Submitted by Erika Demachki (erikademachki@gmail.com) on 2015-03-23T20:57:54Z No. of bitstreams: 2 Dissertação - Nilza Eliane Afonso de Souza Quintiliano - 2014.pdf: 17660497 bytes, checksum: a87a5cbf90ec1dc065c1fa00f87f53b0 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Approved for entry into archive by Erika Demachki (erikademachki@gmail.com) on 2015-03-23T20:59:28Z (GMT) No. of bitstreams: 2 Dissertação - Nilza Eliane Afonso de Souza Quintiliano - 2014.pdf: 17660497 bytes, checksum: a87a5cbf90ec1dc065c1fa00f87f53b0 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Made available in DSpace on 2015-03-23T20:59:28Z (GMT). No. of bitstreams: 2 Dissertação - Nilza Eliane Afonso de Souza Quintiliano - 2014.pdf: 17660497 bytes, checksum: a87a5cbf90ec1dc065c1fa00f87f53b0 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Previous issue date: 2014-08-29 / This research presents reflections on the investigation and construction of one poetic in engraving based on the characteristics and potential of the leather as a alternative material. Linked to line search Poetics Visuals and Process of creation has as its theme, Impressions: one look poetic about Montes Claros. It consist research of bibliographic on the subject, field research, the technique - engravings on matrix of leather - analysis and display of works produced. The study also proposes reflections on the cultural identity of the city of Montes Claros - MG from their visualities, searching to understand, how the language of the engraving, a poetic construction through the leather can to represent the city and also to what extent these same elements have the power to invent, build, confirm, alter and or sustain this identity. / Esta pesquisa apresenta reflexões sobre a investigação e a construção de uma poética em gravura baseada nas características e potencialidades do couro como material e suporte alternativo. Vinculada à linha de pesquisa, Poéticas Visuais e Processos de Criação, tem como tema Impressões: um olhar poético sobre Montes Claros. Constitui-se de pesquisa bibliográfica sobre o tema, pesquisa de campo, execução da técnica – gravuras em matriz de couro - análise e exposição das obras produzidas. O estudo propõe ainda, reflexões sobre a identidade cultural da cidade de Montes Claros, Minas Gerais, a partir de suas visualidades, buscando compreender de que forma a linguagem da gravura, uma poética construída através do couro, poderá representá-la e ainda, em que medida esses mesmos elementos detêm o poder de inventar, construir, confirmar, alterar e ou sustentar essa identidade.

Orientadores: Lúcia Eustáchio Fonseca Ribeiro, Luise Weiss / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-19T14:53:09Z (GMT). No. of bitstreams: 1 Perillo_DaniloRoberto_M.pdf: 101855840 bytes, checksum: 21ae5cefa474ad44a8479f294517fef5 (MD5) Previous issue date: 2011 / Resumo: O presente volume resgata uma trajetória artística que sempre teve neste percurso um intenso diálogo com o corpo humano. Mais do que entender esta relação, o que busco aqui é apresentar parte da história desta pesquisa, explicitando aquilo que a minha visão - parcial e afetiva - permite mostrar, na esperança que as lacunas possam ser preenchidas pelas respostas que o próprio trabalho contém. Trata-se da visão e do texto de um artista / Abstract: This volume takes up an artistic trajectory that has always been this way a dialogue with the human body. Than understanding this relationship, I seek here is to present part of the history of this research, explaining what my vision - partial and affective - to show in the hope that the gaps may be filled by the responses that the work itself contains. It is the vision and the text of an artist / Mestrado / Artes Visuais / Mestre em Artes

Orientador: Marcio Donato Périgo / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-24T05:40:05Z (GMT). No. of bitstreams: 1 Luengo_JoaoCarlos_M.pdf: 60686457 bytes, checksum: dd63a8b55d6d8913a9829b6871b6f0bd (MD5) Previous issue date: 2013 / Resumo: Este trabalho tem por objetivo discutir a poesia da gravura em metal através do registro visual (feito através da observação direta em chapas de ferro preparadas para água-forte) do ambiente urbano do Rio Pinheiros , localizado na capital paulista / Abstract: The main objetctive of this present study is to discus the visual poetry of metal engraving throught the visual register (done directly from observation in iron plates prepared to be etched) of the Rio Pinheiros urban environment in São Paulo / Mestrado / Artes Visuais / Mestre em Artes Visuais

The topic focuses on implementation of the laser technologies onto machining operations, especially in the field of marking. In general, the work deals with problems of laser engraving of data matrix codes in car production. A special attention is devoted to the YAG and CO2 lasers. Experimental part of the work deals with results of laser engraving applied in the process of tampon printing.

