Submitted by PPG Comunica??o Social (famecos-pg@pucrs.br) on 2018-09-05T11:12:46Z No. of bitstreams: 1 EDUARDO_RODRIGUES_PAGANELLA_DIS.pdf: 1195938 bytes, checksum: 4f6be82c9f9eaa3a8a88835abddf865b (MD5) / Approved for entry into archive by Sheila Dias (sheila.dias@pucrs.br) on 2018-09-06T11:19:02Z (GMT) No. of bitstreams: 1 EDUARDO_RODRIGUES_PAGANELLA_DIS.pdf: 1195938 bytes, checksum: 4f6be82c9f9eaa3a8a88835abddf865b (MD5) / Made available in DSpace on 2018-09-06T11:26:34Z (GMT). No. of bitstreams: 1 EDUARDO_RODRIGUES_PAGANELLA_DIS.pdf: 1195938 bytes, checksum: 4f6be82c9f9eaa3a8a88835abddf865b (MD5) Previous issue date: 2018-07-09 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / The radio reporter activity has changed considerably in recent years in Brazil. The expansion of the radio media to the digital platforms and the transformations promoted by the post-fordist culture impose new challenges to the journalistic practice within the radio's segment. From the perspective of the Political Economy of Communication, this text proposed in this project will analyze the consequences of transformations for the radio reporter work in Rio Grande do Sul. The exam seeks to understand, from the perception of professionals of the past and present, changes in the routines and reflexes of the technological transformations in the activities of radiojournalism. From the holding of focus groups, information and impressions are collected from those who have already performed and from those performing radio reporting practices. The Discourse Analysis procedure will be used to extract perceptions from the old and current reporters, seeking to go beyond what is present in the production practices, and understanding how the professional saw and see within the scenarios of radiojournalism. / A atividade do rep?rter de r?dio se alterou consideravelmente nos ?ltimos anos no Brasil. A expans?o da m?dia radiof?nica para as plataformas digitais e as transforma??es promovidas pela cultura p?s-fordista imp?em novos desafios ? pr?tica jornal?stica dentro do segmento de r?dio. A partir da ?tica da Economia Pol?tica da Comunica??o, a disserta??o proposta neste projeto visa analisar as consequ?ncias dessas transforma??es para o rep?rter de r?dio no Rio Grande do Sul. O exame busca compreender, a partir da percep??o de profissionais do passado e do presente, altera??es nas rotinas e reflexos das transforma??es tecnol?gicas nas atividades de radiojornalismo. A partir da realiza??o de grupos focais, s?o colhidas informa??es e impress?es daqueles que j? executaram e daqueles executam as pr?ticas de reportagem de r?dio. O procedimento de An?lise de Discurso ser? empregado para extrair percep??es dos antigos e atuais rep?rteres, buscando ir al?m daquilo que est? presente nas pr?ticas de produ??o, e compreendendo como o profissional se via e se v? dentro dos cen?rios de radiojornalismo.

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-01-03T21:42:59Z No. of bitstreams: 1 AnaLuciaGomes_DISSERT.pdf: 878826 bytes, checksum: c0d019404cfba669ac9b6aee5eb72d61 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-01-09T15:35:37Z (GMT) No. of bitstreams: 1 AnaLuciaGomes_DISSERT.pdf: 878826 bytes, checksum: c0d019404cfba669ac9b6aee5eb72d61 (MD5) / Made available in DSpace on 2017-01-09T15:35:37Z (GMT). No. of bitstreams: 1 AnaLuciaGomes_DISSERT.pdf: 878826 bytes, checksum: c0d019404cfba669ac9b6aee5eb72d61 (MD5) Previous issue date: 2015-05-28 / A disserta??o investiga as cotas para veicula??o do audiovisual independente brasileiro na TV Paga por meio dos processos de constru??o da Lei 12.485/2011, bem como os seus resultados da programa??o em 2013. Esta Lei ? um marco regulat?rio que, dentre outras coisas, passou a guiar os agentes interessados no audiovisual independente e, aqui, busca-se investigar as marcas das motiva??es, das estrat?gias e tens?es que envolvem estes agentes nos ambientes p?blicos usados para debater o tema e ocupar a programa??o. A an?lise compreende o per?odo entre 1999 e 2013 e ? baseada em refer?ncias bibliogr?ficas e documentais: pesquisas j? realizadas, publica??es em revistas e sites e documentos oficiais resultantes de consultas p?blicas e audi?ncias propostas pelo poder legislativo, pela Ag?ncia Nacional do Cinema e poder Judici?rio. Tamb?m foram observados os relat?rios das Confer?ncias de Cultura e Comunica??o. Por fim, apresentamos dados do cumprimento das obriga??es de programa??o para produ??o independente nacional em 2013: canais e conte?do de espa?o qualificado. Nesta pesquisa utilizamos o conceito de audiovisual independente como sendo o conte?do produzido fora da emissora, canal ou programadora que o exibe, caracteriza??o adotada pelo ?rg?o que regula o setor no Brasil, a ANCINE. Usamos o referencial te?rico-metodol?gico da Economia Pol?tica da Comunica??o com o objetivo principal de identificar as tens?es e pr?ticas desses agentes para compor a programa??o com conte?do independente e nacional. Adotamos as interpreta??es do campo da Comunica??o que trabalham com Gramsci, em conceitos de hegemonia e sociedade civil e o referencial te?rico de Bourdieu (2009) para entendermos a constru??o das representa??es simb?licas na produ??o cultural. A pesquisa ? descritiva, interpretativa e interdisciplinar, usa a t?cnica de an?lise bibliogr?fica e documental com dados prim?rios e secund?rios. Foi poss?vel identificar que os agentes do audiovisual est?o centrados em fatores econ?micos, em detrimento da import?ncia simb?lica que o audiovisual independente brasileiro tem ao ser veiculado em m?dia televisiva. / We investigate the quotas for serving the Brazilian independent audiovisual Pay TV through the construction process and implementation of Law 12.485/2011. We assume that this legislation is a framework for the regulation of agents interested in independent audiovisual. We seek to investigate the motivations, strategies and tensions involving these agents in public places used to discuss the issue and take the schedule. The analysis covers the period between the years 1999 and 2013 and is guided by bibliographical and documentary references, with emphasis on public documentation of the legislature, Ancine, the Conference of Culture and Communication and the Judiciary. We present data of TV programming paid for compliance with quotas for national independent production in 2013. In this research we use the concept of independent audiovisual content to be produced outside the station, channel or the programmer displays. We use the theoretical and methodological framework of the Political Economy of Communication, guided by the concepts of Gramsci (1999), Moraes (2010), Brittos (2004) and Bola?o (2000, 2004), with the main objective to identify the tensions and practices of these agents to make programming with national and independent content. It was observed that the audiovisual agents are focused on economic factors, rather than symbolic importance that the Brazilian independent audiovisual has to be aired on television media. With the construction of protagonists agents of the preparation or implementation of Brazilian law to pay TV, we realize that some consensus was built through political participation in debates environments and also through advertising and marketing strategies of the television economy. They are still strong barriers to mediatic society with many generating influences, especially content, but also consumption and income movement and symbolic goods.