Submitted by PPG Comunica??o Social (famecos-pg@pucrs.br) on 2018-09-14T17:40:03Z No. of bitstreams: 1 JOS?_AUGUSTO_BANDEIRA_DE_BARROS_DIS.pdf: 2815766 bytes, checksum: 2caa0ff7e4d45316b1d487eedbb605ba (MD5) / Approved for entry into archive by Sheila Dias (sheila.dias@pucrs.br) on 2018-09-17T14:51:41Z (GMT) No. of bitstreams: 1 JOS?_AUGUSTO_BANDEIRA_DE_BARROS_DIS.pdf: 2815766 bytes, checksum: 2caa0ff7e4d45316b1d487eedbb605ba (MD5) / Made available in DSpace on 2018-09-17T16:28:49Z (GMT). No. of bitstreams: 1 JOS?_AUGUSTO_BANDEIRA_DE_BARROS_DIS.pdf: 2815766 bytes, checksum: 2caa0ff7e4d45316b1d487eedbb605ba (MD5) Previous issue date: 2016-08-25 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / This work has as its theme the Stars outskirts section, the Di?rio Ga?cho newspaper, which revolves around music artists living on the outskirts of Porto Alegre and the Metropolitan Region. The goal is to see how the outskirts of musicians, who had no space in the media before and who are the section of object to be published, reacted before having their stories published there. How was the process of publishing such reports and what happened to them after the publication of their reports, or what did not happen, are questions to be answered as well. The goal is also to check the news and social importance of the vehicle in order to give a fixed, weekly space for artists of all genres, which had no disclosure in traditional media until then. Aiming to represent or take a look in the analysis, we selected five artists at different times, which were the subject of materials in Stars outskirts, between 2009, when the section began, and 2016. Funk Representatives, pop, pagoda and frontiersman, who were interviewed in person and by email, told their stories before they have their material published and brought impressions and facts to support what happened next. After contextualizing journalism, popular journalism, and talking about popular newspapers in the world and the country in the first chapters, research dissects the history o Di?rio Ga?cho newspaper, its peculiarities as popular newspaper and its operation. Ahead, the work tells the story of the emergence of the section that gives space to the outskirts of artists, explains its various stages and shows the changes that Outskirts of Stars spent over seven years. In the interviews, the dissertation tries to analyze critically how the newspaper treated the artists in their stories, if the journal monitorized them and the progress that they had or not after the publication. In order to understand how artists saw themselves before the matter, which was his speech, this dissertation bails conceps used by Dominique Maingueneau in Discourse Analysis, which argues that the speaker's speech reveals the image he gives us a glimpse of himself in process. We identified through this analysis that the paper fulfills a social function more than proper news, aiming to make room for the young artists of the periphery as it does not apply some journalistic rigor to accompany them after the publication of their materials, for example. The newspaper also highlights his social front paper the reader when you try an even closer relationship with your community, by publishing stories outskirts of artists, beginners, who are often neighbors that reader who buys daily newspaper, making it sees in the newspaper, seeing that their community is "perceived" by the communication vehicle. / Esta disserta??o tem como tema a se??o Estrelas da Periferia, do jornal Di?rio Ga?cho, que gira em torno de artistas da m?sica que vivem na periferia de Porto Alegre e da Regi?o Metropolitana. O objetivo ? verificar como m?sicos de periferia, que n?o tinham espa?o na m?dia anteriormente, que s?o objeto de mat?ria da se??o, se divulgavam antes de ter suas mat?rias ali publicadas, como se deu o processo de publica??o de tais reportagens e o que aconteceu com eles ap?s a publica??o de suas reportagens, ou o que n?o aconteceu. Ainda, verificar a import?ncia jornal?stica e social do ve?culo ao dar um espa?o fixo, semanal, para artistas de todos os g?neros que n?o dispunham de divulga??o em m?dias tradicionais at? ent?o. Como recorte para a an?lise, selecionamos cinco artistas em diferentes ?pocas, que foram objeto de mat?rias em Estrelas da Periferia, entre os anos de 2009, quando a se??o come?ou, at? 2016. Representantes de funk, pop, pagode e sertanejo, que foram entrevistados pessoalmente e por e-mail, relataram suas hist?rias antes de terem suas mat?rias publicadas e trouxeram impress?es e fatos para sustentar o que aconteceu depois. Depois de contextualizar jornalismo, jornalismo popular, de falar sobre jornais populares no mundo, e no pa?s, nos primeiros cap?tulos, a pesquisa esmi??a a hist?ria do jornal Di?rio Ga?cho, suas particularidades enquanto jornal popular e seu funcionamento. Adiante, o trabalho conta a hist?ria do surgimento da se??o que d? espa?o para artistas de periferia, explica suas diversas fases e mostra as mudan?as pelas quais passou ao longo de sete anos. Nas entrevistas, a disserta??o procura analisar, de maneira cr?tica, como o jornal tratou os artistas em suas mat?rias, se fez acompanhamento deles depois e se a evolu??o que eles apresentaram, ou n?o, foi efeito. Para entender como os artistas se viam antes da mat?ria, qual era o seu discurso, essa disserta??o se socorre do conceito utilizado por Dominique Maingueneau, em An?lise do Discurso, que defende que o discurso do orador revela a imagem que ele deixa entrever de si no processo. Identificamos, nessa an?lise, que o jornal cumpre uma fun??o mais social do que propriamente jornal?stica ao dar espa?o para os artistas iniciantes de periferia, pois n?o aplica alguns rigores jornal?sticos ao acompanh?-los depois da publica??o de suas mat?rias, por exemplo. O jornal ainda ressalta seu papel social frente ao leitor quando tenta uma aproxima??o ainda maior com sua comunidade, ao publicar hist?rias de artistas de periferia, novatos, que s?o, muitas vezes, vizinhos daquele leitor que compra diariamente o jornal, fazendo com que ele se enxergue, vendo que sua comunidade ? ?percebida? pelo ve?culo de comunica??o.