Thesis (Ph. D.)--UCLA, 2007. / Vita. Includes bibliographical references (leaves 328-358 ).

Thesis--Albert-Ludwigs-Universität, Freiburg im Breisgau. / Includes bibliographical references (p. 840-866).

Thesis--Albert-Ludwigs-Universität, Freiburg im Breisgau. / Includes bibliographical references (p. 840-866).

Zugl.: Diss.

Thesis (Ph. D.)--Ohio State University, 2005. / Title from first page of PDF file. Document formatted into pages; contains xiii, 136 p.; also includes graphics Includes bibliographical references (p. 131-136). Available online via OhioLINK's ETD Center

Thesis (Ph. D.)--West Virginia University, 2005. / Title from document title page. Document formatted into pages; contains v, 297 p. Vita. Includes abstract. Includes bibliographical references (p. 283-294).

On Christmas Day in 1841, Fanny Hensel presented her husband with a Christmas gift—Das Jahr—a piano cycle comprised of twelve pieces, each one depicting a month of The Year. Not long thereafter, Fanny and husband Wilhelm would collaborate to create a Gesamtkunstwerk, reworking Das Jahr and expanding it by two additional expressions: vignettes drawn into the score by Wilhelm, and epigrams, snippets of poetry by master German poets. This dissertation seeks to answer the question: “What meaning is achieved by the intersection of the three modalities present in Das Jahr: textual (epigram), visual (vignette), and aural (music)?” The methodology considers the broader texts from which the epigrams are drawn in conjunction with Wilhelm’s vignettes and Hensel’s sonic landscape to arrive at an emergent meaning. An informed musical analysis drawing on formal considerations, contour, metaphor in music, topic theory, and harmonic function has been employed to arrive at the interpretation that will be presented. By analyzing these three modalities in conjunction with one another, a compelling narrative emerges, whereby the words of poets, the artwork of Wilhelm, and the aural world of Fanny conjoin to tell a story, one that relies upon the relationship between text, art, and music.

No description available.

With All Due Modesty: The Selected Letters of Fanny Goldstein is an annotated edition of the correspondence of Fanny Goldstein (1895–1961), librarian, social activist, and founder of Jewish Book Week. Goldstein’s accomplishments include building a significant collection of Judaica for the Boston Public Library; compiling some of the earliest bibliographies of Jewish literature in English; evaluating manuscripts for publishers; writing book reviews; and lecturing and writing on a wide range of subjects related to Jews and Judaism. The purpose of the edition is to provide a picture of Goldstein’s life as a Jew, a woman, a librarian, and a social activist and in so doing, to contribute to a more complete understanding of Boston’s Jewish community in the first half of the twentieth century. I have included in the edition both incoming and outgoing letters with a wide range of correspondents, including Charles Angoff, Mary Antin, Isaac Asimov, Alice Stone Blackwell, Felix Frankfurter, Molly Picon, Ellery Sedgwick, and Friderike Zweig. The letters span the years from 1930 to 1960. The edition includes extensive annotation based on Goldstein’s newspaper and magazine articles, pamphlets, book reviews, and other writings; hundreds of Goldstein’s letters not published here; accounts published in the Jewish press and the mainstream press; and correspondence neither written nor received by Goldstein but bearing on her life and work.

No description available.