<p>This essay examines the love affair between the two main characters of Rut Hillarp’s novel Sindhia. It draws attention to the schism between the Surrealist version of love as an extatic-religious fusion of the sexes – that in a way marks the relationship – and the yet remarkable coolness between the two lovers.</p><p>With the theories of French psychoanalyst Jacques Lacan, I will show how the man and the woman project their unrealistic individual fantasies on each other, thus rendering impossible the Surrealist Meeting, with its road to an absolute reality. The Surrealist "l’amour fou", I will argue, is trapped in the ritualized "l’amor interruptus"; a lacanian term for a certain kind of love that wishes to conceal the fact that desire will never find its object. It does so by pretending that the object would be found if only love had been consummated (thus the reason love is never consummated, since, as Lacan puts it, the object, or the Thing, is never to be found).</p><p>I will, in brief, argue that the love affair depicted in the novel in different ways tries to deal with the “lack-of-being” that marks the subject according to Lacan; the absolute distance to the desirable Thing.</p>

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This essay examines the love affair between the two main characters of Rut Hillarp’s novel Sindhia. It draws attention to the schism between the Surrealist version of love as an extatic-religious fusion of the sexes – that in a way marks the relationship – and the yet remarkable coolness between the two lovers. With the theories of French psychoanalyst Jacques Lacan, I will show how the man and the woman project their unrealistic individual fantasies on each other, thus rendering impossible the Surrealist Meeting, with its road to an absolute reality. The Surrealist "l’amour fou", I will argue, is trapped in the ritualized "l’amor interruptus"; a lacanian term for a certain kind of love that wishes to conceal the fact that desire will never find its object. It does so by pretending that the object would be found if only love had been consummated (thus the reason love is never consummated, since, as Lacan puts it, the object, or the Thing, is never to be found). I will, in brief, argue that the love affair depicted in the novel in different ways tries to deal with the “lack-of-being” that marks the subject according to Lacan; the absolute distance to the desirable Thing.

Tesis para optar al grado de Magíster en Filosofía mención en Metafísica. / En este trabajo pretendemos plantear lo que atañe a la cuestión de Dios en la reflexión de Heidegger y presentar su percepción frente el tema. En general, la obra de Heidegger se desenvuelve en un marco de reservada cautela ante el problema de Dios Resulta apresurado sostener que él afirma filosóficamente a Dios, como también lo es sostener que lo niega. Pareciera que su tesis fundamental en este punto es que Dios ha desaparecido de nuestro horizonte vital y no tenemos claridad respecto a su realidad o irrealidad. Por fortuna, nos indica el mismo Heidegger, aún tenemos indicios que alientan una esperanza de encontrarlo aunque ésta no parece transitar ya por los caminos de la religión, la cual, fuertemente influenciada por la metafísica, más bien, ha favorecido su evaporación y ha impedido su búsqueda auténtica. Para él, sólo resulta posible un nuevo acceso a lo divino desde la fecundidad auroral de un nuevo inicio. Un nuevo inicio ya emprendido por los vigilantes de la casa del ser, los poetas.

The Debate on Science and the Philosophy of life, which took place on the pages of several important journals in China during the year 1923, is an important witness to the evolution of the Chinese way of thinking. At this period, the Chinese society critically reflected upon its traditional culture and on the influences from the western civilization. Therefore many significant Chinese scientists, philosophers and journalists took part in this debate. This text's aims are the following: to create a concise report about the debate, its context, process and the evolution of its perception in the later periods in China or elsewhere and also to present in more detail three the topics that are significant for the whole debate. These topics can be used to investigate the variety of views among the debate's participants. The three topics covered are: (1) the concept of metaphysics, (2) free will and causality with regards to morality, and (3) education. The investigation of these topics allows us also to critically reflect upon the usual perception of the debate as a whole. Powered by TCPDF (www.tcpdf.org)

Die späte Qing-Zeit (ca. die 2. Hälfte des 19. Jhs.) ist eine Periode rasches sozialen Wandels. Obwohl sich viele Chinesen der Reformbewegung widmeten, gab es im Gegensatz dazu nicht wenig niedrigrangige Literaten (xiaceng wenren 下層文人), die die Vorliebe für Weltabgewandtheit hatten und kein oder wenig Interesse an der modernen Welt zeigten. Xuan Ding 宣鼎 (1832–1879) war einer davon. Sein Yeyu qiudeng lu 夜雨秋燈錄 ist nicht lediglich eine Sammlung von zhiguai 志怪 (Aufzeichnungen von Anomalien), sondern eher ein „Medium für den Selbst-Ausdruck“. Das Werk widerspiegelt die Ambivalenz niedrigrangiger Literaten während der Epoche.