A system for the extraction and storage of line and region data from digitized engineering line drawings, first proposed by Watson et.al.[3] and further developed by Bixler et.al.[4], is completed. As a means for the automatic analysis of picture content, a model based recognizer for line patterns is developed. The pattern matcher uses a simple scheme to decompose a line drawing into basic parts: strokes and junctions, and then finds graph isomorphisms between known line pattern models stored in a database and portions of the image line data. Hu's moment invariants [16] are used to match simple shapes and prune the search space. Information about the connectivity of patterns matched in the image is retained, allowing higher level analysis of image content. A second method for calculating a moment signature from line data is presented. This method makes use of a spline approximation of the line data and Legendre polynomials. Some methods for recognizing incomplete line patterns and partially occluded curves are also discussed, and some experiments are performed. / M.S.

No description available.

Orientador: Lygia Arcuri Eluf / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-14T18:57:13Z (GMT). No. of bitstreams: 1 Perigo_MarcioDonato_D.pdf: 27788160 bytes, checksum: 353e03662cb93def75fa9fea1b75b29b (MD5) Previous issue date: 2009 / Resumo: Nesta tese a teoria passa consciente pelo terreno movediço da análise, para o terreno sólido dos fatos. A intenção, os modelos, as referências, a atitude tomada na construção dos trabalhos realizados, e o adensamento de imagens provocaram uma leitura de meus trabalhos formulada agora nesta tese. Esta leitura pretende demonstrar, também através de uma exposição, a importância de um método constituído em um ateliê. Local onde o processo de realização e a construção das ideias de expressão plástica não são lineares, com começo, meio e fim, e possuem derivações poéticas, com um ir e vir sugerindo uma estrutura helicoidal. Partindo de dois procedimentos básicos: um clássico ou acadêmico, realizado através do conhecimento formal e o segundo: espontâneo, feito seguindo critérios subjetivos com relação ao ponto, à linha e à mancha gráfica, escolhemos várias séries de gravuras, projetos realizados em marcenaria e fotos do ateliê. As gravuras, agora apresentadas, foram feitas em um período que abrange 18 anos e intitulam-se Caos Aparente. Durante a pesquisa deste doutorado, esses trabalhos foram escolhidos para buscar um outro significado dos sinais gráficos. / Abstract: In this dissertation, theory runs consciously through the volatile terrain of analysis toward the solid terrain of facts. The intention, models, references and attitude taken in constructing the artwork as well as the deeper working on the images provoked a reading of my work that is formulated in this dissertation. Besides the exhibit, this reading intends to demonstrate the importance of a method constituted in a workshop a place were the process of creation and the construction of ideas of plastic expression are not linear going from beginning, then the middle to the end. Rather there are poetic derivatives, within a coming and going that suggests a helical structure. Various series of prints were chosen among projects that were conducted and among workshop photographs; from these, two basic procedures were the starting point, the first being a classical or academic procedure, conducted by means of formal knowledge and the second being spontaneous, undertaken according to subjective criteria in relation to the point, line and graphical smear. The prints that are presented were produced over a period of 18 years and they have been named Apparent Chaos. During this doctoral study, these works were chosen as a means of signifying the graphic sign. / Doutorado / Artes Visuais / Doutor em Artes

