Global ETD Search

11	Selected Repertoire for the Tenor Voice Tripp, Scott T 29 March 2012 (has links) This thesis presents extended program notes for a seventy-minute vocal graduate recital consisting of the following repertoire for tenor: Johann Sebastian Bach’s cantata Ich armer Mensch ich Sündenknecht; two songs from the eighteenth-century Spanish collection Tonadillas Escénicas; Gaetano Donizetti's song La derniére nuit d'un novice; Francis Poulenc's song cycle Tel jour telle nuit; Jake Heggie's song cycle Friendly Persuasions; and John Corigliano's Three Irish Folk Songs for Flute and Tenor. Spanning four centuries of music and representing four different language traditions, these works are sufficiently representative of the tenor repertoire. The content of this thesis features detailed information on these works through historical study, and musical analysis. Tenor Recital Bach Ich armer Mensch Tonadilla Rosales Bustos Corigliano Three Irish Folksong Settings Poulenc Tel jour telle nuit Heggie Friendly Persuasions Donizetti La dernière nuit d'un novice
12	Auguste Brizeux et la chanson populaire bretonne dans le milieu littéraire national au temps romantique / Auguste Brizeux and Breton popular songs in the national literary scene during the romantic period Betchaku, Akihiko 12 December 2016 (has links) Cette étude est une analyse du rapport entre la poésie d’Auguste Brizeux et la chanson bretonne, inspirée par l’étrangeté de sa forme et de son style poétiques, semblables aux particularités de la chanson folklorique de Basse-Bretagne. Nous supposons donc que cette étrangeté résulte de l’adaptation de la forme de la chanson bretonne à la poésie française. Si tel est le cas, ceci nous amène à une nouvelle question : comme Brizeux était très proche de Théodore Hersart de La Villemarqué, auteur du Barzaz-Breiz, cet art poétique a-t-il quelque rapport avec ce fameux recueil de la chanson bretonne ? C’est ce qui a motivé nos recherches et nous amène à en présenter le résultat. / This study is an analysis of the relation between the poems of Auguste Brizeux and traditional Breton folksongs. It is inspired by the curious and unconventional poetic structure found in his poems, similar to the forms particular to the traditional song of Lower-Brittany. We suppose that this particularity comes from the adaptation of the poetic system found in Breton song to French poetry. If that is the case, this hypothesis would also lead to a new question: As Brizeux was close to Théodore Hersart de La Villemarqué, author of the Barzaz-Breiz, had there been a real influence between the poetic practice of our poet, Brizeux, and the production of the so-called “Breton folksongs" published in this La Villemarqué's famous book? This compelling question is the source of interest in our comparative study, its motivation and the thread that leads us to an intriguing conclusion. Auguste Brizeux Barzaz-Breiz Chanson folklorique bretonne Littérature bretonne Littérature romantique Recherches folkloriques au XIXe siècle Auguste Brizeux Barzaz-Breiz Breton folksong Breton literature Romantic literature Folklore studies of 19th century 890
13	Song King: Tradition, Social Change, and the Contemporary Art of a Northern Shaanxi Folksinger Gibbs, Levi Samuel 28 August 2013 (has links) No description available. Asian Studies Asian Literature Biographies Folklore Music Performing Arts Cultural Resources Management Wang Xiangrong folksinger folksong China northern Shaanxi celebrity life story social change drinking songs songs folk belief relationship management A Bao He Yutang lyric song individual tradition culture market song contest

Page generated in 0.0277 seconds