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1	A History of Emotions in Spanish American Narrative (Novel and Film): Argentina and Chile 1960-21st Century January 2016 (has links) abstract: Due to its interdisciplinary nature, the history of emotions has engaged much scholarly interest. This project draws from the historical, sociological and philosophical research on emotions to analyze the representation of emotions in narratives from Argentina and Chile. This historical investigation posits that socio-political, cultural and economic forces, which are represented in literature and film, shape emotions and emotional standards. The analysis of Rayuela (1963) by Julio Cortázar and Raúl Ruiz’s Tres Tristes Tigres (1968) is centered on the impact of Existentialism, capitalism and modernity on the construction of emotional standards in urban societies. The impact of militant groups in the shaping of collective emotions in Latin America during the 1960s and 70s is examined in Reina Roffé’s novel Monte de Venus (1973) and Aldo Francia’s film Ya no basta con rezar (1972). The analysis of Alberto Fuguet’s Las películas de mi vida (2002) and Pablo Larraín’s No (2012) sheds light on the paradigmatic shift in the construction of emotional standards resulting from the implementation of neoliberalism through dictatorships as well as the insertion into the globalized consumerist culture by way of technology and media. Finally, this project encourages future research of the emotions in literary and cultural studies of Latin America. / Dissertation/Thesis / Doctoral Dissertation Spanish 2016 Latin American literature Latin American studies Film studies Emotions Emotives Film History Latin America Literature
2	Var känslor tar plats i mytteoretiska perspektiv : Nya frågor utefter känslornas historia / Emotions place in theories of myth : New questions in perspectives of the history of emotions Hedström, David January 2021 (has links) Myths are intimately connected with emotions, but what the nature of the relationship really means, what it is, and how it functions are in many ways vague and unspecified. This is an examination of how, when and where emotions are referenced in theories of myth. The purpose is to point in a direction of possible new questions for future research on emotions and myth. Three major themes, centered around three major theorists of myth, are examined. The first treats perspectives of, and inspired by, Lucien Lévy-Bruhl. It is a theme based around views of myth as creating collective emotions. The second theme, centered around Bronislaw Malinowski, examines theories understanding myth as handling difficult emotions. The third theme deals with perspectives from Claude Lévi-Strauss’s structuralist theory of myth, where myth is seen as mediating contradictions, and thereby also mediating emotions of the contradictions. The three themes are then examined in relation to theories from the burgeoning history of emotions. New theoretical positions, such as the bodily and moral aspects of emotions, are examined and the result suggests that the central connection between myth and emotions could be found in humankind’s ever present concern to regulate, to discipline, and to form expressions of emotions. Myth Theory of myth Lévy-Bruhl Malinowski Lévi-Strauss Emotions History of emotions History of experience Emotives Emotional regimes Emotional communities Moral economy Myt Mytteori Lévy-Bruhl Malinowski Lévi-Strauss Känslor Känslornas historia Erfarenhetshistoria Känsloregimer Känslogemenskaper Moralisk ekonomi Religious Studies Religionsvetenskap

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A History of Emotions in Spanish American Narrative (Novel and Film): Argentina and Chile 1960-21st Century

Var känslor tar plats i mytteoretiska perspektiv : Nya frågor utefter känslornas historia / Emotions place in theories of myth : New questions in perspectives of the history of emotions