The Internet and other advances in technology have dramatically affected cartography in recent decades and yet these new capabilities have not been adequately evaluated for effectiveness. Are dynamic maps more effective than traditional static paper maps in allowing users to visualize spatio-temporal patterns? How important is a higher level of interactivity in visualizing data? Which format is preferred? To examine these questions, human subject tests were conducted to evaluate different levels of interactivity as represented by 1) a static paper map series; 2) an animated map with 'VCR'-type controls; and 3) a toggle map featuring an interactive temporal legend. Results indicate that while the level of interactivity did not affect accuracy of answers to questions regarding spatio-temporal patterns, the total amount of time in which these questions were answered lessened as the level of interactivity increased. Overall, test subjects were more enthusiastic towards the tools featuring greater interactivity.

This paper examines the production of my thesis film, “The Horse and The Castle.” I will explore the choices taken in each step of the production, from the writing process to post-production and finishing. Each area — writing, directing, production design, cinematography, editing, and sound — contained a multitude of decisions that helped to achieve my final vision for the film.

The French Quarter of New Orleans and its famous Bourbon Street receive millions of visitors each year and are the subjects of both scholarly study and the popular imagination. Bourbon Street’s history of striptease has largely been untouched by scholars. In the post-World War II period, nightclubs featuring striptease entertainment drew the attention of reform-minded city and police officials, who attempted to purge striptease from the city’s historic district in an effort to whitewash the city’s main tourist area and appeal to potential outside economic industrial opportunities. Through news articles, correspondence, tourism brochures, and published reports, this thesis explores how striptease endured on Bourbon Street despite various reform campaigns against it and shows that striptease was an integral part of the New Orleans tourist economy in the postwar period.

This report accounts my time spent as an intern with French Quarter Festivals, Inc. from March 2013 through August 2014. FQFI, a nonprofit 501(c)(3) organization in New Orleans, Louisiana, began with French Quarter Festival in 1984 and now produces three festivals each year. This paper seeks to discuss how the organization has changed over time, examine the structure of FQFI in its current state, and make recommendations for FQFI as they continue to “promote the Vieux Carré and the City of New Orleans through high quality special events and activities that showcase the culture and heritage of this unique city, contribute to the economic well being of the community, and instill increased pride in the people of New Orleans.”

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In order to better understand the effects of condominium conversions, this study explores the nature and extent of the conversion trend, and its social impacts on the Vieux Carré neighborhood. The increasing number of conversions in the Vieux Carré, also known as the French Quarter, has been the focus of recent controversy and has been perceived by many residents as a threat to the viability of the historic district as a neighborhood. Long-term Vieux Carré residents and neighborhood organizations have expressed fears that the converted rental units are being used as short-term rentals to tourists or second homes, which may be contributing to the decline of the neighborhood's residential base. As a framework for understanding the social impacts of condominium conversions in the Vieux Carré neighborhood, this study includes a review of the literature on neighborhood change, neighborhood health, and neighborhood attachment. Since the issue of condominiums is intertwined with the ongoing research on tourism in this historic district, a review of the literature on condominium conversion, tourism impacts and the Vieux Carré also is included. In addition, this study contains the results of a mail survey of occupants of converted condominium units in the Vieux Carré. While survey respondents report formal and informal participation in the neighborhood, only half of the occupants (53%) of the converted units consider the Vieux Carré as their primary residence or are registered to vote in New Orleans. Although many condominium residents do exhibit a sense of neighborhood attachment, half are not present in the neighborhood on a full-time basis; therefore, they have limited opportunities to participate politically on behalf of the neighborhood. The findings of the survey suggest the social impacts of the condominium conversion in the Vieux Carré are likely to contribute to the decline of the neighborhood.

Women commonly sold goods on the streets of New Orleans throughout the city‘s colonial and antebellum history. Forming a significant presence among the city‘s market places, they sold various food items which included coffee, calas, and pralines. Perhaps the most popular of the African-American street vendors was the praline women. They attracted the attention of visitors as well as residents. Despite the popularity of these treats, the highly visible and enterprising praline vendors were simultaneously celebrated and caricatured by white observers who depicted them as mammy figures not only in store advertisements and logos, but also in everyday annotations.