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Vergleichung der Weise in welcher Diotima lehrend in Platons Gastmahle (p. 210 a bis 212 a) den Sokrates zur Anschauung des an und für sich schn̲en hinleitet mit der Art, wie wir zur Anschauung des Schp̲fers gelangen und ihn auch anschauend begrifflich erfassen und aussprechen kn̲nen /Scherner, Karl, January 1900 (has links)
Inaug.-diss.--Breslau. / Vita.
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O estilo tardio de Luigi Nono / O estilo tardio de Luigi NonoMagalhães, Michelle Agnes 06 August 2010 (has links)
Este trabalho se propõe a analisar alguns dos aspectos da obra tardia do compositor veneziano Luigi Nono (1924-1990), a partir da leitura de três obras: Fragmente-Stille, an Diotima para quarteto de cordas, Das atmende Klarsein para flauta baixo, coro e processamento em tempo real, e Omaggio a György Kurtág para contralto, flauta, clarinete baixo e processamento em tempo real. As três diferentes análises têm como foco três importantes princípios da poética tardia de Luigi Nono: as idéias de fragmentação, de limite e de suspensão. / This research studies some aspects of Luigi Nonos (1924-1990) late work. It is based on analysis and interpretation of three important works of the Venetian composer: Fragmente-Stille, an Diotima, for string quartet, Das atmende Klarsein, for bass flute, double-bass, choir and live electronics, and Omaggio a György Kurtág, for contralto, flute, bass clarinet and live electronics. Each of these investigations focuses on three important principles of Nonos late poetics: the ideas of fragmentation, limit and suspension.
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O estilo tardio de Luigi Nono / O estilo tardio de Luigi NonoMichelle Agnes Magalhães 06 August 2010 (has links)
Este trabalho se propõe a analisar alguns dos aspectos da obra tardia do compositor veneziano Luigi Nono (1924-1990), a partir da leitura de três obras: Fragmente-Stille, an Diotima para quarteto de cordas, Das atmende Klarsein para flauta baixo, coro e processamento em tempo real, e Omaggio a György Kurtág para contralto, flauta, clarinete baixo e processamento em tempo real. As três diferentes análises têm como foco três importantes princípios da poética tardia de Luigi Nono: as idéias de fragmentação, de limite e de suspensão. / This research studies some aspects of Luigi Nonos (1924-1990) late work. It is based on analysis and interpretation of three important works of the Venetian composer: Fragmente-Stille, an Diotima, for string quartet, Das atmende Klarsein, for bass flute, double-bass, choir and live electronics, and Omaggio a György Kurtág, for contralto, flute, bass clarinet and live electronics. Each of these investigations focuses on three important principles of Nonos late poetics: the ideas of fragmentation, limit and suspension.
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What's Love Got to Do with It? An Exploration of the Symposium and Plato's LovePinson, Remy P 01 January 2013 (has links)
To many people love is special, sacred even. Love plays a countless number of roles for a countless number of people. Contemporary ideas about love, however, are more in alignment with the philosophies of Aristotle, and not of Plato. Aristotle held that love could exist as many people see it today – wishing well for others purely for their own sake. But Plato disagreed. Plato claimed that love was a way by which one could better themselves and become wiser. In this thesis, I explain Plato’s theory of love put forth in the Symposium. I also explore the textual evidence for the selfish nature of Plato’s love.
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Repenser le mythe de l'androgyne dans le Banquet de PlatonGasse, Jessie 02 1900 (has links)
No description available.
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