Thesis (MA (English))--University of Stellenbosch, 2009. / In this dissertation the dominant metaphor for the fusion between the feminine and technology, the cyborg, will be examined through various texts to assess the value the cyborg has for feminism as a tool to exposes the constructedness of boundaries of identity and gender, thereby enabling a reconstruction of a new feminine identity in a subversive and transgressive space. The main themes which will be addressed are those that often feature in feminist science fiction: reproduction, sexuality, the construction of identity and gender through science, culture and ideology, and the power relations between men and women. Other related concepts which will be dealt with are language, self and Other, representation and perspective. Feminist science fiction and theory attempt to destabilise conventional boundaries concerned with gender and identity and the texts which this dissertation deals with are all, to varying degrees, concerned with this destabilisation, each offering a unique perspective on feminine identity and the attempted transformation of current gender categories which will be explored in detailed analysis.

No description available.

Jeanette Winterson’s debut novel Oranges Are Not the Only Fruit is regarded as an epitome of feminist fiction. The novel centres around Jeanette, a young homosexual girl, and her mother Louie who does not accept her daughter’s sexuality. Just like most mothers in feminist fiction Louie is described, by other scholars, as a one-dimensional character who forces normative femininity upon her daughter and defends patriarchal structures. However, this thesis argues that subtle instances of characterisation create tensions in Louie’s character, especially in regard to gender norms and heterosexual norms. Although Winterson’s novel has been explored from several perspectives most scholars focus on Jeanette. Few scholars have attempted to examine Louie and how she is characterised. Thus, Louie’s character is largely unexplored. To analyse Louie, Shlomith Rimmon-Kenan’s narratological theories on characterisation are used, such as characterisation through direct definitions, actions, and speech. By showing that Louie is marked by tensions she is characterised as a mother who both upholds and challenges patriarchal structures. Since Louie cannot only be perceived as an agent of the patriarchy, she is consequently a complex character.

Thesis (Ph. D.)--University of Western Australia, 2006. / Title from PDF title page (viewed on Feb. 9, 2008). Includes bibliographical references (p. 246-263).

Thesis (Ph. D.)--University of Sydney, 1996. / Inscribed by author. Includes glossary, bibliography, and appendices.

Thesis (doctoral)--University of Stockholm, 1985. / Extra t.p. with thesis statement inserted. Includes bibliographical references (p. [157]-166).

This study explores the interaction between feminist science fiction and feminist theory, focusing on the body and embodiment. Specifically, it aims to demonstrate that feminist science fiction novels of the 1990s offer an excellent platform for exploring the critical theories of the body put forward by Judith Butler in particular, and other feminist/queer theorists in general. The thesis opens with a brief history of science fiction's depiction of the body and feminist science fiction's subversions and rewritings of this, as well as an overview of Judith Butler's theories relating to the body and embodiment. It then considers a wide range of feminist science fiction novels from the 1990s, focusing on four key areas; bodies materialised outside patriarchal systems in women-only or women-ruled worlds, alien bodies, cyborg bodies and bodies in cyberspace. An in-depth analysis of the selected texts reveals that they have important contributions to make to the consideration of bodies as they develop and expand the issues raised by theorists such as Butler, Elisabeth Grosz, Luce Irigaray and Julia Kristeva.

Thesis (Ph. D.)--University of Sydney, 1996.

Thesis (doctoral)--University of Stockholm, 1985. / Extra t.p. with thesis statement inserted. Includes bibliographical references (p. [157]-166).

There is no abstract available for this dissertation. / Department of English