. By looking at the main characters of the novel, it becomes clear that while identity change is possible, most characters are not in control of these changes. Only characters that try to re-shape uncontroversial aspects of identity manage to achieve agency. This paper shows that not only does the text point to the dangers of trying to subvert controversial aspects of one’s identity. It also points to the difficulties of disentangling oneself from the societal mechanisms that one tries to oppose, and hence to the multilayered difficulties of achieving agency. While identities in The English Patient are not fixed but change, identity change only rarely entails agency.</p>

This essay uses the concept of performativity to illustrate how identity change and the possibility to shape one’s identity, agency, are treated in Michael Ondaatje’s The English Patient. Originally a theory introduced by queer theorist Judith Butler, performativity explains how a sense of identity stems not from innate qualities but from behaviour, or stylized acts, that is regulated by the norms of society. These acts are not the effect but the cause of a sense of identity. Butler argues that since identity is shaped through interplay between the individual and society, it can be actively re-shaped, and that there thus is a possibility for the individual to achieve agency. As other theorists have pointed out, there are great difficulties and dangers in trying to subvert one’s identity in undesired directions. Some writers even question the suggestion that active identity change is at all possible. These theoretical ideas are fruitfully illuminating when reading The English Patient, where identities are shaped and re-shaped through performative patterns. By looking at the main characters of the novel, it becomes clear that while identity change is possible, most characters are not in control of these changes. Only characters that try to re-shape uncontroversial aspects of identity manage to achieve agency. This paper shows that not only does the text point to the dangers of trying to subvert controversial aspects of one’s identity. It also points to the difficulties of disentangling oneself from the societal mechanisms that one tries to oppose, and hence to the multilayered difficulties of achieving agency. While identities in The English Patient are not fixed but change, identity change only rarely entails agency.