Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-06-23T19:41:35Z No. of bitstreams: 1 WagnerGuedesKerller_DISSERT.pdf: 1155917 bytes, checksum: 73aa89b14759deb3d0ac64cfd4429d10 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-06-27T18:55:06Z (GMT) No. of bitstreams: 1 WagnerGuedesKerller_DISSERT.pdf: 1155917 bytes, checksum: 73aa89b14759deb3d0ac64cfd4429d10 (MD5) / Made available in DSpace on 2016-06-27T18:55:06Z (GMT). No. of bitstreams: 1 WagnerGuedesKerller_DISSERT.pdf: 1155917 bytes, checksum: 73aa89b14759deb3d0ac64cfd4429d10 (MD5) Previous issue date: 2015-05-29 / A proposta desta disserta??o ? analisar a obra dramat?rgica do autor b?lgaro Elias Canetti, composta pelas pe?as O Casamento, Com?dia da Vaidade e Os que t?m a hora marcada, procurando compreender como as teorias cr?ticas da contemporaneidade atuam em sua trilogia, buscando um di?logo com referenciais te?ricos que justifiquem sua aproxima??o ao p?s-modernismo. Entretecendo os apontamentos e o teatro de Canetti com os conceitos filos?ficos da ?est?tica negativa? de Adorno, percebe-se um espa?o para a reflex?o de teorias que se sucederam, como as rela??es de poder de Foucault, presentes em Microf?sica do poder e os discursos de resist?ncia e poder desenvolvidos por Deleuze e Guatarri em Mil Plat?s e O Anti-?dipo. Apesar de suas obras terem sido escritas entre 1932 e 1956, todas apresentam uma cr?tica exasperada ao modernismo e caracter?sticas que n?o auxiliaram o seu reconhecimento pela cr?tica da ?poca, o que fez com que a dramaturgia de Canetti fosse redescoberta ap?s o autor receber o Pr?mio Nobel em 1981. / The purpose of this dissertation is to analyse the dramaturgic work of the Bulgarian author Elias Canetti, composed by the plays The Wedding, Comedy of Vanity and Their Days are Numbered, seeking to comprehend how the contemporary critic theories act on his trilogy, making a dialogue with theoretical references which may justify its approaching to the postmodernism. In this perspective, the theories by Jean-Fran?ois Lyotard, Fredric Jameson and J?rgen Habermas contribute for a better comprehension of the postmodernity phenomenon. Undertaking Canetti?s notes and theatre with the philosophical concepts of Adorno?s negative aesthetics, we realise there is a space to reflect upon the theories which befell, like Foucault?s power relations in Micro-physics of Power and the discourses of resistance and deterritorialisation developed by Deleuze and Guattari in A Thousand Plateau and Anti-Oedipus. Even though Canetti?s plays were written between 1932 and 1956, all of them show a strong critic against modernism, and their characteristics did not help their recognition by the critics, which resulted in a rediscovery of Canetti?s plays after the author won the Nobel Prize in 1981.