The notion of seriality describes such relations where each element has a processor. It could be also understood as a condition of sequential translation and transfonnation. This thesis investi gates “seriality” in the relationship to architecture and landscape. I begin my investigation with a criticism of the conventional relationship between architecture and landscape. This relationship is often static and inert while it should be more dynamic and interactive within the design process. Reconsidering the relationship between “research” and “design,” my attempt to connect the two using algorithmic design was instrumental in formulating a new design process. In this thesis, a new design process has been developed and examined in three different sec tions: 1) “Theoretical Approach,” 2) “Technical Approach” and 3) “Case Study.” In the theoretical section, I investigate “rhythm,” which is an underlying series of movements affecting on architecture physically and fundamentally, in both architecture and landscape. In re sponse to this theory, I propose a method known as the “Genetic Grid” to manage grid flexibly by receiving its new identities from “natural conditions.” In the technical approach, I introduce methods in algorithmic design to manage grid flexibly. The basic method is called the ‘UVN generator’ which is based on the algorithmic process com bining the scripting potentiality and flexibility of traditional 3D surface modeling. This technique contributes to a method to generate the “Genetic Grid.” In the third section, I examine this “Genetic grid” more closely throughout a proposed design process called “Condition Linkage.” By embedding “Gene of Place” into architectural elements, I hope to show an underlying harmonious relationship between architecture and landscape.

No description available.

This project seeks to investigate a hybrid type between the capsule and boutique hotel, aimed at business travelers. This will be achieved by extracting qualities of each typology through systematic analysis to establish an environment that responds to a niche user. Identifying key characteristics through a number of precedents provides the foundation for the investigation and the programming criteria for spatial development. Owing to the technological revolution, there is an increasing need to translate the multitude of computer-driven interfaces to human-centred interaction. Computers, portable music players, mobile phones and wireless connections have fundamentally impacted social dynamisms fostering artificial identities and negating traditional notions of physical distance. Forever remaining plugged-in has led to the dematerialization of built space, the denial to the user of their sensorial abilities, the rendering of one space just the same as another. By re-awakening the senses through interactive encounters, a sense of familiarity, personal experience, and the creation of memory is lent to individual environments. In this sense, the interior designer is no longer merely a form giver, but is rather placed in the position of a fundamental interpreter. Focusing on the psychological impacts of place and spatial identity, this exploration will take advantage of the possibilities provided by contemporary technologies. Translating these interfaces to perform in response to body movements and presence within spaces creates a user centered model. In effect, this design approach assists the user in recognizing their existing location establishing an association between body movement and interior surroundings.

No description available.

No description available.

This project seeks to investigate a hybrid type between the capsule and boutique hotel, aimed at business travelers. This will be achieved by extracting qualities of each typology through systematic analysis to establish an environment that responds to a niche user. Identifying key characteristics through a number of precedents provides the foundation for the investigation and the programming criteria for spatial development. Owing to the technological revolution, there is an increasing need to translate the multitude of computer-driven interfaces to human-centred interaction. Computers, portable music players, mobile phones and wireless connections have fundamentally impacted social dynamisms fostering artificial identities and negating traditional notions of physical distance. Forever remaining plugged-in has led to the dematerialization of built space, the denial to the user of their sensorial abilities, the rendering of one space just the same as another. By re-awakening the senses through interactive encounters, a sense of familiarity, personal experience, and the creation of memory is lent to individual environments. In this sense, the interior designer is no longer merely a form giver, but is rather placed in the position of a fundamental interpreter. Focusing on the psychological impacts of place and spatial identity, this exploration will take advantage of the possibilities provided by contemporary technologies. Translating these interfaces to perform in response to body movements and presence within spaces creates a user centered model. In effect, this design approach assists the user in recognizing their existing location establishing an association between body movement and interior surroundings.

Thesis (M Design)--University of South Australia, 1996

Thesis (M. S. - (Planning and Landscape Architecture)--University of Arizona, 2003. / Includes bibliographical references (leaves 100-103).

Thesis (M.S.)--Missouri University of Science and Technology, 2008. / Vita. The entire thesis text is included in file. Title from title screen of thesis/dissertation PDF file (viewed January 15, 2009) Includes bibliographical references (p. 46-47).

Thesis(M.I.D.)--Auburn University, 2005. / Abstract. Vita. Includes bibliographic references (p.138-139).