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Domenico Scarlatti – eine FlaschenpostMenke, Johannes 22 September 2023 (has links)
Der Text unternimmt den Versuch, einige Begriffe und Denkfiguren von Gilles Deleuze auf die Sonaten Domenico Scarlattis anzuwenden. So wird 'Deterritorialisierung' auf Scarlattis Umgang mit Tonarten bezogen, 'Ereignis' in Zusammenhang mit 'Oberfläche' auf Motivik und Form. Letztlich lassen sich Scarlattis Sonaten als Aphorismen beschreiben, in denen die Grenzen der üblichen Logik überschritten werden und sogar ein Recht auf Sinnwidrigkeit beansprucht wird. / This article attempts to apply some of Gilles Deleuze’s concepts and ways of thinking to the sonatas of Domenico Scarlatti. Thus “deterritorializing” (Deterritorialisierung) will be applied to Scarlatti’s approach to keys, and “event” (Ereignis) and “surface” (Oberfläche) will be applied to motive and form. Finally, Scarlatti’s sonatas may be described as aphorisms in which the boundaries of standard logic are exceeded and even the right to absurdity is claimed.
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Verortung(en) des Ecocriticism in transkulturellen Zeiten : Eine Untersuchung zur Verknüpfung einer ökologisch orientierten Literaturwissenschaft mit Konzepten der kulturellen Gedächtnisstudien am Beispiel von Peter Handkes Die Obstdiebin / The Place(s) of Ecocriticism in Transcultural Times : A study linking Ecologically Oriented Literary Studies with concepts of Cultural Memory Studies using the example of Peter Handke's The Fruit ThiefLenz, Wiebke January 2021 (has links)
The academic field of Ecocriticism has in recent years developed into an increasingly interdisciplinary, multifaceted field that no longer only concerns literary studies. This thesis aims to find a new angle that mostly has been overlooked by academics so far. It is therefore suggested to draw a connection between Ecocriticism and Cultural Memory Studies since both fields share interests in their considerations of place. The development of global and transcultural concepts in ecologically oriented literary studies, illustrated by Ursula Heise's concept of an eco-cosmopolitanism are discussed and related to new approaches in Cultural Memory Studies about Heimat (homeland) and belonging to certain places. The study then exemplifies these theoretical concepts by aiming for a close reading of Peter Handke's novel Die Obstdiebin (The Fruit-Thief) where traditional perceptions of Heimat and a local affiliation are criticized and simultaneously new, deterritorialized perspectives introduced.
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