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Guo, Xinxin. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2009. / Includes bibliographical references (leaves 73-78). / Abstract also in Chinese. / Abstract --- p.i / Abstract (Chinese Translation) --- p.iii / Acknowledgments --- p.iv / Table of Contents --- p.vi / List of Figures --- p.viii / Romanization and Translation --- p.ix / Limitation of this Thesis --- p.x / Chapter 1. --- Introduction --- p.1 / Approaching the Dolans and their Music --- p.1 / Pre-existing Research --- p.4 / Methodology and Fieldwork --- p.13 / Chapter 2. --- Becoming an “Intangible Cultural Heritage´ح：Cultural Policies of UNESCO and the Chinese Government --- p.21 / UNESCO and its Convention for the Safeguarding of the ICH --- p.22 / Cultural Policies of the Chinese Government and their Implementation --- p.28 / The Central Government´ةs Call for Preserving the Culture of Ethnic Minorities --- p.31 / Transcribing Dolan Muqam --- p.37 / The Local Government´ةs Implementation of Cultural Policies --- p.42 / The Music Videos of Dolan Muqam --- p.46 / Summary --- p.49 / Chapter 3. --- Ketmen vs. Rawap: Transmission of Dolan Muqam in New Contexts --- p.50 / Performance and Farming: Changes in Life of the Older Generation --- p.51 / Learning Muqam: Career Potentials for the Younger Generations --- p.55 / Dolan Muqam Training Classes in Mekit County --- p.57 / The 13th National Young Singers TV Competition on CCTV --- p.60 / Summary --- p.68 / Chapter 4. --- Conclusion --- p.69 / Political Implications of Safeguarding the ICH --- p.69 / Old Tradition and New Transmission --- p.71 / References Cited --- p.73

Wong King-chung. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2005. / Includes bibliographical references (leaves 66-78). / Abstracts in English and Chinese. / Abstract --- p.i / Abstract (Chinese) --- p.ii / Acknowledgement --- p.iii / Table of Contents --- p.v / List of Figures and Tables --- p.vii / Chapter Chapter 1´ؤ --- Introduction / A New Age of Sound --- p.1 / Academic Background and Related Studies --- p.2 / Chinese Music and the Media --- p.4 / The Present Study and Methodology --- p.5 / Chapter Chapter 2´ؤ --- SoundScape of China: The Influence of Ethnomusicology in China in the 1980´ةs / Introduction --- p.8 / From Comparative to Cultural: Chinese Music Scholarship in the Twentieth Century Mainland China --- p.10 / Revealing a Soundscape of Chinese Music´ؤDevelopment of Musical Genre Study --- p.13 / Concluding Remarks --- p.18 / Chapter Chapter 3´ؤ --- Mapping a Soundscape: Analyzing the HUGO CD Catalogue(s) / Introduction --- p.20 / "Classification, Category and Catalogue" --- p.20 / Recording Industry in Hong Kong --- p.22 / Aik Yeh-goh and HUGO Production (HK) Ltd --- p.28 / HUGO'S Label Division --- p.29 / Statistical Analysis of HUGO CD Catalogues --- p.31 / An Aural Map´ؤSoundscape of China --- p.38 / Concluding Remarks --- p.42 / Chapter Chapter 4´ؤ --- Whose Music? The Role of the HUGO CD Catalogue in Chinese Cultural Memory / Introduction --- p.44 / Communication Theory in Studying Recording Industry --- p.46 / Lasswell's 5-W Formula as a System --- p.46 / Lewin's Gatekeeping Theory --- p.50 / The Role of HUGO CD: Imagination of Chinese Music outside Mainland China --- p.52 / Concluding Remarks --- p.54 / Appendix A: Name List of Record Companies in Hong Kong before the 1990's --- p.56 / Appendix B: The Catalogue of the HUGO CDs --- p.58 / Selected Bibliography --- p.66