萬曆四十七年（1619），會稽文人王驥德（1540-1622）刊印出版了《元人古雜劇二十種》（或稱《古雜劇》），該書彙集元代雜劇20篇，并配有精美的版畫插圖，《唐明皇秋夜梧桐雨》即為其中的第17篇。 / 作為晚明徽派版畫風格的典型例證，顧曲齋所刊《唐明皇秋夜梧桐雨》中的4幅版畫插圖，可與明代中晚期蘇州地區職業畫家的人物故事畫作品進行比勘。筆者基於比對結果，運用圖像學理論，提出徽派版畫系仇英風格人物畫在版畫中餘續的假說。不僅如此，白樸(1226-1306後)《唐明皇秋夜梧桐雨》這一劇目本身即包含著明皇故事的文學創作傳統，且與之對應的明皇题材故事畫作亦廣受歡迎。尤其在明代，明皇題材故事畫與蘇州地區的商業創作緊密相關，為版畫的創稿提供了豐富的圖像資源。 / 最後，筆者通過對顧曲齋本《唐明皇秋夜梧桐雨》圖文關係及刊刻者王驥德個人經歷的考察，證實《古雜劇》的商品屬性及刊刻者所掌握的圖像資源。最終解答版畫史上關於徽派版畫風格來源問題：版畫繪刻者深受仇英人物畫風格的影響，或直接對部份畫作進行圖像挪用。同時亦說明在晚明江南，文人積極參與商業活動為文學與藝術兩個領域所帶來的雅俗標準的變更。 / In the 47th year of Wan-li, Wang Jide (1540-1622), a literatus in Guiji County, published the anthology of Yuan comedies named Guzaju in his personal printing house Guquzhai. In this book, he compiled 20 plays written in the Yuan dynasty with beautiful book illustrations. Rain on the Phoenix Tree was the 17th play in this book. / The illustrations for Rain on the Phoenix Tree in Guzaju were good examples for “Hui School of woodblock prints. Compared these woodcuts with those in the same style and paintings existing in the same period, I argued that the “Hui School of woodblock prints actually followed the style of narrative paintings made by Qiu Ying. Moreover, the story of the Tang emperor Minghuang has become a popular theme in the field of both Chinese literature and painting. Those traditions not only contributed to the birth of Bai Pu’s (1226-1306) comedy Rain on the Phoenix Tree, but also prided fruitful paintings as patterns for the professional painters like Qiu Ying. Since Qiu’s work prevailed the painting market in Jiangnan, thousands of narrative paintings including the theme of emperor Minghuang followed Qiu’s style. These paintings acted as commercial products as well as pictorial drafts for the engravers in late Ming. / Finally, the form of Guzaju and Wang Jide’s publication activities both showed that Wang, as owner of Guquzhai, aimed to use the illustrations to cater to the market and he did conversely get the pictorial resources from the market. Besides, the booming commercial trade of paintings in Jiangnan helped us finally get the answer for the origin of “Hui School of woodblock prints as well as showing the transformation of art criteria in the late Ming dynasty. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 賴妮. / "2013年7月". / "2013 nian 7 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2013. / Includes bibliographical references (leaves 86-95). / Abstract in Chinese and English. / Lai Ni. / 致謝 / 論文摘要 --- p.i / 緒論 --- p.1 / Chapter 第一章 --- 顧曲齋刊《古雜劇·唐明皇秋夜梧桐雨》插圖的風格來源 --- p.6 / Chapter 第一節 --- 顧曲齋刊《古雜劇·唐明皇秋夜梧桐雨》插圖的風格來源問題 --- p.7 / Chapter 第二節 --- 顧曲齋刊《古雜劇·唐明皇秋夜梧桐雨》插圖風格來源試探 --- p.10 / 小結 --- p.25 / Chapter 第二章 --- 《唐明皇秋夜梧桐雨》的圖文傳統 --- p.27 / Chapter 第一節 --- 白樸《唐明皇秋夜梧桐雨》的故事來源 --- p.27 / Chapter 第二節 --- 明皇題材繪畫作品的特點 --- p.35 / Chapter 第三節 --- 人物故事畫傳統中的明皇故事圖 --- p.40 / Chapter 第四節 --- 明皇故事畫在明代江南地區的流傳與創作 --- p.47 / 小結 --- p.50 / Chapter 第三章 --- 《古雜劇·唐明皇秋夜梧桐雨》的刊刻背景 --- p.53 / Chapter 第一節 --- 顧曲齋刊《古雜劇》的商品屬性 --- p.54 / Chapter 第二節 --- 流通的私藏·雅化的俗曲 --- p.59 / Chapter 第三節 --- “棄儒就賈與通俗文化生產 --- p.67 / 結論 --- p.74 / 附表1 --- p.77 / 附表2 --- p.82 / 附表3 --- p.83 / 附表4 --- p.85 / 參考書目 --- p.86 / 圖版目錄 --- p.95 / 圖版 --- p.105

This thesis presents a close comparison of Augustus Charles Pugin's illustrations for Paris and its Environs and Gustave Doré's illustrations for London: A Pilgrimage. This comparison will reveal what is distinctive about each publication. To achieve this, the thesis begins with a consideration of how these illustrated books fit into the oeuvres of the artists and writers involved, and how the works were subsequently received. The thesis then seeks to discover the ways the books adhere to the picturesque and Realist aesthetic modes. A comparison of the representation of social and political issues within the publications reveals how the city is either celebrated or critiqued in them. This is extended by a comparison with other English views of Paris and French views of London. The thesis concludes with the suggestion that the works under consideration are akin to illustrated guidebooks and novels. The illustrations themselves form the primary evidence for this comparison, supplemented by the accompanying written texts and other sources - including contemporary periodicals and biographical material. Paris and its Environs is a significant work within Pugin's oeuvre and shows how he created a view of Paris which would appeal to the tastes and aspirations of his readers. With London: A Pilgrimage, Doré created a view of London which would entertain his English audience but challenge them at the same time.

In my thesis, I explore William Blake's technique of combining word and image in his practice of engraving. The unity of text and image is deeply related to his unique mythology and concept of infinity. Blake's artistic theories and practices, such as his emphasis on the line as the most essential artistic element, are reflective of his understanding of art in relation to human perception and imagination. The interaction of his words and images provides a space of imaginative engagement for the reader, which opens the doors of perception and creates the possibility of revealing infinity.