Thesis (M.S.)--Rochester Institute of Technology, 2007. / Typescript. Includes bibliographical references (leaves 93-96).

Thesis (M.S.)--Rochester Institute of Technology, 2008. / Typescript. Includes bibliographical references (leaves 83-87).

Thesis (M.S.)--Rochester Institute of Technology, 2007. / Typescript. Includes bibliographical references (leaves 55-56).

Thesis (M.S.)--California Polytechnic State University, 2008. / "June 2008." "In partial fulfillment of the requirements for the degree [of] Master of Science in Engineering with Specialization in Biomedical Engineering." "Presented to the faculty of California Polytechnic State University--San Luis Obispo." Major professor: Lily Laiho, Ph.D. Includes bibliographical references (leaves 76-79). Also available online and on microfiche (2 sheets).

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The Printing Industry is undergoing a Digital Revolution . The importance of digital printing has been increasing substantially over the last decade. How has this development affected the paper selection of printing firms? Only paper suppliers who successfully anticipate the changing needs of the printing firms will be able to benefit from the industry trend. This paper employs a probability model to analyze a survey data set of 103 digital printing firms in the USA and Canada. The research idea is to link the firm s paper selection with the firm s characteristics in order to gain insights into the printing firm s paper purchase behavior and the overall industry structure. The first part of this work investigates the importance of certain paper aspects, such as price, runnability and print quality. Strikingly, a company s involvement in digital printing, measured by the percent of digital printers of the total number of printers in the firm, is a central determinant of the importance of all paper aspects analyzed. This finding underscores the tremendous importance of the printing firms transition to digital printing for the Paper Industry. Paper runnability is found to become more important the faster the firm grows and can be explained by the fact that more successful firms incur higher opportunity costs from downtime. Another key finding is that the importance of paper price is lower for firms who collaborate with their customer on the paper selection and are able to pass on cost increases in the paper price. The second part involves a more direct assessment of paper selection. Here, the firm s characteristics are utilized to explain the choice of coated versus uncoated paper for the printing job. The analysis shows that firms involved in sophisticated print services, such as Digital Asset Management or Variable Data Printing are more likely to use the high quality coated paper. Further it is found that the usage of coated paper increases with catalog printing whereas it decreases with book and manual printing.

This research project has investigated the light fastness of ink jet and electrophotographic printed materials by the means of an extensive accelerated and natural ageing test programme. The effect of visible radiation of different wavebands on the deterioration of a selection of ink jet printed materials has also been assessed. The findings of the research indicate that all of the ink jet printed materials tested are sensitive to light and should not therefore, be put on permanent display. Most of the ink jet printed samples exhibited greater light sensitivity to the shorter wavelengths of the visible spectrum, than the longer wavelengths, with damage decreasing as wavelength increases. This relationship was not evident with the cyan and blue printed samples, which showed that their light sensitivity was determined by the spectral absorption characteristics of the printed patch. Some of the ink jet printed materials produced erratic fading rates on exposure to light. This phenomenon was attributed to either the occurrence of photochromism or the disintegration of the dye particles in the ink, but further testing needs to be conducted to gain a better understanding of this reaction. Other factors also influenced the light fastness of the ink jet materials, such as the type of paper employed for printing, ink concentration and ink combination. The electrophotographic printed materials were found to be more stable to light, although the yellow toner from some of the systems would show noticeable fading after approximately 65 to 325 years on permanent display (at 50 lux for eight hours per day). A range of basic conservation treatments was also been investigated and the results indicated that ink jet print materials are very sensitive to all forms of aqueous treatments. Finally, thermal/dark ageing has been performed on the digital printed papers employed in this investigation. The conclusion is that all of the papers are prone to yellowing in storage.

This research project asks; what is the potential for garments to express an Indian/European cultural hybridisation? The research explores the development of an alternative aesthetic by hybridising the ethos of traditional Indian garments and the aesthetics of 'Western' garments. The garments have been designed and constructed after key design features were indentified, and the new garments reflect hybridisation. The aspect of hybridisation was further enhanced with the use of digitally-printed fabric imagery which features a mythologised and idealised European/Indian history. The research seeks to discover if such a joining-together could develop an aesthetic sensibility, informed by both a ‘Western’ enculturation and a traditional Indian heritage. The new garments will speak to the viewer about what it is to experience being situated within two cultures simultaneously.

This research project asks; what is the potential for garments to express an Indian/European cultural hybridisation? The research explores the development of an alternative aesthetic by hybridising the ethos of traditional Indian garments and the aesthetics of 'Western' garments. The garments have been designed and constructed after key design features were indentified, and the new garments reflect hybridisation. The aspect of hybridisation was further enhanced with the use of digitally-printed fabric imagery which features a mythologised and idealised European/Indian history. The research seeks to discover if such a joining-together could develop an aesthetic sensibility, informed by both a ‘Western’ enculturation and a traditional Indian heritage. The new garments will speak to the viewer about what it is to experience being situated within two cultures simultaneously.

Thesis (M.S.)--Rochester Institute of Technology, 2008. / Typescript. Includes bibliographical references (leaves 37-40).