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This thesis examines the relationships between royal convents and rulers in Saxony from 852 to 1024. The spate of female monasteries founded in Saxony in the ninth and tenth centuries, alongside the close relationships of major convents to the Ottonian dynasty, has led to Saxon female monasticism being described as unique. As such, Saxony's apparently peculiar experience has been used to make comparisons with other regions about the nature of female monasticism, commemoration and the role of women in early medieval societies. This thesis interrogates these ideas by tracking the development of two major royal convents: Gandersheim and Quedlinburg. By reassessing the origins of these convents, and their later rewriting in sources produced by these monasteries, we can consider how their relationships with the rulers of Saxony developed over time, and how their identity and function as royal monasteries evolved as the tenth century progressed. In doing so, this thesis challenges the dominant understanding of these convents as homes of the Ottonian memoria and provides a detailed view of how these institutions became so prominent in Saxony. The thesis is divided into four sections. After introducing the historiographical importance of this topic in the first chapter, in chapter two I assess the origins of the convent of Gandersheim in Carolingian Saxony. Chapter three turns to the rewriting of these origins by Hrotsvitha of Gandersheim in the 970s. Chapter four reconsiders the early history of the convent of Quedlinburg from 936 to 966. Chapter five tracks how the origins of Quedlinburg evolved into a new narrative across the tenth century, culminating in the version provided by the Quedlinburg Annals in 1008. Finally, the concluding section outlines the significance of this thesis for our understanding of early medieval female monasticism and the history of the Ottonian Empire.

Protestant nuns, Stiftsdamen, fulfilled a unique role in early modern Lutheran society. This papers focuses on the implied social roles and expected virtues of Protestant nuns [Stiftsdamen] in the works of male Lutheran pastors who supported Protestant theological positions that promoted marriage as the proper place for women, and yet who also praised unmarried female monastics in funeral sermons [Leichenpredigten]. Lutheran pastors wrote funeral sermons for both Stiftsdamen and married women, funeral sermons display similarities or differences between what virtues, characteristics, and displays of piety for women. A comparison will also be made between funeral sermons for Stiftsdamen and those written for Catholic nuns by Catholic clergy. Convent necrologies, written by Catholic abbesses will also be used to compare what virtues were expected of female religious. Also included is an examination of nuns’ writings about theology, their doctrinal reasons for remaining Catholic, leaving the cloister, and adapting their convent life to fit Lutheran teachings. Damenstiften preserved access for women to positions of authority and self empowerment. These women were, however, different from earlier female religious communities and from Catholic nuns living in other Lutheran areas. Protestant Stiftsdamen had more contact with outside society than cloistered Catholic nuns due to the desire of Lutherans to incorporate these women into their communities. An analysis of the perception of Stiftsdamen by Lutheran pastors and the nuns' consciousness of their own position, duties, and piety is the cornerstone of this new research on gender and religion in early modern Germany. The perpetuation of Protestant convents into the seventeenth century is only briefly documented by historians who focus instead on the religious experience of women in Germany during and directly following the Reformation. Catholic examples of female piety will contribute to the understanding of female religious and their role in society at large. In conclusion, this research displays how Stiftsdamen were praised for the same virtues as early modern married Protestant women and Catholic nuns in funeral sermons, but were not specifically praised as female religious by male Lutheran pastors.

Au VIe siècle, dans le royaume des Burgondes, Avit de Vienne compose une lettre pour sa sœur, la moniale Fuscine. Cette œuvre consolatoire et élogieuse se nomme De consolatoria castitatis laude. Ce texte permet de comprendre la situation particulière dont bénéficie la virgo dans la société chrétienne tardo-antique. Au niveau de son contenu, l’objectif de ce livre sert à montrer à la monacha que le choix virginal représente une forme d’échappatoire et de liberté. Il s’agit d’une réalité que ne connaît pas l’épouse. Les devoirs du mariage, les dangers de la maternité, les tracas du siècle, le veuvage, le deuil, tout cela est inconnu à la vierge parce qu’elle s’écarte des obligations terrestres. L’utilisation de la Bible et de plusieurs références patristiques constituent l’héritage des mentalités religieuses dont s’inspire Avit dans la construction d’un discours orienté sur la distinction socioreligieuse de la virgo. / In the 6th century, in the kingdom of the Burgundians, Avitus of Vienne composes a letter for his sister, the nun Fuscina. This consoling and eulogistic artwork is called De consolatoria castitatis laude. This text generates in us an understanding of the particular context of the virgo in the Christian society of Late Antiquity. Regarding the text, the purpose of the book is to show to the monacha that the virginal choice represents a way of escape and freedom, a reality that the spouse is unaware of. The duties of marriage, the dangers of motherhood, the troubles of the century, the widowhood and the mourning are all unknown to the virgin because she excludes herself to worldly obligations. The use of the Bible and several patristic references shape the legacy of religious mentalities which inspires Avitus in making an oriented speech on the virgo’s socio-religious distinctness.