Submitted by Franciele Moreira (francielemoreyra@gmail.com) on 2018-01-31T13:43:51Z No. of bitstreams: 2 Dissertação - Juliana Damazio Carvalho - 2017.pdf: 10125141 bytes, checksum: ef6f7f1b5cc03bfa6d64f5c3ffca80ef (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-01-31T14:29:57Z (GMT) No. of bitstreams: 2 Dissertação - Juliana Damazio Carvalho - 2017.pdf: 10125141 bytes, checksum: ef6f7f1b5cc03bfa6d64f5c3ffca80ef (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2018-01-31T14:29:57Z (GMT). No. of bitstreams: 2 Dissertação - Juliana Damazio Carvalho - 2017.pdf: 10125141 bytes, checksum: ef6f7f1b5cc03bfa6d64f5c3ffca80ef (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2017-12-05 / The aim of this dissertation is based on the relation between the theme "death of man" and the emergence of Literature as a unique means of language in modernity. This relation is questioned by Michel Foucault in the book The Order of Things, in the terms of an incompatibility, in which the reappearance of the "self" of language that shines in our landscape from the emergence of literature is understood to threaten the sovereign status granted by the modern thoughts to the man-form. From this clipping, we intend to explain the terms of this incompatibility considering that, facing this new space of language, a heterotopic space that provokes the fading of the figure that until then was central to the ordering of modern knowledge, it provokes the fading of the main figure to the ordination of modern knowledge, opening up species of gaps in our thoughts that makes it possible to think differently. / O objetivo desta dissertação caminha em torno da relação entre o tema da ―morte do homem‖ e o aparecimento da literatura como modo singular da linguagem na modernidade, questão considerada por Michel Foucault em As palavras e as coisas sob os termos de uma incompatibilidade na qual o reaparecimento do ―ser‖ da linguagem, que cintila em nossa paisagem a partir do surgimento da literatura, é compreendido como uma ameaça ao estatuto soberano concedido pelo pensamento moderno à forma-homem. A partir deste recorte pretendemos explicitar os termos dessa incompatibilidade, considerando que face a esse novo espaço de linguagem, espaço heterotópico que suscita o desvanecimento da figura até então central à ordenação do saber moderno, abrem-se ao pensamento espécies de brechas, de espaços de abertura que nos possibilitam pensares outros.