Abstract This thesis attempts to examine the function of disguise used in Defoe¡¦s Moll Flanders. I will relate Terry Castle¡¦s studies on masquerade and disguise as an inspiration for my discussion so as to explore disguise in the novel on three levels. Clothes as well as language as a manipulable sign system manifested in masquerade become a useful means for Moll¡¦s physical disguise. The often-debated problem of Moll¡¦s penitence is brought out and explored in terms of spiritual disguise. The Editor¡¦s Preface that prescribes an authorized interpretation of Moll¡¦s story is considered a meta-narrative disguise that intends to mask Moll¡¦s criminal autobiography as a moral tale. Therefore, the novel as a whole can be seen as an arena for competition between Moll¡¦s disguise and the Editor¡¦s meta-narrative disguise. For this reader, Moll¡¦s disguise eventually hijacks Defoe¡¦s novel and defeats the meta-narrative disguise. The thesis is composed of four chapters. The introduction presents the overall structure in a nutshell. Chapter One explains how disguise functions in masquerade and its relation to play and transgression. In Chapter Two, to enrich the discussion, Goffman¡¦s idea on ¡§impression management¡¨ is employed to explore Moll¡¦s physical disguise in everyday life. In Chapter Three, the insincerity of Moll¡¦s repentance is brought out and discussed as Moll¡¦s spiritual disguise. In Chapter Four, the Editor¡¦s Preface, which seems an appendage to the novel is seriously examined and regarded as a meta-narrative disguise for it involves a dispute of how a reader should read the novel.

Existing scholarship on Thomas Middleton and Thomas Dekker’s The Roaring Girl, or Moll Cutpurse primarily focuses on the title character and her unconventional gender presentation. This highlighting of Moll deemphasizes the other intriguing aspects of the play, including its thematic concerns involving issues of prejudice, reputation, gender, class, marriage, and sexuality. This thesis takes the spotlight off of Moll and shines it instead on a selection of other significant characters—including Sir Alexander Wengrave, Sebastian Wengrave, Mary Fitzallard, and a grouping of minor characters who have earned this play its designation as a city comedy: Laxton, Goshawk, the Openworks, and the Gallipots.

T. pallidum can survive a primary immune response and continue growing in the host for an extended period of time. T. pallidum is thought to bind serum fibronectin (FN) through Tp0483 on the surface to obscure antigens. A Tp0483 fragment (rTp0483) was adsorbed onto functionalized self-assembled monolayers (SAMs) with FN. FN capture by adsorbed rTp0483 depended greatly on surface chemistry with COO- groups being best for FN binding. Hemocompatibility was determined by analysis of plasma protein adsorption, intrinsic pathway activation, and platelet activation. rTp0483+FN bound an equal or lesser amount of fibrinogen (Fg), human serum albumin (HSA), and factor XII (FXII) compared to rTp0483 or FN alone and adsorption of rTp0483 prior to FN greatly decreased platelet activation. Inhibition of protein binding and platelet activation suggested an attenuated hematological response. Biocompatibility of rTp0483 and FN coated surfaces was characterized by macrophage uptake of protein coated polystyrene microspheres (PSMs), macrophage adsorption onto protein coated surfaces, cytotoxic effects of adsorbed rTp0483 and FN, and TNF-α and NO2- release in macrophages stimulated with rTp0483 and FN adsorbed and in solution. Addition of FN to rTp0483 on plain and COO- PSMs reduced phagocytosis compared to rTp0483 alone and on plain PSMs compared to FN alone. On plain PSMs addition of FN to adsorbed rTp0483 decreased TNF-α generation. Adsorption of rTp0483 before FN on large, flat COO- surfaces decreased macrophage adsorption and TNF-α and NO2- generation. High concentrations of rTp0483 were mildly cytotoxic to macrophages. FN binding by Tp0483 on T. pallidum likely plays a role in antigenic disguise and rTp0483+FN coatings may potentially inhibit FN and rTp0483 specific interactions with macrophages. Molecularly imprinted polymer coatings were also examined for biomaterial development. Fouling resistant 2-methacryloyloxyethyl phosphorylcholine (MPC) was imprinted with bovine serum albumin (BSA) protein templates to facilitate BSA specific binding. The BSA template was constructed and verified and BSA specific binding quantified using quartz crystal microbalance (QCM) and enzyme linked immunosorbent assay (ELISA). BSA imprinted coatings were determined to bind significantly more BSA than nonfouling MPC controls demonstrating the feasibility of targeted protein capture.

(in English): Voice disguise can potentially occur in every utterance that is associated with any criminal case. In order to identify the perpetrator it is necessary to analyze the speech and understand how the different types of voice disguise can affect the speaker's voice qualities. This thesis focuses on the ability of voice disguise, portraying three groups of speakers in relation to their educational background. The aim of this work is to determine the strategies adopted by the speaker to conceal his/her identity and furthermore it poses the question whether differences among the three groups of speakers, their choice of strategy and its inherent success can be found. The basis for this research stems from 86 recordings which were undertaken in Pilsen and Prague with 43 young people aged 20 to 31. Two read utterances, one undisguised and the other freely disguised, were obtained from each of the participants and were compared with each other. The results show that the preferred forms of voice disguise appeared to involve changes in phonation - especially decrease or increase of fundamental frequency of the speaker's voice. Among the three groups of speakers, their choice and the success of the chosen strategy only minor differences could be found, yet for a final confirmation of this...

