Thesis (M. Phil.)--University of Hong Kong, 1977. / Also available in print.

No description available.

Wang, Wenjia. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2009. / Includes bibliographical references (p. 163-173). / In English with some Chinese; abstract also in Chinese. / Abstract of Calligraphy in the Context of Woodblock-printed Books: --- p.1 / Table of Contents: --- p.5 / List of illustration: --- p.7 / Acknowledgement: --- p.17 / Introduction --- p.18 / Chapter 1. --- Song Dynasty --- p.20 / Chapter 1.1 --- The Universal Acceptance of Yan Zhenqing´ةs Style 顔真卿 and Song-edition Books --- p.20 / Chapter 1.2 --- Liu Gongquan 柳公權 and Fujian Edition --- p.28 / Chapter 1.3 --- Ouyang Xun 歐陽詢 and Jiangzhe Edition --- p.33 / Chapter 1.4 --- Song Xieke Editions 宋寫刻本 --- p.37 / Chapter 1.5 --- The Collection of Eulogies on Kunshan 崑山雜詠 and Huang Tingjian 黃庭堅 --- p.37 / Chapter 1.6 --- Su Shi 蘇軾 and the Literary Anthology of Tao Yuanming 陶淵明集 --- p.39 / Chapter 2. --- Zhao Mengfu 趙孟頫 and Yuan Book Production --- p.42 / Chapter 3. --- Ming Dynasty --- p.51 / Chapter 3.1 --- Palace Edition Books and Zhao Mengfu's Lingering Influence in the Early Ming --- p.51 / Chapter 3.2 --- Wu School Calligraphy and Popular Typeface in the Mid-Ming --- p.52 / Chapter 3.3 --- Shen Zhou´ةs Calligraphy in his Manuscript and the Later Edition of Shen's Anthology --- p.52 / Chapter 3.4 --- "Wu Kuan's Calligraphy, Handwritten Book and His Published Anthology" --- p.56 / Chapter 3.5 --- The Rise of the so-called Song-style Printing Script 宋體字 and Xieke Editions 寫刻 in the Late Ming --- p.62 / Chapter 3.6 --- Liu Rushi´ةs (1618 -1664) Wuyin cao 戊寅草 and the Standard Song-style Printing Script --- p.62 / Chapter 3.7 --- Liu Rushi´ةs Letters 尺牘（1639-40)，“Carved as Written´ح Preface and Mid- and Late Ming's Frenzy for Su Shi's Style --- p.64 / Chapter 3.8 --- Liu Rushi´ةs Hus hang cao 湖上草（1639) and Mid-Ming's Revival of Zhong Yao´ةs 鍾縣 Style --- p.65 / Chapter 3.9 --- Wang Ranming 汪然明 and Liu Rushi´ةs Publication --- p.69 / Chapter 4. --- Qing Dynasty --- p.73 / Chapter 4.1 --- Quange Ti 館閣體 and Siku Quanshu 四庫全書 --- p.73 / Chapter 4.2 --- Zheng Xie's 6 1/2 Script 六分半書 and His Self-designed Books --- p.75 / Chapter 4.3 --- "The Rise of Evidential and Epigraphical Studies and its Impact on Calligraphy and Printing, Wu Dacheng & the Analects in Seal Script" --- p.83 / Chapter 5. --- Conclusion --- p.86 / Chapter 6. --- Illustrations --- p.88 / Chapter 7. --- Bibliography --- p.163

Thesis (Ph. D.)--Friedrich Wilhelms-Universität, 1905.

This thesis deals with rebuilding of a laboratory manipulator to 3D engraving machine. First part of the thesis describes the engraving technology and lists the most common types of engraving machines. Next, the initial state of the machine is analysed and modifications of mechanical and electrical equipment are suggested. Design, realisation of a control system and human machine interface are described. The Beckhoff TwinCAT programming environment is used. The last part of the thesis deals with practical realisation and commissioning of the machine. The results of the thesis can be used as an addition for lessons of Automation of Production Machines.

No description available.

No description available.

Inaug.-Diss.--Halle. / Lebenslauf. "Diese Dissertation ist gleichzeitig als Broschüre im Verlag Carl Nieft ... erschienen." "Literaturverzeichnis": p. 88-92.

Thesis (M.F.A.)--University of Central Florida, 2008. / Adviser: Carla Poindexter. Includes bibliographical references (p. 24).

Orientador: Luise Weiss / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-26T15:14:36Z (GMT). No. of bitstreams: 1 Freitas_LiviaDinizAyresde_M.pdf: 192959261 bytes, checksum: 6f5b051e45d519fcc885cc50dd2a6812 (MD5) Previous issue date: 2014 / Resumo: Esta dissertação consiste no desenvolvimento de uma pesquisa teórico-prática acerca da identidade na contemporaneidade. Explorando graficamente a temática da autorrepresentação, a pesquisa apresenta paralelos entre o trabalho prático produzido e outros trabalhos que têm sido desenvolvidos no país e no mundo sobre a temática em questão. A pesquisa engloba, também, questões referentes às técnicas experimentadas, que transitam entre gravura e processos fotográficos antigos. O percurso dessas técnicas coincide com a história da imagem impressa, partindo da xilogravura até experiências com fotografia analógica. Foram feitas cerca de quatrocentas impressões diferentes, durante um período de, aproximadamente, dois anos, em que todas as imagens produzidas são autorretratos. A partir dessas impressões, foi possível estabelecer um diálogo entre teoria e prática, sendo que cada conjunto de imagens corresponde a uma ou mais questões levantadas ao longo da pesquisa / Abstract: This dissertation is to develop a theoretical and practical research on identity in contemporary society. Graphically exploring the theme of self-representation, research shows parallels between the produced handy work and other work that has been developed in the country and the world on the topic in question. The survey also includes questions relating to the experienced technical, transiting between printmaking and old photographic processes. The route of these techniques coincides with the history of the printed image, starting from the woodcut to experiment with film photography. About four hundred different impressions were made over a period of approximately two years in which all the images produced are self-portraits. From these impressions, it was possible to establish a dialogue between theory and practice, with each set of images corresponds to one or more issues raised during the research / Mestrado / Artes Visuais / Mestra em Artes Visuais