稿本 / 論文(博士)--香港中文大學硏究院中國語言及文學學部,1992. / 參考文獻: leaves 703-736 / 朱國藩. / Chapter 第一章 --- 前言 --- p.1 / Chapter 第二章 --- 諸家疑偽說述評 --- p.9 / Chapter 第一節 --- 張之洞說 --- p.9 / Chapter 第二節 --- 衛聚賢說 --- p.33 / Chapter 第三節 --- 巴納說 --- p.54 / Chapter 第四節 --- 小結 --- p.89 / Chapter 第三章 --- 詞彙辨偽的新嘗試 --- p.92 / Chapter 第一節 --- 晉侯盤的啓示 --- p.92 / Chapter 第二節 --- 毛公鼎詞彙的重新考察 --- p.128 / Chapter 一、 --- 亡不閈于文武耿光 --- p.136 / Chapter 二、 --- ?堇大命 --- p.145 / Chapter 三、 --- 命女辥我邦我家内外 --- p.153 / Chapter 四、 --- 虩許上下若否雽四方 --- p.157 / Chapter 五、 --- 余非庸又昏，女毋敢妄寍 --- p.167 / Chapter 六、 --- ??大命、?夙夕 --- p.172 / Chapter 七、 --- ?、毋敢龔?，龔?迺敄鰥寡 --- p.185 / Chapter 八、 --- 善效乃友正 --- p.191 / Chapter 九、 --- 女毋敢? --- p.196 / Chapter 十、 --- 巳 --- p.199 / Chapter 十一、 --- 參有? --- p.203 / Chapter 十二、 --- 虎臣 --- p.206 / Chapter 十三、 --- 呂乃族干吾王身 --- p.211 / Chapter 十四、 --- 金雁 --- p.223 / Chapter 第三節 --- 小結 --- p.288 / Chapter 第四章 --- 毛公鼎銘文與傳世文獻及同期銅器銘文的比較 --- p.289 / Chapter 第一節 --- 毛公鼎銘文與傳世文獻的比較 --- p.289 / Chapter 一、 --- 舍命 --- p.290 / Chapter 二、 --- 金車 --- p.296 / Chapter 三、 --- 公族 --- p.300 / Chapter 四、 --- 師氏 --- p.303 / Chapter 五、 --- ?圭?寶 --- p.306 / Chapter 六、 --- ??? --- p.311 / Chapter 七、 --- 金甬逪衡 --- p.319 / Chapter 八、 --- 埶小大楚賦 --- p.323 / Chapter 九、 --- 卿事寮、大史寮 --- p.331 / Chapter 十、 --- 小子 --- p.334 / Chapter 第二節 --- 毛公鼎銘文與同期銅器銘文的比較 --- p.365 / Chapter 一、 --- 今余唯?巠先王命 --- p.366 / Chapter 二、 --- 無唯正昏 --- p.372 / Chapter 三、 --- 命女亟一方 --- p.385 / Chapter 四、 --- 取?卅? --- p.390 / Chapter 第五章 --- 總結 --- p.412 / Chapter 附錄 --- 毛公鼎銘文簡釋 --- p.416 / 毛公鼎器形拓本 --- p.674 / 毛公鼎銘文拓本 --- p.675 / 董作賓毛公鼎銘文摹本 --- p.682 / 陳介祺手題毛公鼎釋文 --- p.683 / 晉侯盤銘文拓本 --- p.684 / 引用銅器目錄 --- p.692 / 參考及徴引書目 --- p.703

