Inaug.-Diss.--Friedrich-Alexanders-Universität Erlangen. / Includes bibliographical references.

Thesis (M.A.)--University of Detroit, 1934. / "June 1934." Includes bibliographical references (p. 139-142).

Diss.: M.A.--University of Texas at Austin. / Bibliogr. p. 113-119.

Th.--Linguist.--Jyväskylä, 1983. / Mention parallèle de titre ou de responsabilité : Beobachtungen zur Latinität Porthans. Bibliogr. pp. 166-173. Index.

Inaug.-Diss.--Friedrich-Alexanders-Universität Erlangen. / Includes bibliographical references.

No description available.

No description available.

El eje central del desarrollo de esta tesis lo constituye el trabajo elaborado a partir de la idea de vacío como concepto operativo; teniendo como principal objetivo experimentar operacionalmente la manera en que este podría ser visualizado por el espectador. A partir de la mezcla de diferentes materialidades y diversos medios (fotografía, video, instalación), las obras que a continuación se presentan buscan hacer visible diferentes estados de energía o densidades, que asociadas entre sí, permiten desestabilizar la noción de espacio y categorizarlo entre situaciones formales y dicotomías conceptuales tales como: visible/invisible, dentro/fuera, vacío/lleno, materia/no-materia, entre otras. La respuesta a la pregunta planteada inicialmente y que da origen a esta tesis, es paradójicamente su negación y superación, es decir, un encuentro de los límites que nunca llegan a colisionar del todo. Además se ha constatado que esto ocurre independientemente de la materialidad con la que se produce dicho vacío.

This thesis examines the fiction of the Columbian author Gabriel García Márquez, and focuses on hyperbole as a fundamental characteristic of Márquez's fiction. There is special interest in three aspects of his work: setting, people, and themes.

Thesis (Ph.D.)--Massachusetts Institute of Technology, Dept. of Architecture, February 1983. / MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH / Vita. / Bibliography: leaves 160-166. / This is a study of all the published writings on art by the Symbolist poet-critic G.-Albert Aurier, intending to elucidate the systematic theory of art that underlies all his criticism. It includes a brief biographical account of Aurier's career as an art critic as well as a Symbolist poet and publisher, with emphasis on his involvement in the Decadent phase of literary Symbolism, as it relates to the development of his particular tastes in art. While Aurier's theory is Symbolist, and therefore self-consciously modern, it is here analyzed from a traditional point of view, in order to place Aurier and Symbolism in the context of the preceding tradition of Frerch art theory. The major themes explored include: the possibility of a definition of Beauty in art; the relationship of art to nature and the question of representation; the discovery of the Ideal and its expression in art; the aesthetic emotion, its character, sources, and means of expression in art; the meaning of artistic "genius"; art considered as a "language" and the implications for style. / by Margaret Rauschenbach Lunn. / Ph.D.