• Refine Query
  • Source
  • Publication year
  • to
  • Language
  • 4
  • 1
  • Tagged with
  • 5
  • 4
  • 4
  • 2
  • 2
  • 2
  • 2
  • 2
  • 2
  • 2
  • 2
  • 2
  • 2
  • 2
  • 2
  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

"Completely Integrated" : The Alienation and Integration of Robert Jordan in Ernest Hemingway's <em>For Whom the Bell Tolls</em>

Tallgren, Håkan January 2009 (has links)
<p> </p><p><em>For Whom the Bell Tolls</em> is Ernest Hemingway's story of the Spanish Civil War. This war has often been seen as a conflict between good and evil, and the novel is frequently viewed as a way of illustrating the brotherhood of man in its portrayal of how Robert Jordan fights as a volunteer for the republicans against the fascists. This essay shows that Jordan actually loses his faith in the war. I instead propose that his determination to perform his mission is regained through Maria, and that he integrates with her as he finishes his mission. Initially, Jordan becomes alienated because he discovers the hopelessness and immorality of the republican struggle. The fascists are really not true enemies, and the republicans seem to have become the very evil that they originally set out to destroy. His faith in his mission is regained through Maria, and the completion of his mission becomes entwined with his integration with her. It becomes clear that she, a character whose thematic importance has often been neglected, is a part of the natural world. By becoming a part of nature, Jordan can thus become an eternal part of her. As he finishes his mission, his integration with nature intensifies. As he awaits death after having finished his mission, he literally becomes a part of nature and thematically a part of Maria, and even though he will die, the lovers are united. This, I suggest, is the complete integration that Jordan experiences.</p><p> </p><p> </p>
2

"Completely Integrated" : The Alienation and Integration of Robert Jordan in Ernest Hemingway's For Whom the Bell Tolls

Tallgren, Håkan January 2009 (has links)
For Whom the Bell Tolls is Ernest Hemingway's story of the Spanish Civil War. This war has often been seen as a conflict between good and evil, and the novel is frequently viewed as a way of illustrating the brotherhood of man in its portrayal of how Robert Jordan fights as a volunteer for the republicans against the fascists. This essay shows that Jordan actually loses his faith in the war. I instead propose that his determination to perform his mission is regained through Maria, and that he integrates with her as he finishes his mission. Initially, Jordan becomes alienated because he discovers the hopelessness and immorality of the republican struggle. The fascists are really not true enemies, and the republicans seem to have become the very evil that they originally set out to destroy. His faith in his mission is regained through Maria, and the completion of his mission becomes entwined with his integration with her. It becomes clear that she, a character whose thematic importance has often been neglected, is a part of the natural world. By becoming a part of nature, Jordan can thus become an eternal part of her. As he finishes his mission, his integration with nature intensifies. As he awaits death after having finished his mission, he literally becomes a part of nature and thematically a part of Maria, and even though he will die, the lovers are united. This, I suggest, is the complete integration that Jordan experiences.
3

"...that wondrous thing about the human being, it can change" : Performativity and Agency in Michael Ondaatje's <em>The English Patient</em>

Tallgren, Håkan January 2009 (has links)
<p>This essay uses the concept of performativity to illustrate how identity change and the possibility to shape one’s identity, agency, are treated in Michael Ondaatje’s The English Patient. Originally a theory introduced by queer theorist Judith Butler, performativity explains how a sense of identity stems not from innate qualities but from behaviour, or stylized acts, that is regulated by the norms of society. These acts are not the effect but the cause of a sense of identity. Butler argues that since identity is shaped through interplay between the individual and society, it can be actively re-shaped, and that there thus is a possibility for the individual to achieve agency. As other theorists have pointed out, there are great difficulties and dangers in trying to subvert one’s identity in undesired directions. Some writers even question the suggestion that active identity change is at all possible. These theoretical ideas are fruitfully illuminating when reading The English Patient, where identities are shaped and re-shaped through performative patterns. By looking at the main characters of the novel, it becomes clear that while identity change is possible, most characters are not in control of these changes. Only characters that try to re-shape uncontroversial aspects of identity manage to achieve agency. This paper shows that not only does the text point to the dangers of trying to subvert controversial aspects of one’s identity. It also points to the difficulties of disentangling oneself from the societal mechanisms that one tries to oppose, and hence to the multilayered difficulties of achieving agency. While identities in The English Patient are not fixed but change, identity change only rarely entails agency.</p>
4

