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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Designers from United States, Taiwan and South Korea develop hanbok inspired apparel : a cultural comparison of design elements /

Song, Sarah S. January 1900 (has links)
Thesis (M.S.)--Oregon State University, 2010. / Printout. Includes bibliographical references (leaves 51-52). Also available on the World Wide Web.
2

Present tense this thesis is submitted to the Auckland University of Technology for the degree of Master of Arts (Art and Design) /

McGlashan, Ann. January 2005 (has links) (PDF)
Thesis (MA--Art and Design) -- Auckland University of Technology, 2005. / Also held in print (111 leaves, col. ill., 21 cm.) in Wellesley Theses Collection. (T 745.20993 MCG)
3

A critical analysis of the role of women designers in the progress of industrial product design in Turkey since the 80S/

Eti, Melek. Erkarslan, Önder January 2005 (has links) (PDF)
Thesis (Master)--İzmir Institute of Technology, İzmir, 2005 / Keywords: Industrial design, women designers, gender and design. Includes bibliographical references (leaves. 61-65).
4

Caspar Neher - Graue Eminenz hinter der Brecht-Gardine und den Kulissen des modernen Musiktheaters eine Werkbiographie /

Tretow, Christine. January 2003 (has links)
Thesis (doctoral)--Universität, Bochum, 2000. / Mixed media.
5

Team effectiveness and characteristics apparel product development teams /

Kwak, Eun J. Lynn. Black, Catherine M. January 2004 (has links)
Thesis (Ph. D.)--Florida State University, 2004. / Advisor: Dr. Catherine Black, Florida State University, College of Human Sciences, Dept. of Textiles and Consumer Sciences. Title and description from dissertation home page (viewed Sept. 23, 2004). Includes bibliographical references.
6

Scenic design for Alan Ayckbourn's Taking steps /

Adkins, David A., January 2003 (has links) (PDF)
Thesis (M.A.) in Theatre/Dance--University of Maine, 2003. / Includes vita. Includes bibliographical references (leaves 49-50).
7

Bambu laminado termo-tratado : metodologia aplicável na obtenção de novas tonalidades para o desenvolvimento de móveis sustentáveis /

Carneiro, Rodrigo Rocha. January 2018 (has links)
Orientador: Marco Antonio dos Reis Pereira / Banca: Luis Carlos Paschoarelli / Banca: Ivaldo De Domenico Valarelli / Banca: João Eduardo Guarnetti dos Santos / Banca: Tomas Queiroz Ferreira Barata / Resumo: Com a crescente escassez de recursos naturais e a demanda por soluções sustentáveis na fabricação de produtos, o bambu revela-se como alternativa eficaz para produção de artefatos nos mais variados segmentos. Sua versatilidade, propriedades físico- mecânicas e estética já foram estudadas em diversas pesquisas, sendo possível encontrar no mundo todo excelentes exemplos de sua aplicação. No Brasil esse material ainda é pouco explorado e são raras as referências sobre métodos de beneficiamento do bambu, principalmente em sua versão laminada colada, quando nos referimos à obtenção de resultados estéticos e que atendam às demandas comerciais. O desenvolvimento de técnicas aplicáveis ao design torna-se fundamental para revelar o bambu como madeira alternativa viável para produção de móveis e atrativa para as necessidades simbólicas de consumo. A presente pesquisa tem como objetivo desenvolver metodologias para a obtenção de novas tonalidades de bambu laminado por meio de tratamento térmico. Primeiramente apresentando uma revisão teórica sobre os aspectos da sustentabilidade no design, na indústria e no consumo; sobre as vantagens do bambu enquanto matéria-prima e sobre o tratamento térmico. Em seguida, foram apresentados os procedimentos experimentais que passaram pela colheita e processamento dos colmos para a obtenção de ripas laminadas, tratamento térmico, obtenção de massa específica, testes de flexão estática e parametrização das cores obtidas. Os resultados apresentaram diret... (Resumo completo, clicar acesso eletrônico abaixo) / Abstract: With the growing scarcity of natural resources and the demand for sustainable solutions in the manufacture of products, bamboo proves to be an effective alternative to the production of artifacts in the most varied segments. Its versatility, physicomechanical properties and aesthetics have already been studied in several pieces of research and, it is possible to find excellent examples of its application worldwide. In Brazil, this material is still little explored and there are rare references about bamboo processing methods when we refer to the aesthetic results and that meet commercial demands, especially in its laminated glued version. The development of techniques applicable to the design becomes fundamental to reveal bamboo as a viable alternative wood for furniture production and attractive to the symbolic consumption needs. The present research aims to develop methodologies to obtain new shades of laminated bamboo glued by heat treatment. Firstly, presenting a theoretical review on the sustainability aspects of design, industry and consumption; on the advantages of bamboo as a raw material and on the heat treatment. After that, the experimental procedures were presented, which went through the harvesting and processing of the stalks to obtain laminated slats, thermal treatment, obtaining of specific mass, tests of static flexion and parameterization of the colors obtained. The results presented guidelines capable of assisting in the development of products in thermo - ... (Complete abstract click electronic access below) / Mestre
8

