Made available in DSpace on 2016-07-27T13:48:45Z (GMT). No. of bitstreams: 1 Elisa Crispim Paulino Baiocchi.pdf: 458709 bytes, checksum: 7477f529dc22ecbcf7b91113fd77a024 (MD5) Previous issue date: 2003-12-31 / The present work comes as a research object of the adult population of streets in Goiânia, here represented by adult individuals that, independently of color, sex, religious creed, they present them selves with broken family relationships or in imminence of it. They make the urban public space their home. In the rise of XXI century on behalf of the modern capitalism, Goiânia comes across it s fragility in social attendance politics and welcomes in it s streets the homeless in absolute poverty. Although they seem to possess nothing, they bring inside themselves the strength that keep them linked to the human race, witch is God. This force always present in their speech is a living presence witch despite all keep them linked to their human identity. The rupture or misadjust of family tides shown in this work as one of the factors that make them go to the streets, as well as chemical dependence deserve future deep thoughts. Although the respect that the adult street population of Goiânia show to the Institutional Religion, they do not follow it s beliefs. This is the effect of centuries of religious creed making presence in the cultural and religious world of homeless in Goiânia. Faith in God transcends the churches and the institutional walls. / O presente trabalho aborda como objeto de pesquisa a população adulta de rua de Goiânia, aqui representada por indivíduos adultos que, independentemente da raça, da cor, do sexo, do credo religioso, da etnia, estão com os vínculos sociais e familiares rompidos ou na iminência de rompê-los e fazem do espaço público urbano, sua moradia. Em nome da modernidade capitalista, em pleno século XXI, Goiânia depara-se com sua fragilidade no âmbito da política de assistência social e "acolhe" em suas ruas os filhos da miséria absoluta. São pessoas que embora nada pareçam possuir, trazem dentro de si uma grande força, a crença em Deus, que os mantém ligados à raça humana. Essa mesma força, representada em seus discursos O faz presença viva e é o sustentáculo para manutenção de sua identidade de ser humano. O rompimento e/ou desajuste familiar abordado nesse trabalho como um dos fatores propiciadores à ida do indivíduo às ruas, bem como a dependência química, merecem futuras reflexões em águas mais profundas. Quanto à religião institucional, a população adulta de rua em Goiânia, embora a respeite ao dizer ser ela importante, não se prende a seus dogmas. É o reflexo da secularização marcando sua presença no mundo cultural religioso das ruas em Goiânia: sua fé e crença em Deus transcendem as paredes institucionais.

The master's thesis deals with famous Notre-Dame de Paris, which was destroyed by fire in 2019. The work focuses specifically on the design of completion of the construction. The cathedral is situated in the historical centre of Paris on the Île de la Cité. A lot of damage was caused to the building after the devastating fire on 15 April 2019. The aim of the thesis was to create a spiritual place that would maintain its past, but at the same time manage to follow ecological solutions in the present. The new design of the attic creates a sacred place, in which we realize the importance of faith and the peace of God. The cathedral is open to the general public ? religious people from all over the world come here to experience the love, joy and happiness that the cathedral invokes. The whole attic can be described as an open space, which symbolizes infinity or immortality from the religious point of view. It represents the connection of the past, present and future. The space is designed to hold priestly celebrations and to be open for the public. It can also be used for various events, such as exhibitions of sculptures that survived the fire.

Jarmila Jelínková - Self-devotion women motive showed on the "Breaking the waves" scenerply Abstract The article analyzes the character of Bess in the script of Lars von Trier and Vivian Nielsen's drama Breaking the Waves. The portrayal of Bess' behavior, life, and relationships to her husband, the church and God are interpreted from the perspective of feminist theology as introduced by Isabel Carter Heyward. The main message of the play is the parallel to Jesus' sacrifice of pure altruism leading towards physical self-destruction; other possible interpretations offered in the article are the images of self-sacrifice as a type of mystical obsession or as a type of internalized manipulation conveyed by means of discursive power. Keywords: faith in God, self-sacrifice, power, freedom, feminist theology, Lars vor Trier, Vivian Nielsen.

Relational theology became a major voice in the theological conversations of the twentieth century and now in the twenty-first century it is poised to become the major influence in doctrine of God discussions. Relational theology argues for a model of God that emphasizes a dynamic interaction between God and the cosmos. Reformulating the divine nature contra Classical theism, Relational theology instead includes images of God as sympathetic, mutable, limited in power and knowledge, creative, and as a risk-taker. The assertion is that such images or metaphors for the divine are necessary rightly to understand and discuss God's relationality with the world. This thesis argues that given the relational nature of God the metaphor of faith should be added to the list of God's attributes. The thesis begins by discussing issues of methodology then reviewing Relational theology in the forms of process and open theism as contrasted with Classical theism. This is followed by explorations of various depictions of faith as found in the Old Testament and New Testament. Faith is also examined theologically and philosophically as including the elements of belief, trust, hope, and risk. It is then argued that faith has a decidedly relational nature in that faith most properly takes place between persons. The crux of the thesis is the development of a theology of divine faith. Because humans are free, God is limited, and creation has a purpose, the argument is made that God relates to the world through faith. A case for God's faith is developed exegetically and logically through explorations of the concepts of divine belief, trust, hope, risk, and doubt, concluding that faith is a necessary inclusion for Relational theology. Finally, two primary Church doctrines, creation and christology, are explored through a theology of divine faith. God demonstrates divine faith in bestowing an evolving creation with both freedom and a purpose. God has faith in the creation to produce persons who can freely share faith and love with God. The fully kenotic coming of Jesus Christ demonstrates the Father's faith in the Son, the second person of the triune God. The coming and death of Christ also reveals God's faith that the cross will be efficacious in reconciling those who have abused their God-given freedoms. / Sysytematic Theology & Theological Ethics / D. Th. (Systematic Theology)

Relational theology became a major voice in the theological conversations of the twentieth century and now in the twenty-first century it is poised to become the major influence in doctrine of God discussions. Relational theology argues for a model of God that emphasizes a dynamic interaction between God and the cosmos. Reformulating the divine nature contra Classical theism, Relational theology instead includes images of God as sympathetic, mutable, limited in power and knowledge, creative, and as a risk-taker. The assertion is that such images or metaphors for the divine are necessary rightly to understand and discuss God's relationality with the world. This thesis argues that given the relational nature of God the metaphor of faith should be added to the list of God's attributes. The thesis begins by discussing issues of methodology then reviewing Relational theology in the forms of process and open theism as contrasted with Classical theism. This is followed by explorations of various depictions of faith as found in the Old Testament and New Testament. Faith is also examined theologically and philosophically as including the elements of belief, trust, hope, and risk. It is then argued that faith has a decidedly relational nature in that faith most properly takes place between persons. The crux of the thesis is the development of a theology of divine faith. Because humans are free, God is limited, and creation has a purpose, the argument is made that God relates to the world through faith. A case for God's faith is developed exegetically and logically through explorations of the concepts of divine belief, trust, hope, risk, and doubt, concluding that faith is a necessary inclusion for Relational theology. Finally, two primary Church doctrines, creation and christology, are explored through a theology of divine faith. God demonstrates divine faith in bestowing an evolving creation with both freedom and a purpose. God has faith in the creation to produce persons who can freely share faith and love with God. The fully kenotic coming of Jesus Christ demonstrates the Father's faith in the Son, the second person of the triune God. The coming and death of Christ also reveals God's faith that the cross will be efficacious in reconciling those who have abused their God-given freedoms. / Sysytematic Theology and Theological Ethics / D. Th. (Systematic Theology)