No description available.

No description available.

Utilising a gender critical perspective augmented by statistical analysis, this thesis examines the binary approach customarily employed throughout archaeological narratives pertaining to the Danish Bronze Age. In respect to the recent development of feminist scholarship in archaeology regarding concepts of gender, identity and the body in prehistory, it is argued that a binary approach, which views prehistoric society as having been structured according to rigid male-female oppositions, places inappropriate restrictions upon evidence relevant to the study of gender in Bronze Age Denmark. To decipher the meaning encoded in any type of evidence related to gender ideology a perspective which emphasises contextual analysis rather than assumed heteronormativity is essential. In addition, statistical analyses of data from a representative sample of the mortuary record reveal that continuous implementation of the binary approach in the documentation of funerary remains has effectively corrupted the integrity of the evidence. The results of this investigation have significant consequences for the study of gender and societal organisation in the Danish Bronze Age. Gender categories valued by contemporary western ideology can no longer be grafted onto prehistoric society in archaeological investigations of the Bronze Age in Denmark. Moreover, traditional methods which use the objects in a grave to determine a burial’s sex can no longer be justifiably employed. Furthermore, analysis demonstrates that it is not possible to gain a comprehensive understanding of gender ideology from the mortuary data alone. Rather, through the application of current approaches to the study of gender in the past, osteological examination of the skeletal material must be revisited in conjunction with the analysis of evidence from elsewhere in the archaeological record. Thus, the potential variation concerning this period in Danish prehistory is greater than can be explained through the limitations of a binary approach, perhaps extending to evidence for the existence of an ambiguous gender identity in the society of Bronze Age Denmark.

American society has lost sight of one of its most valued virtues: Happiness. Research has showed that the United States is behind many other countries in the overall happiness of its citizens. Leading the world in well-being is Denmark. This paper’s aim is to explore possible factors that could be facilitating the well-being of Danish citizens, and applying them to American society. In this search, I explore universal individual factors, as well as factors that lead to the development of a culture and dispositions of its citizens. From these factors, as well as unique characteristics of both countries, I hypothesized determinates of well-being in Demark, as well as factors that are detrimental to American’s well-being. Factors for Demark include uniform cultural ideals, social equality, social programs, and unique perspectives on happiness. Conversely, the lack or low levels of these factors for Americans might attest to lower well-being. By emulating these Danish policies and ideals, the U.S. could produce happier, less stressed Americans.

Thesis--Lund. / Summary in German. Includes bibliographical references (p. 226-234).

Thesis--Hamburg. / Vita. Includes bibliographical references (p. 487-523).

Thesis (doctoral)--Københavns universitet, 1990. / Summary in English. Includes bibliographical references (p. 221-224) and indexes.

The mobility patterns of two medieval Danish populations were investigated using oxygen isotopic analysis. Oxygen isotopic data were collected from the dental enamel of 26 individuals, 13 from the urban cemetery, Ole Worms Gade, and 13 from rural Sejet, both located in Central Denmark. Phosphate was chemically isolated as an oxygen analyte and analyzed using Thermal Combustion Elemental – Mass Spectrometry (TC/EA-MS) in order to minimize the effects of diagenesis on the oxygen isotopic composition of enamel. Diagenesis of the dental tissues was also investigated using spectroscopic and microscopic techniques. Secondary Ion Mass Spectrometry (SIMS) was explored as an alternate method of obtaining isotope data for these materials. Isotope data revealed three possible migrants. Results are interpreted in the context of the shifting socioeconomic climate in medieval Europe.

No description available.

This thesis examines the culture and practice of dance in Denmark in the seventeenth century, focussing on the performance practice within festivals, the pervading French influence and philosophical discourse of dance. The repertoire of staged court dance in Denmark comprises ballets and plays performed in conjunction with festival events such as coronations, weddings, and christenings. Typical is the 1634 festival in honour of Prince-Elect Christian and Magdalena Sibylla�s wedding in Copenhagen, a celebration of international significance. Subsequent celebrations during the reigns of Frederik III and Christian V followed similar models. The festival of 1655 in homage of Prince Christian, for example, gave rise to performances of the ballet Unterschiedliche Oracula, and the German-language opera Arion. The programmes from these performances, along with other contemporary descriptions, provide evidence of aspects of the ballet genre, stage construction, machinery, characters, allegory and political themes. The Danish productions, which also include an equestrian ballet, are in many respects comparable to French court ballets produced from the beginning of the century. Evidence that French choreographies were known in Denmark is clearly provided by choreographies in the publication Maître de Danse (Glückstadt 1705) and the Danish manuscript of violin dance tunes Additamenta 396 4�. Evidence that the Danish aristocracy actively sought and coveted French culture can be found as early as the wedding festival in 1634 and well into the eighteenth century. French acculturation is evident elsewhere too, such as in Ludvig Holberg�s comedy Jean de France (1722), in a translation of French dance etiquette for youth, in contemporary accounts of French clothing and language, and by the employment of French musicians and dancing masters at the Danish court. Included is an examination of Andreas Schroder�s treatise De Saltatoribus (Flensburg 1622) and Thomas Bartholin�s dance chapter in his book Qu�stiones Nuptialis (Copenhagen 1670) as significant Danish primary sources. These sources are placed in contrast with contemporary European dance manuals such as Arbeau, De Lauze, Esquivel de Navarro, Caroso and Negri. Danish and other European authors differ in their views on the morality of dance, although they cite many of the same Ancient and Biblical sources for their persuasive arguments. Just as Denmark was connected to other countries of northern Europe in a complex political web, so too did these courts share artistic and cultural traditions, which are reflected in the sources related to dance. Danish dance practices can especially be demonstrated to be akin to those of neighbouring German courts, which, like Denmark, imitated the dance fashions of France.