Learners-as-Designers: Wissensräume mit kognitiven Werkzeugen aktiv nutzen und konstruieren

Proske, Antje, Damnik, Gregor, Körndle, Hermann 25 October 2011 (has links) (PDF)
Lernangebote von hoher Lernqualität sind dadurch gekennzeichnet, dass sie Lernende dazu anregen, in Wissensräumen vertieftes Wissen zu erwerben und dieses effizient in praktisches Handlungswissen umzusetzen. In diesem Beitrag wird diskutiert, wie der didaktisch-methodische Ansatz Learners-as-Designers genutzt werden kann, um eine solche Lernqualität zu erreichen. Es wird gezeigt, wie Learners-as-Designers unter Nutzung computerbasierter Technologien sowohl in der universitären Lehre als auch in der betrieblichen Weiterbildung umgesetzt werden kann, und mit welchen Effekten, aber auch Herausforderungen eine solche Lehr-Lern-Konzeption verbunden ist.
9

Communicating identities New Zealand fashion designers and creative exports /

Beattie, Olivia. January 2009 (has links)
Thesis (M.M.S.)--University of Waikato, 2009. / Title from PDF cover (viewed August 31, 2009). Includes bibliographical references (p. 161-174)
10

Arte concreta: racionalismo e abstração como contribuições para o design - um estudo na obra de Geraldo de Barros

Santos, Marko Alexandre Lisboa dos [UNESP] 26 February 2010 (has links) (PDF)
Made available in DSpace on 2014-06-11T19:24:10Z (GMT). No. of bitstreams: 0 Previous issue date: 2010-02-26Bitstream added on 2014-06-13T18:20:20Z : No. of bitstreams: 1 santos_mal_me_bauru.pdf: 1506173 bytes, checksum: 955405b44f5282efdb0c72fc200d3363 (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Concretismo foi um movimento vanguardista que abrangeu as artes plásticas, a arquitetura, a música, a poesia, o design. Os artistas que formaram o grupo concretista paulista Ruptura, em 1952, concebiam a arte como projeto, como idéia racional e propunham objetos múltiplos contrapondo-se à noção de obra única. Preocupavam-se com a função social do artista, a questão da reprodução da arte para todos e ansiavam por intervir no centro da produção industrial. Geraldo Barros foi um concretista que buscou a integração funcional da arte ao cotidiano por meio do design. A participação na indústria moveleira Unilabor, a partir de 1954, denota seu compromisso com essa idéia. O percurso de Barros - pintor, fotógrafo e design - permite caracterizá-lo como artista múltiplo. Esta pesaquisa, no entando, se delimita a sua produção no período compreendido entre o final dos anos 40 e meados dos anos 60. Seu objetivo é evidenciar os pressupostos sociais e racionais do Concretismo sobre a produção plástica e a metodologia de projeto de Geraldo Barros enquanto design de móveis. O estudo teve como fio condutor a linguagem geométrica das vanguardas do primeiro vintênio do século XX e a produção artística do Concretismo brasileiro, cujo processo de criação está objetiva e filosoficamente embasado na geometria. A proposta aspira a uma contribuição bibliográfica sobre o assunto, acrescentando uma maneira a mais de olhar o design / The Concretism was a vanguard movement that covered the arts, architecture, music, poetry, design. The artists who formed the group Ruptura in 1952, conceived of art as design, as rational idea and proposed multiple objects in opposition to the concept of a single work. Worried about the social role of the artist, the question of the reproduction of art of all and were eager to intervence in the center of industrial production. Geraldo Barros was a concrete sought the functional integration of art to everyday life through design. Participation in the furniture industry Unilabor, from 1954, reflects his commitment to this idea. The route of Barros - painter, photographer and designer - to characterize it as multiple artist. This research, however, is framed for its production in the period between the late 40th and mid '60s. Your intention is to show the social and rational assumptions of the Concretismo on the artistic production and design methodology Geraldo de Barros as a furniture designer. The study was lead by the geometric language of the vanguards ocurred in the first twenty years of century XX and the artistic production of Concretismo Brazilian, whose creation process is objective and philosophically grounded in geometry. The proposal aims to a contribution of literature on the subject, adding one more way of looking at the design

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