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The problem of this research was to compare the ideas of Emile Durkheim and Max Weber concerning the relationship between society and religion. The primary sources for the study were The Elementary Forms of the Religious Life by Durkheim and The Protestant Ethic and the Spirit of Capitalism and The Sociology of Religion by Weber. An effort was made to establish similarities and differences in the views of the two theorists concerning (1) religious influences on social life and, conversely, (2) social influences on religion.

Habil.-Schrif--Wien--Univ., 1999. / Bibliogr. p. 311-349.

This thesis deals with stage adaptation of Emile Zola's novel L'Assommoir. Adapted for the stage in 1879 by William Busnach, L'Assommoir was a hit, especially with the working class. Despite this, because of its supposed weak aesthetic value, the theatrical adaptation has not been recognized by literary history. Notwithstanding, the analysis of the characters and staging of this adaptation bring some interesting points to light. The representation of people at work, daily life, the clever transposition to stage of some of the novel's more daring passages, the use of slang and the choice of realist costumes and decor are novelties that signal a change in the established dramatic code and announce the realism of Andre Antoine.

Thesis--Lunds universitet, 1980. / Errata slip inserted. Includes indexes. Includes bibliographical references (p. 198-209).

Thèse (Ph. D.)--Université du Québec à Trois-Rivières, 2003. / Bibliogr.: f. 334-358.

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Thesis advisor: Christopher J. Kelly / This dissertation is a study of the moral and political significance of the imagination in Jean-Jacques Rousseau's <italic>Emile</italic>. Rousseau attributes to the imagination a pervasive influence over human life, claiming that it "gives birth not only to the virtues and vices, but to the goods and ills of human life" and that its "empire" makes men "good or bad, happy or unhappy on this earth." The dissertation examines the ambivalence of Rousseau's account, and shows how the model "natural education" of Emile depends on the proper handling of the imagination to cultivate virtue and to secure individual happiness. After first establishing what Rousseau means by "natural education" and what its particular goals are, I turn to the threat the imagination poses to the success of that education. Rousseau's attack on the imagination centers on its power to open the human heart to infinite desire. By generating ever-new and ever-expanding desires, the imagination renders men necessary to one another, causing dependence, weakness, and, ultimately, wickedness, and unhappiness. As a principal agent of man's departure from natural self-sufficiency, the imagination is at the center of the process that transforms natural self-love (<italic>amour de soi</italic>) into <italic>amour-propre</italic>, and makes genuine human satisfaction fundamentally elusive. Following these introductory chapters, the remainder of the dissertation argues that, despite this critique, Rousseau in fact relies on the imagination in the successive stages of Emile's moral education to protect his independence and to strengthen those aspects of natural self-love (<italic>amour de soi</italic>) that lend themselves to the cultivation of the social virtues. Tracing the role of the imagination through Emile's education in compassion, justice, natural religion, love, and virtue, I argue that the proper habituation of the imagination proves to be indispensable for securing both happiness and morality, for defending individual autonomy in the context of social life, and for reconciling, to the extent possible, the private and the public good. Moreover, although Rousseau's recourse to the imagination might initially seem to introduce an element of irrationality into Emile's education, Emile's imagination in fact aids his ability to live not only a moral life but also a rational life. In a variety of ways, detailed in the dissertation, Rousseau employs the imagination and its illusions to forestall other more crippling illusions, to reveal the social world and the passions of men for what they truly are, and to make Emile both moderate and wise. Finally, however, while Emile's moral education engages his imagination in the most salutary manner possible, both for himself and for others, it cannot wholly prevent the imagination from giving birth to desires that betray a disruption of natural wholeness. While these desires present a complicated set of issues, in general, they represent the compromise with natural self-sufficiency that is involved in even the most promising moral education. / Thesis (PhD) — Boston College, 2013. / Submitted to: Boston College. Graduate School of Arts and Sciences. / Discipline: Political Science.