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Comparative analyses of the attributes of Ya̲h̲w̲e̲h̲ ̲and Ra̲Fox, William R. January 1973 (has links) (PDF)
Thesis (M. Div.)--Western Evangelical Seminary, 1973. / Includes bibliographical references (leaves 75-77).
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Comparative analyses of the attributes of Ya̲h̲w̲e̲h̲ ̲and Ra̲Fox, William R. January 1973 (has links)
Thesis (M. Div.)--Western Evangelical Seminary, 1973. / Includes bibliographical references (leaves 75-77).
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Die gode is nabyPonelis, I. A. (Isabella Annanda) 03 1900 (has links)
Thesis (MPhil)--Stellenbosch University, 2003. / ENGLISH ABSTRACT: The rise of Ancient Egyptian civilization by the end of the fourth millennium BC was
essentially a religious process. The civilization developed from a religious core that
was formed by and in the Nile valley. Metaphors were drawn from the context of the
Nile to represent deities.
In different epochs and at different places, creation myths attempted explaining the
mystery of the origin of god and man. According to these myths, both god and man
were created by a primal being after it had brought itself into being. In an attempt to
depict different facets of deities, various metaphors were used. One and the same god
could be represented as a human and as an animal. Nonetheless, all deities possessed
human features and all functioned in human structures. In the primal state mankind
and the gods coexisted in harmony. When man rebelled this harmony was shattered,
and the gods left the world of man.
After the gods had left earth they could be approached only by a mediator. The role of
mediator was played by the pharaoh. It was the pharaoh's mission to maintain the
order on earth that had been present since creation. Inthe office as high priest of all
cults it was incumbent on the pharaoh to keep the gods satisfied by ensuring them of
the maintenance of Ma'at. In this the pharaoh as god-king was assisted by a hierarchy
of priests who performed cult rituals in temples and sacrificed to the gods. To a great
extent, ordinary people were excluded from formal religion and resorted to popular or
demotic religion.
The dominant role of artefacts in death and grave rituals does not signify an obsession
with death. All rituals and artefacts were involved in maintaining life after death, and
the afterlife was something that Ancient Egyptians implicitly believed in. Admission
to life after death required a morally sound and just life, which was determined in the
judgement ceremony when the deeds of the deceased were placed on a scale weighted
with the feather of Ma'at.
Religion, with the pharaoh at its centre, permeated every aspect of daily life in
Ancient Egypt. / AFRIKAANSE OPSOMMING: Die opkoms van die Antieke Egiptiese beskawing teen die einde van die vierde
millennium vC was essensieel 'n godsdienstige proses. Die beskawing het rondom 'n
godsdiens ontwikkel wat sy skering en inslag in die vrugbare Nylvallei gehad het.
Metafore uit die Nylkonteks is gebruik om die godedom te vergestalt.
Skeppingsmites het op verskillende tye en op verskillende plekke 'n verklaring van
die ontstaansgeheim van gode en mense probeer gee. Hiervolgens is alle gode en
mense deur 'n oerwese geskape nadat hierdie oerwese homself tot stand gebring het.
In 'n poging om die verskillende fasette van gode uit te beeld, is verskillende
metafore gebruik; dieselfde god kon vergestalt word as mens en/of dier. Tog het alle
gode menslike eienskappe gehad en het hulle almal in menslike strukture
gefunksioneer. In die oerstaat sou mense en gode in harmonie saamleef. Toe die mens
in opstand gekom het, is hierdie harmonie versteur, en die gode het die wêreld van die
mensdom verlaat.
Nadat die gode die aarde verlaat het, kon hulle net deur 'n middelaar bereik word.
Die rol van middelaar is ingeneem deur die farao. Dit was die opdrag van die farao
om die orde wat van die skepping af teenwoordig was, op aarde te handhaaf. In sy
amp as hoëpriester van alle kultusse moes die farao daagliks die gode tevrede hou
deur hulle van die instandhouding van Ma'at te verseker. Hierin is hy as godkoning
bygestaan deur 'n hiërargie van priesters wat in tempels kultusrituele uitgevoer en
offers aan die gode gebring het. Die gewone mens is in 'n groot mate uitgesluit van
formele godsdiens en het 'n heenkome in volksgodsdiens gevind.
Die dominante rol wat artefakte rondom die dood en grafrituele speel, het geensins
gedui op 'n beheptheid met die dood nie. Alle rituele en toerusting is gerig op die
instandhouding van die lewe na die dood, waaraan die Antieke Egiptenaar onwrikbaar
geglo het. Toetrede tot die lewe na die dood het 'n moreel regverdige lewe vereis en
is bepaal by die oordeelseremonie wanneer die afgestorwene se dade op 'n skaal
teenoor die veer van Ma'at geweeg is. Elke aspek van die daaglikse lewe in Antieke Egipte is geraak en bepaal deur die
besondere rol van die godsdiens en die farao as hoofrolspeler in die godsdiens.
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The presence and significance of Khepri in Egyptian religion and artVan Ryneveld, Maria Magdalena 13 December 2007 (has links)
Please read the abstract in the section, 10summary / Dissertation (MA (Visual Arts))--University of Pretoria, 2007. / Visual Arts / MA / unrestricted
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Les sources de la religion d'AkhnatonDebot-Dendal, Marguerite January 1971 (has links)
Doctorat en philosophie et lettres / info:eu-repo/semantics/nonPublished
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Le dieu-fils Harsomtous dans les temples égyptiens d'époque tardive: étude de sa relation avec le dieu-patron du sanctuaire pour définir sa personne et ses fonctions spécifiques en tant que dieu-fils et hors du temple d'EdfouLouant, Emmanuel January 2000 (has links)
Doctorat en philosophie et lettres / info:eu-repo/semantics/nonPublished
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Les représentations relatives à la conception du monde dans l'Egypte ancienneCalmettes, Marie-Astrid 24 June 2013 (has links)
Etude des représentations du cosmos dans l'Egypte ancienne :représentations du Noun (non-cosmos), représentations des frontières entre le Noun et le cosmos et représentations des éléments constitutifs du cosmos (ciel, terre et éléments soutenant le ciel). Etude de l'apport de ces représentations sur la connaissance que nous avons de la conception du monde des anciens Egyptiens. / Doctorat en Histoire, art et archéologie / info:eu-repo/semantics/nonPublished
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