This study comprises the basic of Heraldy and Military insignia of the Lithuanian Armed Forces and the other signs used in the Military. The first part of the study introduces the evolution of the military insignia used at the interwar time by Lithuanian Military Corps and nowadays modern Military insignia as well. Military Heraldy describes and represents the kind of Military Forces, Military corps, specialization even the country that the Military corps belong to. Also reflects the short details of country’s history and culture. Taking the artistical approach understanding of the Military insignia is related to the fine arts (painting, sculpture and graphics) to art of computer graphics (scanning, installation, composition) and communication (information delivery). Insignia of the Lithuanian Armed Forces are created according the rules of Heraldy and confirmed by the commission of the Lithuanian Heraldy. Second part of the study analyses the cumulate material by the angle of the assumption of art cognition. Creation of the Military insignia requires deep knowledge and of art and good skills in practice. Such as tune-up of metal and colour, detail compositions are highly required. Colours and metals are usually selected regarding the Military inheritance. If the Military corps are named on the name of one of the great duke’s of Lithuania, than the colours and metals are taken from the duke’s family blazon. Third part of the study describes the pedagogical experiment... [to full text]

Made available in DSpace on 2014-12-17T15:06:44Z (GMT). No. of bitstreams: 1 PedroGL.pdf: 4055992 bytes, checksum: 07612ef4f6c8a37bccd1cdde0131f320 (MD5) Previous issue date: 2009-01-30 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / This master thesis is an overview of how the Egyptian writing became a ruin, and then was mythunderstood by the Western culture through speculations based on its figurative appeal or by its magical nature this invention results not only in new idea of writing, but also in many graphical experiments which take part in the creation of the Renaissance and Baroque visual identity / A presente disserta??o ? um panorama de como a escrita hierogl?fica eg?pcia se torna uma ru?na e ent?o ? reinterpretada pelo Ocidente atrav?s de especula??es motivadas por seu apelo imag?tico ou por seu car?ter m?gico uma inven??o que resulta n?o apenas numa nova id?ia escrita, transcendental, mas que se desdobra em v?rias experimenta??es gr?ficas que participam ativamente da cria??o da identidade visual do Renascimento e Barroco