論文(碩士)--香港中文大學, 1968. / Ms. / Includes bibliographical references (p.1-13 (4th group)). / Thesis (M.A.)--Xianggang Zhong wen da xue. / 緒言 / Chapter 上　編　 --- 丁日昌之政治、軍事及外交之經歷 / Chapter （一） --- 丁日昌之出身 / Chapter （二） --- 丁日昌在政治上之新作風及其改革意見 / Chapter （三） --- 丁日昌之軍事經歷 / Chapter （甲） --- 隨剿吉安太平軍 / Chapter （乙） --- 調和高州將帥意見肅清積年匪患 / Chapter （丙） --- 淮軍營務委員交涉解散常勝軍 / Chapter （丁） --- 海製造軍火，安定上海秩序及收回國家主權 / Chapter （四） --- 丁日昌在外交事務上之成就´ؤ圓滿解決潮州入城事件 / Chapter （甲） --- 潮州入城事件辦理失敗之原因及其經過 / Chapter （乙） --- 丁日昌解決潮洲入城事件之態度和方法 / Chapter 下　編 --- 丁日昌對中國陸軍近代化之嘗試 / Chapter （一） --- 丁日昌嘗試改變營制之原因 / Chapter （二） --- 丁日昌嘗試改變營制之方法 / Chapter （甲） --- 官軍(綠營)營制之基本缺點 / Chapter （乙） --- 勇營制度之優點 / Chapter （三） --- 丁日昌以前引用勇營營制改變官軍(綠營)營制失敗之原因 / Chapter （四） --- 丁日昌對中國陸軍近代化之新猷 / Chapter （甲） --- 調整江蘇省撫標營編制 / Chapter （乙） --- 以勇補兵´ؤ廢除舊有的兵籍制度 / Chapter （1） --- 以散勇之精銳補額兵之意義及其價值 / Chapter （2） --- 丁日昌防止約束勇丁滋事的辦法 / Chapter （丙） --- 提高將弁素質´ؤ改變武舉制度確立近代化陸軍的幹部政策 / Chapter （丁） --- 撤消營兵駐防汎地：建立正式國防軍及地方自衛保安武力 / Chapter （戊） --- 寓訓練於教育：軍隊學校化 / 結論 / 參考書目

This thesis examines the theme of gender and power relationships in the works of Ding Ling (1904-1986) and Zhang Ailing (1920-1995), focusing particularly on two novels: Ding Ling’s The Sun Shines over the Sanggan River (1948) and Zhang Ailing’s The Rice-Sprout Song (1954). Through this examination, this thesis demonstrates the critiques by these authors of the CCP and its policies which, while ostensibly guaranteeing equality to women, in actuality do nothing more than reinscribe traditional Confucian gender values. This thesis situates these novels historically, and places them into the context of the author’s other writings. The analysis focuses on three main aspects of these two novels: violence, repression of women’s desire, and female sexuality. Through a close reading informed by a feminist approach to gender relationships, this thesis demonstrates the startling similarities in the critiques of Ding Ling and Zhang Ailing, despite the writers’ different political ideologies and situations in regard to the CCP.

Spanning forty years apart, the short story “Miss Sophia’s Diary” (1926) by Ding Ling and The Bell Jar (1963) by Sylvia Plath can speak to one another in revealing the position of women in a revolutionary new era. The two stories may be generationally and geographically distant, yet both hold a collective female consciousness in the context of the emerging modernist epoch. By examining these two pieces of literature in relation to one another, similar attitudes and stylistic trends emerge regarding the treatment of women. The common archetypes, for each respective time and country, imprinted onto women are at some points accepted but also rejected in these two female-focused stories. In disregarding many of the traits associated with the modern woman, Ling and Plath mold a unique feminine persona to capture the essence of what a true woman can and should be. Not only does the likeness of the works contribute in establishing a global feminist ideal, it is in the differences where cultural and generational attitudes can be investigated. What the pillar of feminism represented in early 1920s China differs significantly from 1950s United States of America. Though these differences can be signs of progression for woman’s rights, there are many of the same anxieties surrounding women that have lingered on for decades. This thesis will conduct a comparative study on how the “Miss Sophia’s Diary” and The Bell Jar posses the unique variations of the modern woman. Furthermore, with the use of a web-based corpus analysis program, this thesis sets out to probe selections from both works linguistically. Doing so will uphold a clearer image as to each texts’ word associations when discussing women and can further reveal how the construction of each female persona compares to one another. Overall, this thesis dismantles borders of both time and space to expose the true meaning behind the modern woman’s role in a largely demeaning and patriarchal world.