Texte remanié de: Dissertation--Universität Göttingen, 1999. / Bibliogr. p. 472-488. Liste des ouvrages publiés chez H. Goverts Verlag de 1935 à 1950 p. 445-471. Index.

Zugl.: Bielefeld, Univ., Diss., 2008

Proefschr. Rijksuniversiteit Groningen. / Auteursnaam op omslag gedrukte versie: Menno Rol. Met lit. opg. en index. - Met samenvatting in het Nederlands.

Diss. : Katholisch-theologische Fakultät : Bonn : 1982. - Bibliogr. p. 326-339. -

Thesis (doctoral)--Vrije Universiteit te Amsterdam. / At head of title: Vrije Universiteit te Amsterdam. Summary in English. Includes bibliographical references (p. 252-256).

No description available.

<p>The aim of this essay is to examine the relationship between picture and room, between wallpainting and architecture. The basis for such exploration is the mural painting in Sweden at the turn of the 20th century, and the artist in focus is Prince Eugen (1865-1947).</p><p>His works "Sommar"(1904), "Rimfrosr"(1909) & "Staden vid vattnet"(1922) and the rooms in which they are in make for an anlysis concerning how the totality of the space is experienced by the viewer.</p><p>The main issue in mentioned expeience is how the mural is perceived with regard to the other elements in the room. And here, the walls' "flatness" enhancing its decorative qualities plays in. The problem with a mural built on the principles of perspective becomes evident when a wall is seen to vanish through the painting of an illusion on it.</p>

The aim of this essay is to examine the relationship between picture and room, between wallpainting and architecture. The basis for such exploration is the mural painting in Sweden at the turn of the 20th century, and the artist in focus is Prince Eugen (1865-1947). His works "Sommar"(1904), "Rimfrosr"(1909) &amp; "Staden vid vattnet"(1922) and the rooms in which they are in make for an anlysis concerning how the totality of the space is experienced by the viewer. The main issue in mentioned expeience is how the mural is perceived with regard to the other elements in the room. And here, the walls' "flatness" enhancing its decorative qualities plays in. The problem with a mural built on the principles of perspective becomes evident when a wall is seen to vanish through the painting of an illusion on it.

Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-09-21T12:39:02Z No. of bitstreams: 1 tatieneciribellisantos.pdf: 683394 bytes, checksum: 7e6ec1f572819a93aaaf103ed1632af0 (MD5) / Approved for entry into archive by Diamantino Mayra (mayra.diamantino@ufjf.edu.br) on 2016-09-26T20:26:43Z (GMT) No. of bitstreams: 1 tatieneciribellisantos.pdf: 683394 bytes, checksum: 7e6ec1f572819a93aaaf103ed1632af0 (MD5) / Made available in DSpace on 2016-09-26T20:26:43Z (GMT). No. of bitstreams: 1 tatieneciribellisantos.pdf: 683394 bytes, checksum: 7e6ec1f572819a93aaaf103ed1632af0 (MD5) Previous issue date: 2010-08-26 / A Igreja Católica Apostólica Romana entende a vocação para a vida religiosa (como no caso de padres, freiras, irmãos consagrados) como um chamado específico somente para alguns homens e mulheres especiais. Esta vocação é fundamentada pela existência de três votos obrigatórios: a pobreza, a obediência e a castidade. Aqueles que são chamados para esta função são compreendidos como especiais a partir de Deus. Porém, Eugen Drewermann, em sua obra Funcionários de Deus, problematiza este modelo ideal. A partir da Psicologia Profunda, ele busca entender os motivos psicológicos inconscientes que levam um jovem a buscar como opção de vida a vocação religiosa. Partindo das constatações feitas pelo autor, o objetivo desta pesquisa é analisar algumas questões, como os motivos que levam um jovem a buscar como ideal de vida a opção pelo sacerdócio na Igreja Católica, quais aspectos psicológicos interferem nesta escolha, como se sente quem se julga chamado, verificar o seu entendimento a respeito dos três conselhos evangélicos e discutir as propostas feitas à Igreja Católica para que os conflitos vivenciados pelos “eleitos” sejam minimizados. / The Roman Catholic Church understands religious vocation (as in the case of priests, nuns and consecrated brothers) as a specific calling for only a few special men and women. This vocation is established by the existence of three binding vows: poverty, obedience, and chastity. Those who are called to this function are comprehended as special from God. However, Eugen Drewermann, on his work "God's Servants", renders problematic this ideal model. Through Depth Psychology he seeks to understand the unconscious psychological motives that lead a young person to look for religious vocation as a way of life. Proceeding from the author's statements, the purpose of this research is to examine some issues, like the reasons that lead a young person to look for priesthood on the Catholic Church as a way of life, what psychological aspects affect this choice, and how does it feel for someone who judges himself called, to verify his understanding about the three evangelical counsels and to consider proposals made to the Catholic Church in order to minimize the conflicts experienced by the “elected”.

The topic of this diploma thesis is to prove the author's deep roots in the Romanian literary tradition (Urmuz, I. L.Caragiale), to try to prove that the poetics of his famous plays is actually contained in his work from the 30's and echoes of his personal and artistic experience from Romania can be also found in his French mature creative period. Therefore, Ionesco's writings will be compiled for the first time in our country in its wholeness since Czech and Occidental interpreters and comentators have mostly ignored the author's Romanian period of creation. Key Words Eugen Ionescu, Eugène Ionesco, Romanian literature 20th century, French literature 20th century, The Theatre of the Absurd, Romanian literaly exile