Thesis (Ph.D.)--University of Wollongong, 2005. / Typescript. Includes bibliographical references: leaf 224-250.

Freie Univ., Diss.--Berlin, 2001. / Literaturverz. S. 227 - 236.

This study is an examination of the protagonists in Evelyn Waugh's Decline and Fall, A Handful of Dust, and Brideshead Revisited. The purpose of this study is to show how each novel displays the same type of character progressing towards heroism. This type of heroism is explained by using Carol Pearson's The Hero Within: Six Archetypes We Live By. Using Pearson's archetypes to discuss these protagonists gives one a better understanding of the characters and their development as they move towards self-knowledge. The introduction explains the term hero and gives a brief review of Pearson's book. Chapters two, three and four are each devoted to one of the specified novels and contain an examination of how the protagonist progresses through Pearson's archetypes. Chapter five is the conclusion, which summarizes this study and states the usefulness of archetypes in understanding the development of a character, as well as the importance of taking the heroic journey.

Children in modernist literature have been largely ignored in critical study; an odd oversight, since children in Victorian and contemporary literature have been sources of rich material for literary critics. In novels published from 1930 until 1934, Wyndham Lewis, Virginia Woolf, and Evelyn Waugh address the relationships between children/childhood and nostalgia in The Apes of God (Lewis), The Waves (Woolf), and A Handful of Dust (Waugh). Their complicated and often conflicting depictions of childhood and desire for the past reveal children's overlooked importance in British modernism, as well as a lack of singularity in the manifestations of children and nostalgia that is crucial to contemporary understandings of both terms.

Proefschrift Universiteit van Amsterdam. / Met lit. opg. - Met samenvatting in het Engels.

Thesis (M.A.)--Villanova University, 2007. / English Dept. Includes bibliographical references.

Zugl.: Vechta, Hochsch., Diss., 2004

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The late Victorian artist Evelyn De Morgan's paintings have been analyzed and interpreted through the lens of her many stylistic influences by past critics and current art historians. This thesis seeks to restore 19th-century Spiritualism as the central influence on the subject matter and style of De Morgan's paintings. This is particularly true of works concerned with the struggles of mortal life and the moment of death, based on her anonymously published text The Result of an Experiment. Victorian mourning rituals, Spiritualism, and the writings of Swedenborg served to draw out the specific Spiritualist symbols within De Morgan's paintings. A detailed analysis of six paintings concerned with the path of mortal life and death revealed De Morgan's Spiritualist beliefs about a hopeful death after her experiment with spirit communication.