"...that wondrous thing about the human being, it can change" : Performativity and Agency in Michael Ondaatje's The English Patient

Tallgren, Håkan January 2009 (has links)
This essay uses the concept of performativity to illustrate how identity change and the possibility to shape one’s identity, agency, are treated in Michael Ondaatje’s The English Patient. Originally a theory introduced by queer theorist Judith Butler, performativity explains how a sense of identity stems not from innate qualities but from behaviour, or stylized acts, that is regulated by the norms of society. These acts are not the effect but the cause of a sense of identity. Butler argues that since identity is shaped through interplay between the individual and society, it can be actively re-shaped, and that there thus is a possibility for the individual to achieve agency. As other theorists have pointed out, there are great difficulties and dangers in trying to subvert one’s identity in undesired directions. Some writers even question the suggestion that active identity change is at all possible. These theoretical ideas are fruitfully illuminating when reading The English Patient, where identities are shaped and re-shaped through performative patterns. By looking at the main characters of the novel, it becomes clear that while identity change is possible, most characters are not in control of these changes. Only characters that try to re-shape uncontroversial aspects of identity manage to achieve agency. This paper shows that not only does the text point to the dangers of trying to subvert controversial aspects of one’s identity. It also points to the difficulties of disentangling oneself from the societal mechanisms that one tries to oppose, and hence to the multilayered difficulties of achieving agency. While identities in The English Patient are not fixed but change, identity change only rarely entails agency.
5

I bronsålderns gränsland : Uppland och frågan om östliga kontakter

Ojala, Karin January 2016 (has links)
In archaeological research, the province of Uppland has often been viewed as the northern ‘periphery’ of the Nordic Bronze Age region. At the same time, many researchers have also emphasized the distinctive and ‘independent’ regional character of Uppland and northern Mälardalen. Throughout the twentieth century, Late Bronze Age contacts between Uppland and areas to the east – especially Finland, the Baltic countries and Russia – were much discussed and played an important role in the creation of Mälardalen as a distinctive Bronze Age region. This dissertation examines how images of the Late Bronze Age in the Mälardalen region, more specifically Uppland, have been formed from the late nineteenth century until today, and how views on eastern contacts have affected interpretations of Bronze Age Uppland. The study consists of three parts: 1) A critical discussion on political dimensions of archaeology and archaeological concepts of contact, interaction, similarity and difference, with a special focus on Bronze Age research. 2) A historical examination of representations of the Late Bronze Age in Mälardalen and Uppland, including a discussion about contacts with northern Sweden and a case study of Broby, a Late Bronze Age site near Uppsala. 3) An analysis of debates on contacts between Mälardalen and areas further to the east, through case studies of bronze axes, so-called Mälar celts and Ananino celts, ceramics and inhumation burials. In the analysis, special focus is placed on the Volga-Kama region in Russia and archaeological research in Russia and the Soviet Union. The study shows that discussions on contacts and interaction between ‘East’ and ‘West’ have, in many ways, been affected by the changing political situation during the twentieth and early twenty-first centuries. Knowledge about archaeological research in Russia and the Soviet Union has been very limited among archaeologists in Sweden. In order to further investigate the character and importance of eastern contacts during the Late Bronze Age, more collaboration and exchange between researchers in the different countries is needed. Furthermore, in order to better understand eastern contacts, it is also necessary to investigate in greater depth the relations between Mälardalen and northern Sweden.

Page generated in 0.0361 seconds