In this essay the goal has been to examine what kind of beliefs about the "people´s home" the Sweden Democrats expresses during the period 1990-2014, and how these beliefs are used in the political debate. This has involved an examination of the party's total number of intention decorations documents, and the party´s magazine The SD Courier (SD-Kuriren). The theoretical concepts that have been used to analyse the material are the different forms of "historical use", and particularly the types of "historical use" that are used by political actors.These concepts are "existential", "moral", "political-pedagogical" and "ideological" use of history. These concepts have been combined with a hermeneutic method, in which Intertextual reading has had a crucial role, and the focus have been to find change and continuity. The party has used their interpretation and beliefs about the "people's home" idea, to show their political intent and to criticise opponents, but also to some extent paint a picture of a Sweden in chaos. The party´s idea of the "people´s home" include the nation's peculiarity, homogeneity as the foundation of stability, the importance of the traditional family for raising good citizens. They use this idea of the "people´s home" to describe their vision as a political organization, and partly to criticise opposition parties, arguing these do not live up to the idea of the good "People's home". But also, to some extent paint up a picture of a country in chaos if the "people´s home" idea do not take its rightful place in society, and political discourse. / Inom ramen för denna uppsats har undersökts vad för typ av föreställningar om folkhemmet som det svenska riksdagspartiet Sverigedemokraterna ger uttryck för mellan åren 1990-2014, och hur deras användningen av folkhemstanken i den politiska debatten ter sig. Detta har inneburit undersökning av deras samtliga partiprogram samt deras partitidning SD-Kuriren. De teoretiska begrepp som har använts är de olika formerna av historiebruk, som används av politiska aktörer.Dessa är Existentiellt, moraliskt, politiskt-pedagogiskt och ideologiskt historiebruk. Dessa begrepp har kombinerats med en hermeneutisk metod, där intertextuell läsning, samt förändring och kontinuitet varit framträdande inslag. Partiet har använt, som de anser korrekta, föreställningar om folkhemmet, vilka innefattar nationens särart, homogeniteten som grunden till stabilitet, och den traditionella familjens betydelse, för att fostra goda medborgare. De använder denna folkhemstanke, dels till att beskriva sin målbild som politisk organisation, och dels för att kritisera motståndarpartier, genom att hävda att de inte lever upp till tanken på det goda folkhemmet. Men också i viss utsträckning måla upp en bild av ett land i kaos om folkhemstanken inte får inta sin rättmätiga plats i samhället.

Informe de Seminario para optar al grado de Licenciado en Historia

Informe de Seminario para optar al grado de Licenciado en Historia / Seminario de grado: Procesos políticos y postmemorias autoritarias. Chile en la segunda mitad del siglo XX

Thesis using the oral history of attempts based on interviews with dealers to characterize the emergence and development of casinos in the country, focusing on the period 1990-1999. It will further seek to analyze croupiers look for changes in their profession during the nineties, it tries to find out how the company viewed these devices and how their perceptions changed over time. This research will also try to approximate the conditions under which the casino could arise in which sites are placed among these devices, as over time changed their level and quality of services offered and what kind of casino guests attended. Another objektive of this work is to find out what people in the nineties to post dealer reported what they had to comply with the conditions and how their level in the nineties changed. Keywords: 1990 - 1999 - casino -the dealer- oralhistory -biography.

Bibliography: pages 372-383. / This dissertation constitutes a study of all issues relevant to South West Africa/Namibian independence, from 1915 to June 1983. The method employed is primarily of a descriptive, historical and analytical nature, which brings together in a concise study a variety of primary research materials, particularly with extensive use of newspaper resources. Due to the limited available material on South West Africa/ Namibia, it was necessary to rely upon these journalistic sources to a large extent. It was, therefore, necessary to assume that: 1. newspaper references are correct and valid, and that articles by relevant authorities and political figures are a true expression of the writers' political beliefs; 2. that in terms of books, journals and other published materials in relation to South West Africa/Namibia, the facts have been accurately researched and verified, and 3. that personal conversations with relevant authorities are genuine as to the thoughts expressed. A number of hypotheses are put forward: 1. that independence will come about as the result of a process of negotiation and not because of military victory or defeat; 2. that the South West Africa People's Organisation is bound to be part of any true settlement; 3. that this organisation cannot claim to be the 'sole authentic representative' of the Territory's population, and, 4. as a result of this, there is a definite need for the accommodation of other internal parties in a genuine settlement as well.

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Memoria (licenciado en ciencias jurídicas y sociales)

The analytical literature posits a dichotomy between Copland’s “popular” and “serious” music. Despite different motivic and hannonic structures on the surface, however, these styles are consistent in their underlying use of tonality. Tonics in both styles are defined by the same set of tonicizing techniques; and tonics in both styles serve the same function — to define the changing scale-degree function of pcs that are emphasized in various ways as common to the collections of successive tonics. The most important of these changes in scale-degree function are summarized in pitch-class continuity graphs that show the relation of the changes to thematic and harmonic form. Detailed analyses, which cover two “popular” and two “serious” works by Copland, demonstrate the consistency between the two styles. Besides demonstrating an underlying stylistic consistency these graphs provide useful information about structure in Copland’s music because they confirm striking features of Copland’s thematic and tonal designs.

The analytical literature posits a dichotomy between Copland’s “popular” and “serious” music. Despite different motivic and hannonic structures on the surface, however, these styles are consistent in their underlying use of tonality. Tonics in both styles are defined by the same set of tonicizing techniques; and tonics in both styles serve the same function — to define the changing scale-degree function of pcs that are emphasized in various ways as common to the collections of successive tonics. The most important of these changes in scale-degree function are summarized in pitch-class continuity graphs that show the relation of the changes to thematic and harmonic form. Detailed analyses, which cover two “popular” and two “serious” works by Copland, demonstrate the consistency between the two styles. Besides demonstrating an underlying stylistic consistency these graphs provide useful information about structure in Copland’s music because they confirm striking features of Copland’s thematic and tonal designs. / Arts, Faculty of / Music, School of / Graduate

Informe de Seminario para optar al grado de Licenciado en Historia