Thesis (Ph. D.)--University of Missouri-Columbia, 1999. / Typescript. Vita. Includes bibliographical references (leaves 289-335). Also available on the Internet.

Thesis (Ph. D.)--University of Missouri-Columbia, 1999. / Typescript. Vita. Includes bibliographical references (leaves 289-335). Also available on the Internet.

Thesis (Ph. D.)--University of Texas at Austin, 2009. / Title from PDF title page (University of Texas Digital Repository, viewed on Sept. 9, 2009). Vita. Includes bibliographical references.

Speech contains certain attributes characteristic for a speaker, so-called idiosyncratic features. This thesis focuses on the form of these features in intentional voice disguise - whether speakers are able to change them in a substantial way, or if they tend to remain stable in spite of intentional speech modifications. It was also investigated whether any general tendencies to similar changes of such features under voice disguise exist among the speakers. The observed features were statistical f0 indicators, f0 contours, vowel formants, long- term formant distributions, spectral characteristics of sibilants, intensity, intensity contours, speech and articulation rate, %V and local articulation rate contours. In f0 median and standard deviation, vowel formants, LTFDs, intensity, articulation rate, and %V, prominent shifts under voice disguise were observed in general; in the majority of these parameters, the shifts differed among speakers. However it was found that the value of %V generally tends to rise under voice disguise. Also, intensity showed an increase in majority of cases. In f0 contours, similar patterns were observed among speakers in normal speech, however, in disguised speech, greater differences appeared among speakers; speakers tend to employ nonstandard dynamic f0 patterns more...

One of the most salient characteristics of Cervantes's literary production is his fascination, one might even say his obsession, with the human capacity for transformation. Nearly all of his plays, novellas, and novels feature characters that adopt alternative identities and disguise or dissimulate their true, original selves. The Novelas ejemplares (1613) encompass a veritable cornucopia of characters that pass themselves off as another. There are women who pass as men, Christians as Turks, Catholics as Protestants, and noblemen as gypsies, among many others. Identity, or at least its appearance, is represented as fluid and malleable. By creatively controlling the signs that they project in public, the characters of the novellas demonstrate a remarkable ability to adapt to innumerable contingencies. Similarly, subjects of the Spanish empire, driven particularly by ethno-religious and socio-economic motives, utilized craft and guile to conceal their identity or simulate another. On a theoretical level, both in Spain and throughout Europe, intellectuals explored the human capacity for transformation, and there emerged a new sense of interiority. As Stephen Greenblatt observes, in the Renaissance, "there appears to be an increased self-consciousness about the fashioning of human identity as a manipulable, artful process" (2). In this study I examine the abundance of deceit and disguise in Cervantes's collection of twelve novellas within the work's sociohistorical context. Specifically, I analyze how the novellas are embedded in two particular threads of cultural discourse on human identity: Spanish social history and early modern European intellectual history. / text

La thèse étudie l'œuvre d'Isabelle Eberhardt, écrivaine-voyageuse qui explore l'Algérie et la Tunisie entre 1897 et 1904. La définition de l'œuvre originale demeure difficile étant donné que plusieurs éditeurs ont modifié les écrits d'Eberhardt. Une analyse des éditions disponibles et la consultation des manuscrits conservés aux Archives nationales d'outre-mer d'Aix-en-Provence ont permis de donner des éclaircissements à ce sujet, bien que la situation reste délicate. Isabelle Eberhardt voyage au Maghreb dans le but de s'établir en Algérie pour toujours, construire sa nouvelle identité, écrire des textes à publier et connaître les traditions locales. La variété de ses projets fait en sorte que sa démarche ait des implications personnelles, littéraires et scientifiques. La méthode de recherche mise en place par notre écrivaine au cours de ses voyages a été approfondie et résumée dans l'alternance entre participation et éloignement. La poétique eberhardtienne résulte également claire et elle se base sur la valorisation de la vitalité du milieu ainsi que sur la définition d'un espace existentiel et vivant. Les textes sont le résultat d'un riche processus de formation, de connaissance, d'écriture et ils ont été analysés à partir d'une interprétation critique et théorique. L'expérience eberhardtienne et les valeurs qu'elle encourage permettent de rapprocher l'écrivaine aux études concernant le rapport entre la géographie et la littérature. / The thesis describes the work of Isabelle Eberhardt, a travel writer who explores Algeria and Tunisia between 1897 and 1904. The establishment of the original edition of her texts presents several problems considering that quite a number of publishers modified them. The analysis of the editions that are available today and the consultation of manuscripts retained in the Archives nationales d'outre-mer in Aix-en-Provence, allowed to obtain some helpful clarification on this subject, even if the situation remains delicate. Isabelle Eberhardt travels to the islamic Maghreb with the intention of living in Algeria for good, in the desire to construct her new identity, write publishable texts, learn more about local traditions. The diversity of projects means that there is a personal involvement as well a literary and scientific intention. The research method used by our writer during her journeys has been investigated and summerized by the alternation of engagement and estrangement. Eberhardt's poetics is equally clear and it is based on the valorization of the lieu's vitality as well as on the definition of an existential and living space. The texts are the product of a formation process knowledge-based and with a literary purpose. They have been analyzed with a critical and interpretative approach. Isabelle Eberhardt's experience and the values that it promotes make possible a rapprochement with the studies exploring connections between literature and geography.